The blogosphere never rests — it's Online Commentary & Diversions:
• Review: "Boyreau laments how digital phased out analog when it comes to our movie viewing; has the Internet done the same with his book [Portable Grindhouse: The Lost Art of the VHS Box] commemorating the losing side of that battle? I say no. It's not just because of the tremendous job Boyreau and Covey did with the cover reproductions, or the lovely, solid paper stock, or the cutesy slipcase. It's because Boyreau is right: the aura of the object is irreplaceable. A book collection of VHS box art contains preserves what was special about them in a way a Flickr gallery just can't. Next time you have a trashy movie marathon, pass this around between movies--unlike your laptop, you won't even need to worry that much about spilling beer on it." – Sean T. Collins
One man’s heartfelt and irreverent record of his time on this rock, Zak Sally’s unflinchingly veracious book, Like a Dog, is both direct and oblique, which we find rather miraculous considering the messy and murky waters of human experience it manages to navigate. Like a Dog is among the few comic book testimonials burdened by the yen to understand and articulate the mundane and the magnificent. Don’t be surprised if you find yourself laughing and crying as you claw your way through each hard fought page!
Of all of Sally’s creative pursuits (including a career in music spanning 15+ years), Like a Dog is the one he’s been working a lifetime toward. This hardcover book collects the best of his acclaimed short stories from the past 15 years, created in between band tours and recording sessions, published in his Eisner-nominated self-published series Recidivist (the first 2 issues of which are reprinted here in their entirety) and in publications like Mome, The Drama, Your Flesh, Dirty Stories, and more.
Like a Dog spotlights Sally’s uncanny ability to create emotional havoc out of claustrophobic images, situations and dialogue. Stories like “Don’t Move,” “The War Back Home,” and “Two Idiot Brothers” share little in common on the surface but are united by Sally’s forbidding style, creating a sense of dread that permeates almost every page.
Sally also turns his eye towards nonfiction in Like a Dog, including “At the Scaffold,” the story of the imprisonment and trial of Fyodor Dostoyevsky for allegedly subversive behavior, and “The Man Who Killed Wally Wood,” a story about Sally’s brush with a former publisher of the legendary comic artist (who, contrary to the title of this strip, took his own life after a long battle with alcoholism). It also includes two collaborations: “Dread,” written by NEA Fellowship recipient, Edgar Award finalist, and O. Henry Award winning author Brian Evenson (Altmann’s Tongue); and "River Deep, Mountain High," co-created with fellow cartoonist Chris Cilla.
Like a Dog also includes extensive “liner notes” by the artist, previously unpublished material, an introduction by John Porcellino (King Cat), and other surprises.
Blurbs, "Babe" and big bucks in this episode of Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book features two full-length stories, 'The Leaking Cello Case' and 'John Wesley Harding.' Both stories start off in the every day then morph into oddball mysteries that never go quite where you expect them to. As odd as some of the capers and misadventures get they are always conveyed with a kind of casual, deadpan poker face that manages to make them all the more believable. ... The art is a curious mix of cartoonish realism, and the city of Cape Town is vividly portrayed... Red Monkey Double Happiness Book is a thoroughly enjoyable and entertaining read for the mystery/crime comic fan looking for something a bit different than the harder noir stuff that seems to dominate these days." – Brian Lindenmuth, BSCreview
• Review: "...[T]he appearance this week in bookstores of Hans Rickheit’s comix masterpiece, The Squirrel Machine, is a genuine milestone in the... artistic business of reconciling one’s inside to one’s outside, so much so that I must confess that I am truly taken aback by Rickheit’s entire effort, in the best sense of the word. This carefully constructed tale... strikes me as being one of the few original works of art that I’ve seen published in North America over the last two decades, on a par with the better work of Dan Clowes or Charles Burns. ... This is not a tale for the squeamish nor is it a tale for the literal-minded; it is very much a bravura performance in the tradition of Surrealism, or Fantastic Art, or even Symbolism... In short, strongly recommended!" – Mahendra Singh
• Feature: Matthew J. Brady presents "12 Things I Learned from Supermen!" including "In these stories, disbelief must often not only be suspended, but strung up and mercilessly whipped, then drawn and quartered"
• $$$: Via The Beat, somebody sold a mint slabbed copy of Albedo #2 (1st appearance of Usagi Yojimbo) on eBay for $5100, making it possibly the most expensive Fantagraphics comic ever sold (corrections welcome); Stan Sakai comments on his LiveJournal
Short notice: Tomorrow night at Big Brain Comics in Minneapolis there's a book release party for Zak Sally's Like a Dog and John Porcellino's Map of My Heart (from D&Q). Festivities start at 5 PM - more info at the La Mano blog. Twin Cities comics fans, this is a Must Do!
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Gary Groth and Kim Thompson will be at next weekend's SMALL PRESS EXPO in Bethesda, MD, debuting a slew of new books, including:
• Zak Sally's LIKE A DOG
• Al Columbia's PIM & FRANCIE
• E.C. Segar's POPEYE Vol. 4
• Steve Ditko's STRANGE SUSPENSE
• Kevin Huizenga's GANGES #3
• Hans Rickheit's THE SQUIRREL MACHINE
• MOME Vol. 16
• Jacques Tardi and Jean-Claude Forest's YOU ARE THERE
... and more.
We have some very exciting signings as well. To wit:
KEVIN HUIZENGA: 12PM to 2PM
C. TYLER: 12PM to 2PM
GAHAN WILSON: 2PM to 4PM
HANS RICKHEIT: 2PM to 4PM
ZAK SALLY: 2PM to 4PM
MISS LASKO-GROSS: 4PM to 5PM
AL COLUMBIA: 5PM to 7PM
PAUL KARASIK: 5PM to 7PM
GAHAN WILSON: 12PM to 2PM
ZAK SALLY: 12PM to 2PM
KEVIN HUIZENGA: 12PM to 2PM
HANS RICKHEIT: 2PM to 4PM
C. TYLER: 2PM to 4PM
AL COLUMBIA: 2PM to 4PM
PAUL KARASIK: 4PM to 6PM
MISS LASKO-GROSS: 4PM to 5PM
Plus, several FANTAGRAPHICS-related panels:
Saturday, 12:30PM: Debut Cartoonists
Hans Rickheit (The Squirrel Machine) and Zak Sally (Like A Dog) join Ken Dahl and Eleanor Davis to discuss their new books debuting at SPX. Brookside Conf. Rm.
Saturday, 3:30PM: Critics' Roundtable
Fantagraphics Publisher Gary Groth joins Rob Clough, Sean Collins, Chris Mautner, Joe McCulloch, Tucker Stone and Douglas Wolk to share acute critical insights. Brookside Conf. Rm.
Saturday, 4PM: Paul Karasik's Fletcher Hanks Experience
Cartoonist, editor and educator Paul Karasik presents "The Fletcher Hanks Experience," an illustrated tour over the brutally surreal Hanks mindscape narrated by the late Fletcher Hanks, Jr. White Flint Ampitheater.
Saturday, 5PM: Gahan Wilson Spotlight
This year, Fantagraphics publishes Gahan Wilson: Fifty Years of Playboy Cartoons. Mr. Wilson will be joined onstage by publisher and editor Gary Groth to discuss his life and work. White Flint Ampitheater.
Sunday, 1PM: Carol Tyler Q & A
Carol will discuss her new book You'll Never Know: A Good and Decent Man with comics critic Douglas Wolk. White Flint Ampitheater.
Sunday, 1:30PM: Source-Based Comics
Kate Beaton, Paul Karasik, Ed Piskor, and R. Sikoryak discuss what it means to make creative works of adaptation, parody, and historical fiction. Brookside Conf. Rm.
Sunday, 3:30PM: Future of the Comic Book
Discuss the future of the comic book format with publisher Alvin Buenaventura, and cartoonists Kevin Huizenga, Matthew Thurber, Hellen Jo and Noah Van Sciver. Brookside Conf. Rm.COMING IN EARLY 2010:
BUT WAIT, THAT'S NOT ALL!
To celebrate the great Gahan Wilson's rare convention appearance at SPX 2009, we have a very special offer for SPX attendees. In early 2010, we will be publishing GAHAN WILSON: 50 years of Playboy Cartoons, a massive, three-volume hardcover collection of his work. Designed by Jacob Covey, it's going to be absolutely STUNNING:
SPX attendees will have the opportunity to PRE-ORDER the book at the show get a limited edition (150 copies) silkscreen print signed by Mr. Wilson at the show! Even better, we are going to include FREE SHIPPING for the book (and believe me, you'll be happy you didn't have to lug this thing around SPX, it's HUGE) when it ships and knock $25 off the $125 retail price!
For $100, you will get the book, an exclusive signed print, free shipping, and the chance to meet one of the great cartoonists of the 20th Century! Here's what the print looks like:
These will be available on a first-come, first-serve basis. Don't miss out!
• Review: "From the opening panel until the final words, Tardi's adaptation of Manchette's crime novel [West Coast Blues] sizzles with a dazzling graphic intensity... Much like the 1950s American crime novels they emulate, Tardi and Manchette offer a impressive display of destructive violence, wanton love, and disregard for life. Showcasing Tardi's singular artistic talents, the brilliant West Coast Blues emerges as one of the best crime graphic novels ever produced." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "[West Coast Blues] is slyly funny without being jokey; thrilling without ever seeming manipulative; cool, distant and ironic in its narrative voice; immediate in its depiction of violence. What do Tardi's illustrations add? Mostly a crowded sense of daily life, an ironic, sense-sharpening departure from the dark, shadowy atmospherics that sometimes nudge noir toward mere style." - Peter Rozovsky, Detectives Beyond Borders
• Review: "If you were a Martian trying to figure out America in the second half of the 20th century, you could do worse than to start by reading Jules Feiffer’s Village Voice cartoons [collected in Explainers]." - Sarah Boslaugh, PopMatters
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