• List: At NPR.org, Glen Weldon recommends "Tomes With Which to Tough Out Your Turkey Coma," including Linda Medley's Castle Waiting ("a wryly funny fairy tale narrative that's both women-centered and women-powered") and Gilbert Hernandez 's Palomar ("Dense, vividly realized and both literally and figuratively magical")
• Interview: Robot 6's Chris Mautner talks to Dash Shaw about The Unclothed Man in the 34th Century A.D., BodyWorld and other topics: "There’s a meshing going on between film/animation and comics. The meshing is happening in my own interests, the subject matter of my stories, the way my stories are created, and it’s been fueled a little by what’s going on outside of me..."
A few quick hits of Online Commentary & Diversions:
• Review: "Hornschemeier obviously draws a lot of inspiration from Chris Ware, especially in terms of color scheme and alternating between naturalistic and iconic styles. There's a different level of emotional impact in his comics, however, a certain distance that reminds me more of what Daniel Clowes or Art Spiegelman do in their work. ... All and Sundry is less about the work itself and more about the artist as worker." – Rob Clough
• Review: "...Zak Sally's collection of his Recidivist material and other works [Like a Dog] was positively pugillistic in nature. Of course, the battle Sally was fighting was with himself and his place in the world, both as an artist and a person. ... The extended endnotes written by Sally were one of the most bracing but inspiring pieces of writing I've ever seen by an artist on their own work. It's a statement of purpose not just as an artist, but as a human being." – Rob Clough
• Review: "I recently bought [Sergio Ponchione's] Grotesque #2-3, which contained a two-part story, 'Cryptic City.' ... It’s a noir mystery crushed into a surrealistic adventure, and the two work together excellently under Ponchione’s imagination. ... It’s hard to ignore Ponchione’s gorgeous art in Grotesque #2-3, which is certainly part of their charm. ... At this point, I’m not sure what I’m hoping for more; additional issues of Grotesque, or other works from Ponchione translated into English. (Regardless, I’m running out and buying Grotesque #1 as soon as possible.) This is a beautifully off-kilter comic. Definitely check it out." – Greg McElhatton, Read About Comics
A piping hot dish of Online Commentary & Diversions:
• Review: "...[T]his shaggy-haired collection of 15 years’ worth of artful zines and comics [Like a Dog]... reads at times like a history of psychological warfare. [Zak] Sally... tends toward richly dark, semiautobiographical, and tightly etched tales of tension and self-recrimination. Creepy dreams and images of anatomical self-analysis are recurring themes, along with the general sense of transience that marked Sally’s life while relentlessly touring with Low... At times the book... breaks out of that shell to address topics that are usually no lighter in tone though, as with his excellent retelling of Dostoyevski’s imprisonment, they benefit from the change in perspective. The art is equally claustrophobic when not downright disturbing. Revealing and witty, even when mired in darkness." – Publishers Weekly
• Review: "The Cold Heat material from Jones, Santoro, and Vermilyea is... imaginative and, particularly with Vermilyea at the drawing table, sharply delineated, as is Vermilyea's delightfully sick solo material. Josh Simmons impresses with his blackly comic strips... Tim Hensley kills it as always with the concluding chapters in his Wally Gropius saga, featuring peerlessly communicated body language perhaps the greatest anti-climax in comics history. I think this is some of the tightest material we've seen yet from Sara Edward-Corbett... Lilli Carré is alarmingly good at depicting male lust. Nate Neal's not-so-instant-karma piece in Vol. 16 is explicit and haunting. Dash Shaw is a restless talent, albeit so restless he never seems to settle down even in the middle of any given strip." – Sean T. Collins on Mome Vols. 14, 15 & 16
• Review: Lene Taylor of the I Read Comics podcast wonders if the humor in Jason's Low Moon exists in an alternate world (beware of spoilers)
• Review: Google Translate creates poetry out of this Portuguese review of Like a Velvet Glove Cast in Iron by Daniel Clowes at O Recíproco Inverso: "The art that is what Daniel Clowes you do best: people ugly. All the characters are people from day to day, dark circles, old-fashioned clothes, hair loss... out the freaks that appear, like the girl in the form of potato or the dog itself without holes, op. You see, the Daniel Clowes does not draw badly, he draws very well what he wants to show. That is, ugly people. I will not give star ratings do not pro book, this is very scrotum. Just know that it's cool."
• Plug: "One hell of a messed-up book. ... Pim & Francie are Columbia's pet subjects — a pair of cute kids who are always stumbling into horrific nightmare scenarios. This isn't quite a collection of stories about them: it's a collection of Columbia's rough and finished materials concerning them that keeps veering toward storyhood, then jerking the steering wheel and plunging over the nearest cliff." — Douglas Wolk, Comics Alliance
• Plug: Chris Mautner of Robot 6 rediscovers Zero Zero by way of our 99 Cent Comics sale (issues are selling out fast): "Re-reading this stuff, it really startles me just how good and how ignored this series was and continues to be. I mean, the level of talent in these pages is staggering. Kim Deitch's Search for Smilin' Ed! Dave Cooper's Crumple! Richard Sala's The Chuckling Whatsit! Joe Sacco's Christmas with Karadsic! Not to mention Max Andersson, Skip Williamson, Mack White, Sam Henderson, Michael Kupperman, David Mazzuchelli and so many more. This really was the best anthology of the 90s, bar none."
• Preview: The Comics Reporter spills the beans on one of our 2010 releases: Drew Weing's Set to Sea
Your Online Commentary & Diversions-style goodies for today:
• Review: "...[F]or fans of off-beat crime..., I give you Jacques Tardi’s no-shit brilliant adaptation of Jean-Patrick Manchette’s West Coast Blues. ... [W]hat starts out as something straight out of a Hitchcock classic like North by Northwest soon escalates into something more savage, more profound, and utterly wonderful... It succeeds brilliantly in good old-fashioned crime thrills, for sure. The violence is brutal, the story exciting and surprising, and the characters are brilliantly rendered. But then there’s that extra little layer, those subtle themes, those strange details, the lyrical narration passages — let’s just stop and cut to the fucking chase: you should just pick this shit up and be floored. This is about as good as comics get, dear readers." – BSCreview
• Review: "The rape of the innocent. The callousness of the machine. The girth of the profiteers. The threat of the bomb. The hollowness of the victories. [Craig] Yoe has collected more than 220 of those anti-war cartoons in [The Great Anti-War Cartoons,] a book of indelible images that remind us those confrontations aren't what they used to be." – Steve Duin, The Oregonian
• Plug: "[Zak] Sally's one of those artists who can convey a sense of dread or horror out of seeming thin air, and he's really been on the periphery for far too long now. Hopefully [Like a Dog] will thrust him into the limelight." – Chris Mautner, Robot 6
• Interview: At Marvel.com, Sean T. Collins talks to Paul Hornschemeier about his Strange Tales contribution: "I think this story is far more cerebral than the typical mainstream comics, for better or worse. But it will be brightly colored, so hopefully that will get everyone though the awful philosophical ranting I'm about to unleash. Get ready for more shots from my boredom gun." (Paul offers a couple of corrections at his blog)
• Interview: Lauren McKinley of [^]LAND talks to Fantagraphics art director Jacob Covey: "I'd say my style is heavily influenced by where I first learned how to design — making photocopied black and white flyers for rock shows. I feel like that, far more than anything else, taught me most of what I've learned about how to make type and image work."
• Analysis: More commentary on the future of The Comics Journal, this time from CBR's Augie De Blieck Jr.
Scheduled to arrive in comics shops across the country this week: Like a Dog by Zak Sally. This hardcover one-man anthology (not entirely accurate: there are two collaborative pieces in there) collects the first two issues of Sally's Eisner-nominated self-published series Recidivist along with short stories from Mome and elsewhere. Our usual battery of previews & reviews can be found here; check with your local shop to confirm availability because your time is valuable and gas is still pretty expensive.
The blogosphere never rests — it's Online Commentary & Diversions:
• Review: "Boyreau laments how digital phased out analog when it comes to our movie viewing; has the Internet done the same with his book [Portable Grindhouse: The Lost Art of the VHS Box] commemorating the losing side of that battle? I say no. It's not just because of the tremendous job Boyreau and Covey did with the cover reproductions, or the lovely, solid paper stock, or the cutesy slipcase. It's because Boyreau is right: the aura of the object is irreplaceable. A book collection of VHS box art contains preserves what was special about them in a way a Flickr gallery just can't. Next time you have a trashy movie marathon, pass this around between movies--unlike your laptop, you won't even need to worry that much about spilling beer on it." – Sean T. Collins
One man’s heartfelt and irreverent record of his time on this rock, Zak Sally’s unflinchingly veracious book, Like a Dog, is both direct and oblique, which we find rather miraculous considering the messy and murky waters of human experience it manages to navigate. Like a Dog is among the few comic book testimonials burdened by the yen to understand and articulate the mundane and the magnificent. Don’t be surprised if you find yourself laughing and crying as you claw your way through each hard fought page!
Of all of Sally’s creative pursuits (including a career in music spanning 15+ years), Like a Dog is the one he’s been working a lifetime toward. This hardcover book collects the best of his acclaimed short stories from the past 15 years, created in between band tours and recording sessions, published in his Eisner-nominated self-published series Recidivist (the first 2 issues of which are reprinted here in their entirety) and in publications like Mome, The Drama, Your Flesh, Dirty Stories, and more.
Like a Dog spotlights Sally’s uncanny ability to create emotional havoc out of claustrophobic images, situations and dialogue. Stories like “Don’t Move,” “The War Back Home,” and “Two Idiot Brothers” share little in common on the surface but are united by Sally’s forbidding style, creating a sense of dread that permeates almost every page.
Sally also turns his eye towards nonfiction in Like a Dog, including “At the Scaffold,” the story of the imprisonment and trial of Fyodor Dostoyevsky for allegedly subversive behavior, and “The Man Who Killed Wally Wood,” a story about Sally’s brush with a former publisher of the legendary comic artist (who, contrary to the title of this strip, took his own life after a long battle with alcoholism). It also includes two collaborations: “Dread,” written by NEA Fellowship recipient, Edgar Award finalist, and O. Henry Award winning author Brian Evenson (Altmann’s Tongue); and "River Deep, Mountain High," co-created with fellow cartoonist Chris Cilla.
Like a Dog also includes extensive “liner notes” by the artist, previously unpublished material, an introduction by John Porcellino (King Cat), and other surprises.
Blurbs, "Babe" and big bucks in this episode of Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book features two full-length stories, 'The Leaking Cello Case' and 'John Wesley Harding.' Both stories start off in the every day then morph into oddball mysteries that never go quite where you expect them to. As odd as some of the capers and misadventures get they are always conveyed with a kind of casual, deadpan poker face that manages to make them all the more believable. ... The art is a curious mix of cartoonish realism, and the city of Cape Town is vividly portrayed... Red Monkey Double Happiness Book is a thoroughly enjoyable and entertaining read for the mystery/crime comic fan looking for something a bit different than the harder noir stuff that seems to dominate these days." – Brian Lindenmuth, BSCreview
• Review: "...[T]he appearance this week in bookstores of Hans Rickheit’s comix masterpiece, The Squirrel Machine, is a genuine milestone in the... artistic business of reconciling one’s inside to one’s outside, so much so that I must confess that I am truly taken aback by Rickheit’s entire effort, in the best sense of the word. This carefully constructed tale... strikes me as being one of the few original works of art that I’ve seen published in North America over the last two decades, on a par with the better work of Dan Clowes or Charles Burns. ... This is not a tale for the squeamish nor is it a tale for the literal-minded; it is very much a bravura performance in the tradition of Surrealism, or Fantastic Art, or even Symbolism... In short, strongly recommended!" – Mahendra Singh
• Feature: Matthew J. Brady presents "12 Things I Learned from Supermen!" including "In these stories, disbelief must often not only be suspended, but strung up and mercilessly whipped, then drawn and quartered"
• $$$: Via The Beat, somebody sold a mint slabbed copy of Albedo #2 (1st appearance of Usagi Yojimbo) on eBay for $5100, making it possibly the most expensive Fantagraphics comic ever sold (corrections welcome); Stan Sakai comments on his LiveJournal
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