For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table!
Gary will be joined by a truly all-star cast of artists for our first BCGF:
Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public:
1:30 PM // JACK DAVIS Q+A
Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman.
[ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ]
2:30 PM // GESTURAL AESTHETICS
As comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.
6:00 PM // THE LANGUAGE IN COMICS
The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg.
So, get ready! And we'll see you in Brooklyn this Saturday!
The Minneapolis Indie Xpo takes place this Saturday and Sunday at The Soap Factory, 514 2nd St. SE in (duh) Minneapolis! I don't think you need us to tell you this is a must-go. Appearing will be Kevin Huizenga, Tom Kaczynski (whose art adorns the poster above), Anders Nilsen, Jim Rugg, Zak Sally, Noah Van Sciver, and lots more of our friends and colleagues! Say hi to 'em for us.
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
240-page full-color 7" x 9" softcover • $19.99 ISBN: 978-1-60699-395-8
Ships in: July 2011 (subject to change) — Pre-Order Now
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
Download and read a 29-page PDF excerpt (13 MB) with a sample page from nearly every artist and story (barring some surprises).
Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:
• Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6
• Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books
• Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with Charles Schulz’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor
• Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."
• Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!
• Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library
• Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."
• Interview:The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."
• Profile:HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."
• Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge
• Feature: Find out what Kim Thompson's been reading (the image above is one clue/spoiler) as he contributes to this week's "What Are You Reading?" column at Robot 6
At Comic-Con in July, we'll be debuting the 22nd and final volume of MOME (that's one-half of Zak Sally's beautifully elegant wraparound cover of the issue, above). It's a bittersweet thing for me, but I couldn't be happier about how the last issue -- at 240 pages, about twice as long as any previous issue -- turned out, so when Mike Baehr suggested I do something for Flog about it, it seemed like a no-brainer. And when I decided the best way to do so would be to post some teaser images from the issue, it took me about half a second to realize where to start: Kurt Wolfgang.
Kurt has been essentially the one constant in MOME from the very first issue (along with myself, I guess), and his main contribution, the ongoing "Nothing Eve," is pretty much the standard-bearer of the kind of work that MOME was specifically designed to midwife into the world, and one of the things I'm most proud to have published in its pages. The simple, dramatic idea behind it -- If you knew the world was ending tomorrow, how would you spend your last night? -- is really just a launching point for what is essentially a charmingly funny and character-driven piece about the way people relate to each other. Kurt resists melodrama every step of the way, and the work is so much better for it.
Also, more than just about any other serial I can ever remember reading in an anthology, "Nothing Eve" functioned perfectly as a serial. In addition to crafting a completely hilarious and compelling graphic novel, Kurt has an innate knack for breaking his story down into compelling chapters that function on their own. You could easily enjoy any chapter of "Nothing Eve" without ever having read another. That's not an easy feat, and regular MOME readers were given a better experience for it.
The bad news is that MOME is ending before "Nothing Eve" ends. The good news, however, is that when "Nothing Eve" is eventually published, it will be that much more satisfying a read.
The best news is that Kurt prepared an alternative, "final" chapter for MOME 22 that is just about my favorite thing I've ever published in MOME. So for those of you who've been following "Nothing Eve" since the beginning, you're going to be rewarded with something truly special that won't end up in the eventual collection.
I'm very reluctant to tip my hand any further, but let's just say, it's right about with this four-panel sequence that shit starts to get unreal:
You can't even begin to guess where things go from here, but trust me in that I promise you won't be disappointed.
It's down to the last couple of days for Zak Sally's Kickstarter project for his self-published, self-printed edition of Sammy the Mouse Vol. 1, collecting the first 3 Ignatz Series issues. The project already met its funding goal a couple of weeks ago but Zak is making one last plea for additional funds so that he can make the book a little fancier, hire some promo help and maybe pay himself a little bit for the printing. And of course it's your last chance to get in on the nifty pledge incentives. If you haven't pledged yet, what are you waiting for?
