This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about our releases this week, and contact your local shop to confirm availability.
192-page full-color 9" x 12" hardcover • $39.99 ISBN: 978-1-60699-166-4
"This hardcover book by Strange and Stranger author Blake Bell features what looks to be substantial prose biography and appreciation, along with plenty of artwork from an artist who helped build the foundation for Marvel as both a publishing powerhouse and a fictional universe." – J. Caleb Mozzocco, Newsarama
"This is the next deluxe Fantagraphics hardcover/art book/biographical thingy by Blake Bell, of 2008′s Strange & Stranger: The World of Steve Ditko. The title suggests some focus on a specific period in the artist’s development and comic book history." – Joe McCulloch, Comics Comics
"A new one from comics historian Blake Bell; haven't read it yet, but it sure sounds interesting." – Douglas Wolk, Comics Alliance
"Bill Everett is one of my top three all-time mainstream comics industry figures, if not number one, and I can't wait to dig into this book." – Tom Spurgeon, The Comics Reporter
"Then there’s Fire & Water: Bill Everett, the Sub Mariner and the Birth of Marvel Comics by Blake Bell, about the long-forgotten artist (and Daredevil co-creator) that I just finished reading and heartily recommend..." – Chris Mautner, Robot 6
320-page full-color 7.5" x 10.5" softcover • $29.99 ISBN: 978-1-60699-343-9
"Oh man, it’s a good week for reprints, starting off with Four Color Fear, a collection of classic pre-code horror tales..." – Chris Mautner, Robot 6
"Editors Greg Sadowski and John Benson have collected 320-pages of horror comics and covers from the likes of Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood, casting their net far wider than iconic horror comic purveyor EC for a wide variety of scary stuff." – J. Caleb Mozzocco, Newsarama
"My most anticipated reprint package in a while... – a new 320-page color compilation of non-EC, pre-Code horror comics, edited by John Benson (Squa Tront, Romance Without Tears) & Greg Sadowski (B. Krigstein, Supermen! The First Wave of Comic Book Heroes 1936-1941). Featuring works by Jack Cole, Basil Wolverton, Joe Kubert, Bob Powell..., Jack Katz, Al Williamson, Wally Wood and others. Many treats are anticipated." – Joe McCulloch, Comics Comics
"...[A] collection of smaller-house scary comics from the glorious, mainstream past..." – Tom Spurgeon, The Comics Reporter
"One of the more promising retro books this week... — this softcover selects lost books from the golden age of horror comics that had unique aesthetic merits." – Cyriaque Lamar, io9
"If I could splurge… to really stimulate the economy, I’d throw in Four Color Fear: Forgotten Horror Comics of the 1950s, from Fantagraphics, because I love good vintage comics—and bad vintage comics, for that matter." – Brigid Alverson, Robot 6
A lot of catching up to do with this batch of clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• A couple of things Bill Griffith has recently shared on Facebook: the rejected first draft of the home screen for the Zippy Comix iPhone app, and a "lost" Wacky Packages design that Bill says is "almost sacrilegious"
In Zippy’s latest collection of daily and color strips (with additional pages!), the tour of “Dingburg” continues; we drop in on dozens of Dingburgers and observe them in their natural habitat. The city “inhabited entirely by pinheads” can be seen as a metaphor for the world we live in today — or not.
In any event, we watch as Zippy the Pinhead and his fellow Dingburg residents hunt and bag “Speedy Alka Seltzer,” hear voices in their refrigerators, become addicted to Riboflavin, enjoy fondling newsprint, believe that “wahoo bark” attracts the opposite sex, and worship Joan Rivers.
There’s also the extended series in which Zippy has a long (and donut-based) conversation with God and another in which we meet a pinhead poet who bears a striking resemblance to Charles Bukowski. Are we having fun yet?
• List:Publishers Weekly's Calvin Reid and Heidi MacDonald run down some "Graphic Novels as Gifts" suggestions, including Norman Pettingill: Backwoods Humorist ("A wooden cover introduces the amazing outsider art of Pettingill, who crafted detailed postcards of wildlife and rustic humor") and A Drunken Dream and Other Stories by Moto Hagio ("Haunting stories of longing, memory, and love from the legendary manga-ka who changed the face of Japanese comics").
• Review: "When experienced animators turn to creating comics or illustrating children’s books, I usually find the results successful and quite satisfying. That’s certainly the case with animator Mitch Schauer (Angry Beavers) and his first graphic novel, RIP M.D. (from Fantagraphics). [...] RIP M.D. would make an amazing 2D animated feature — if Hollywood were still making those. For now, graphic novels such as this are a great outlet for ambitious creators with ample imaginations. Check it out." – Jerry Beck, Cartoon Brew
• Review: "Temperance is a fascinating comic. Malkasian gives us an odd, fairy-tale-esque world where we must accept unreal things so that she can make her points. [...] Malkasian does a fine job of grounding the tale of Blessedbowl in a real-world concern while still making sure it’s fantastical enough so a sentient wooden doll doesn’t seem too out of place. Malkasian’s art is tremendous, as well. [...] Temperance is a fascinating book to read, and while it’s not difficult to figure out, it does raise some important questions about society and what people do to live in one. Malkasian has a lot on her mind, and it’s impressive that she manages to get her real-world concerns into this fable without becoming preachy. [...] It’s a very thoughtful comic, and I encourage you to check it out." – Greg Burgas, Comic Book Resources
• Interview:Robot 6's Tim O'Shea talks to Jason about Werewolves of Montpellier and other topics: "I’ve done boy meets girl and one of them dies in the end several times, so yes, I was a bit afraid of starting to repeat myself. But I think Werewolvesis sufficiently different. It’s a platonic relationship between the two characters for one thing, and none of them dies in the end."
• Interview: At About.com: Manga, Deb Aoki presents a transcription of Moto Hagio's panel appearances at Comic-Con (with translator Matt Thorn) and conducts her own Q&A with the creator of A Drunken Dream and Other Stories: "Well, when I was a child, I used to read manga and cry myself. I had similar reactions watching movies and reading comics. Basically, I'm just expressing my own feelings like that. So it was with my own parents, and for a lot of people of that generation, who said that manga is just for small children, it's very simplistic. But from my point of view, manga is just one medium like movies and novels; it can be just as deep and just as moving."
• Interview:io9's Cyriaque Lamar, who brilliantly sums up Prison Pit: Book 2 as "not unlike Masters of the Universe...if Masters of the Universe was a hentai that starred Gwar," talks to its creator Johnny Ryan: "I wanted to do a book about monster-men beating the shit out of each other. That's my main idea, that's all it's about. There's no real subtext to it. It's about the fighting."
• Interview: Thomas Papadimitropoulos of Comicdom catches up with Bill Griffith on the latest Zippy the Pinhead developments (the intro is in Greek but the interview is presented in English): "I keep trying to surprise myself with the daily Zippy strip. Zippy’s 'discovery' of his hometown, 'Dingburg,' where everyone is a pinhead like him, has taken the strip in a new direction for the last few years. It’s still a lot of fun for me to explore all the different pinhead personalities in Dingburg."
• Interview: At Marvel.com, Sean T. Collins talks to Frank Santoro about his match-made-in-heaven Silver Surfer story for Marvel's Strange Tales II: "I thought of this as my try-out for Marvel. I didn't take this as a chance to do a funny mini comic kinda thing. This was my shot! Was I ever gonna get another one? I'm gonna try to knock it out of the park! That was my thinking."
• Interview: At Pikaland, Melanie Maddison has an extensive chat with Lilli Carré: "My book The Lagoon, which is very mood-driven, took me about 3 years to finish, because I had a lot of starts and stops when working on it. This was partially due to still being in school and working at that time, but also because it was hard to always be in the right mindset to work on such a moody piece and figure out the trajectory of the story."
• Plug: "The inimitable Drew Friedman has a new hardcover book out of his incredible celebrity portraits and caricatures drawn over the last 15 years... Our pals at Fantagraphics published the handsome hardcover, titled Too Soon?: Famous/Infamous Faces 1995-2010." – David Pescovitz, Boing Boing
• Plug: "A new Love and Rockets is out. It apparently contains one of the best Jaime Hernandez stories ever, which makes me shiver with excitement. In celebration, I photographed and uploaded my current favorite Jamie Hernandez story ever 'Penny Century.'" – Will Hines [Ed. note: Reproducing so much of the story is a little borderline, but what the hey.]
• Analysis:Love & Maggie continue their series of detailed, annotated rundowns of their Top 10 Issues of The Comics Journal with the third part of their examination of issue #71
216-page black & white/color 8.5" x 8.5" softcover • $18.99 ISBN: 978-1-60699-389-7
Ships in: September 2010 (subject to change) – Pre-Order Now
In Zippy’s latest collection of daily and color strips (with additional pages!), the tour of “Dingburg” continues; we drop in on dozens of Dingburgers and observe them in their natural habitat. The city “inhabited entirely by pinheads” can be seen as a metaphor for the world we live in today — or not.
In any event, we watch as Zippy the Pinhead and his fellow Dingburg residents hunt and bag “Speedy Alka Seltzer,” hear voices in their refrigerators, become addicted to Riboflavin, enjoy fondling newsprint, believe that “wahoo bark” attracts the opposite sex, and worship Joan Rivers.
There’s also the extended series in which Zippy has a long (and donut-based) conversation with God and another in which we meet a pinhead poet who bears a striking resemblance to Charles Bukowski. Are we having fun yet?
• Review: "Whether you love the swords and sorcery genre, high adventure, romance, or any or all of the above, Hal Foster’s early work on Prince Valiant is well worth reading. ... Fantagraphics has done a remarkable job remastering these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were first published 70 years ago. This second volume from Fantagaphics is due to ship in June 2010." – James Henry, Mid-Ohio-Con
• Review: "In form, content and effect, [Muzzlers, Guzzlers and Good Yeggs] is a hell of a book. Coleman's intricate line drawings capture phantasmagorical scenes of horror and pathos, mixing nightmares with satire and surreal portraiture. There a strange and powerful sense of vitality at play, and a feeling of obsession mixed with a furious sort of joy." – Oliver Ho, PopMatters
• Plug:New York magazine places Wally Gropius by Tim Hensley well on the "brilliant" side of their Approval Matrix, says reading it "is like taking acid during a time-machine trip to the sixties."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Gene Deitch: "When it rained, we had to shove the drawings under our coats and run from one room to another. But it was exciting. We really felt we were pioneers, no question about it. These people were very intelligent and were very cultured in art."
• Road trip: At Waymarking.com you can find a crowdsourced guide to real-life locations and landmarks featured in Zippy the Pinhead strips — it's pretty remarkable, and a great way to plan your next road trip! Thanks to Patrick Rosenkranz for the tip.
I might have to start posting these art-blog roundups on the weekends too... these Monday updates are outa control...
• Airbrushed Zippy the Pinhead art (artist unknown)! Posting this on Facebook, Bill Griffith says "This is the 2-page spread ad for the 'Zippy Movie' from Variety magazine, 3/29/90. The ad was taken out by the Aspen Film Society (at that time they were the producers of the movie) in hopes of attracting a studio/distributor. Are we in turnaround yet?" More about it (and the likewise never-to-be Zippy TV show series) here
Bill Griffith returned my Facebook friend request just in time for me to catch his post with the original to-be-colored cover art for his next Zippy the Pinhead collection coming later this year.
• List: An old link that just popped up in my search feed: ComicCritique.com's Adam McGovern gives out some best-of-2008 awards, with The Lagoon by Lilli Carré tied for Graphic Novel of the Year ("Carré’s artisanal eccentricity carves intricate patterns and masklike faces into pages that stand like the folk-art furnishings of vanished but vivid earlier societies") and Carré tied with Grant Morrison for the M.C. Escher Prize for Non-Sequential Art ("Morrison and Carré are two creators at the cutting edge of both storytelling craft and conversational physics who make us uncommonly aware of the presence of time.")
• Review: "Love and Rockets: New Stories #2. The Hernandez Brothers have been producing such consistently good comics for such a long time that I often feel they get taken for granted. But their recent comics [don't] just maintain their high level of previous achievement, they also have a freshness and liveliness that any young artist would envy." - Jeet Heer, Robot 6
• Review: "More than anything, [Peter] Bagge's work does what it always does with perfection, which is capture people doing exactly what people really do, and how they often think when they think that nobody else thinks that they are thinking it (sorry). His art is constantly moving, perpetually fluid, and instantly recognizable to a 21st century American culture raised on Tex Avery and Bob Clampett cartoons. Whether you agree with his politics or not, Everybody Is Stupid [Except for Me] is thought-provoking and, most importantly, hilarious." - Monster on a Rope
• Interview: The Daily Cross Hatch posts the second of three parts of Brian Heater's interview with Jordan Crane: "The art—those are the tools I use to transfer the story. Pictures, words—those are the conveyance of the story. The important thing is the story, so once I get my tools there, I convey the story in a way I want to."
• Profile: Amy Stewart visited Ellen Forney in her studio: "There are only certain kinds of comics that interest me: I prefer the true-to-life ones that are well-drawn, have stories I can relate to, and make me laugh, cry, or think. Ellen does all three, in spades."
• Events: Chicagoans, catch Ivan Brunetti as a panelist on the next "Show 'n Tell Show," a live talk show devoted to design, next Saturday Sept. 6 at 9 PM
• Interview: The Comics Reporter's Tom Spurgeon found a video file of Jonathan Lethem interviewing Daniel Clowes at the 2005 MoCCA Festival; he can't remember where it came from but he's posted it anyway
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