FLOG! Entries tagged 'adam grano'

2010 Harvey Award Nominations

mike

The nominations for the 2010 Harvey Awards have been announced and we're pleased to report that our artists and publications have been honored with 5 of them:

Best Continuing or Limited Series: Ganges by Kevin Huizenga
Best Single Issue or Story: Ganges #3 by Kevin Huizenga

Best Domestic Reprint Project: Humbug

Special Award for Excellence in Presentation: The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913-1940, edited by Trina Robbins, designed by Adam Grano

Best Biographical, Historical or Journalistic Presentation: The Comics Journal, edited by Gary Groth, Michael Dean and Kristy Valenti

Our normal M.O. with award nominations is to put the nominated titles on sale — conveniently, all of these titles are already on sale because they are also 2010 Eisner Award nominees. Still, browse and shop our 2010 Harvey Award nominees here.

Several of our worthy pals also picked up nominations for their non-Fantagraphics work, including but not limited to Robert Crumb, Roger Langridge, Joe Sacco, Seth & R. Sikoryak — congratulations to all. The complete list of nominees can be found here.

Comic-Con Friday line-up

mike

Our official Comic-Con PR announcement is coming next week, but Comic-Con just announced the Friday (July 23) line-up and we couldn't wait to share the Fantagraphics-related bounty with you:

10:00-11:00 Publishing Comics— Four publishers—Matt Gagnon (BOOM!), Gary Groth (Fantagraphics), Dallas Middaugh (Del Rey Manga), and Mark Siegel (First Second Books) -- each from a different part of the comics industry, discuss what's involved in running a publishing company and in creating and fostering a unique comics ideology. Moderated by Graeme McMillan (Techland). Room 8

10:30-11:30 Spotlight on Moto Hagio— Comic-Con special guest Moto Hagio is considered to be the mother of shōjo (young girl) manga. Her large body of work is renowned the world over, and Fantagraphics Books is publishing a new collection of her short stories, Drunken Dreams. Celebrate her first-ever visit to the U.S. at this special Q&A session, moderated by Matt Thorn, associate professor in the department of manga production at Kyoto Seika University in Japan. (Thorn decided to translate shōjo manga into English after reading Thomas no Shinzō by Moto Hagio in the mid-1980s). Room 5AB

12:00-1:00 Spotlight on C. Tyler— Comic-Con special guest C. Tyler is known for her personal brand of storytelling. Her latest book, You'll Never Know, Book 1: A Good and Decent Man chronicles the story of her father's life during World War II and interweaves it with her own story. Fantagraphics publisher Gary Groth interviews Tyler about her work. Room 4

2:00-3:00 Graphic Novels: The Personal Touch— You know when you read it: that certain something that sticks out in a graphic novel. It's the personal touch, a work that draws on the life of the creator or the people around him or her. Call the work autobiographical, call it reality—many times it results in truly personal and inspiring comics. Comics creator and journalist Shaenon Garrity (Narbonic, Skin Horse) talks to Comic-Con special guests Gabrielle Bell (Cecil & Jordan in New York), Howard Cruse (Stuck Rubber Baby), Vanessa Davis (Make Me a Woman), Larry Marder (Beanworld), Jillian Tamaki (Skim), and C. Tyler (You'll Never Know Book 1: A Good and Decent Man) about their very personal work. Room 4

2:00-3:00 Peanuts Turns 60— On October 2, 1950 the Peanuts comic strip launched in seven American newspapers. Little did anyone know the impact this comic strip would have around the world for decades to come. Nearly 60 years later, Peanuts appears in over 2,200 newspapers, in 75 countries and 21 languages. The animated specials have become a seasonal tradition and thousands of consumer products are available in every country around the world. Moderator Jerry Beck (animation historian/cartoon producer/consulting producer to Warner Bros., Universal, and Disney), Comic-Con special guest Jeannie Schulz (widow of Peanuts creator Charles Schulz), Paige Braddock (creative director of Charles M. Schulz's studio in Santa Rosa), Andy Beall (fix animation lead for Ratatouille, Wall-E, UP), Stephan Pastis (creator of Pearls Before Swine), and Marge Dean (general manager, W!ldbrain Animation Studios), present an in-depth foray into the work of Charles M. Schulz and what new things fans can look out for from Peanuts. Warner Premiere is joining the celebration with a sneak peek of something all new from Peanuts that fans won't want to miss. Room 25ABC

3:00-4:00 Spotlight on Émile Bravo— Eisner Award 2010 nominee -- three nominations for My mommy is in America and she met Buffalo Bill (Fanfare/Ponent Mon) -- and Comic-Con special guest Émile Bravo makes an illustrated presentation: "Graphic Writing, Comics as Calligraphy," with Michele Foschini (BAO Publishing, Italy) and Stephen Vrattos (Captain Gravity; www.heroesinmycloset.com), followed by a Q&A. Room 4

3:30-4:30 Comics Design— How do pages of art become a book? Six designers -- Mark Chiarello (DC Comics), Adam Grano (Fantagraphics), Chip Kidd (Random House), Fawn Lau (VIZ), Mark Siegel (First Second Books), and Keith Wood (Oni Press)—discuss what's involved in the process of comics design, and the importance of design to a book's critical and consumer reception. Moderated by Chris Butcher (The Beguiling). Room 26AB

Daily OCD: 2/4/10

mike

Today's Online Commentary & Diversions starts with a rave:

• Review: "This is a fascinating book on a lot of levels. For one, it's distinguished by Adam Grano's design work to a degree I think noteworthy: on many levels, Newave! represents better than any book I've seen the clash of comics publishing impulses now and then. ... It says something about Grano's increasingly compelling body of work with Fantagraphics that he provides the work with much of the energy that helps the reader through nearly 900 pages. It's Michael Dowers that makes that trip worthwhile. By avoiding a summary statement and roping in so many cartoonists, presenting 700 pages of their work in doing so..., Dowers lets the reader come to the material rather than shoving it into their face. His confidence is justified: a lot of these comics are fascinating-looking, and the sheer handsomeness of many of the pages, this wall of better-than-expected craft, will probably be the biggest shock to those that kind of dismissed this kind of work whenever one encountered it along the way." – Tom Spurgeon, The Comics Reporter

• Review: "...[Like a Dog] makes for a compelling scrapbook collection — and a beautifully-bound one at that. ... There’s an inspiring breadth of themes and styles on display here, although ultimately they all point to an artist in the depths of an existential crisis." – Will Fitzpatrick, Bookmunch

• Interview: Bookmunch's Will Fitzpatrick, whose review of Zak Sally's Like a Dog is linked above, has a good long email interview with Zak: "I actually enjoy reading comics so much that it’s slightly embarrassing. The stylistic diversity you mention was, again, not that conscious on my part: it was, again, just having this thing or idea and having to find a way to come at it that made sense, to me; and strangely enough, that often meant I had to experiment with what I thought comics were or weren’t to get there. I was just searching for a way to make comics."

• Contributor notes: Mini comix artist Ed Emmer talks about being included in Newave! The Underground Mini Comix of the 1980s

• Links: Another exhaustive Love and Rockets link roundup from Love & Maggie

KING of the Bookcase (Shelf Porn)

jacq

The advance copies of the King Special Edition came into the office recently. They look SO killer. Eric put them on our shelf, and now everybody who walks by stops to gawk at the awesomeness. I consider this a true WIN for designer Adam Grano.

And, people say that the book is dying. Well, take that eBook readers. This is not only an amazing piece of nonfiction comics, but also a beautiful art object.

I dare anyone to pick out King Special Edition and not marvel at its beauty. Just try it. I triple dog dare you. Yeah, that's right. What are you going to do now, Chump?