|Eaton / Blanefield art collaboration|
|Written by Eric Reynolds | Filed under Jeremy Eaton, art||21 Feb 2008 9:21 AM|
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Category >> art
Jeremy Eaton is collaborating with outsider musician Willy Blanefield III over at Blanefield's MySpace page, with Eaton providing illustrations for each of Blanefield's mercurial songs (with titles such as "Retarded" and "We Burned Frank Sinatra"). Meanwhile, Eaton is selling the originals over at Comic Art Collective, including this amazing Shaft-as-literal-sex-machine Kirby homage.
The Friends of the Nib present a Valentine-themed art show for an evening of canoodling, carousing and commerce at Seattle's Cafe Racer on Valentine's evening (hey, that's today) from 6 to 10 PM. Mr. Woodring provides the enticement and details.
Irwin Chusid, editor of our Jim Flora books, writes:
Jim Flora Art LLC has produced a limited-edition, archival-quality fine art print of a 1954 Jim Flora hand-tinted woodcut entitled Manhattan.
In the time it's taken me to write this, 4 of the 5 have sold. Yipes!
For those of more modest means, Jim Flora notecard sets (and other snazzy goods from artists like Meomi, Matthew Porter, Mark Burrier and many others) can be purchased from copacetique.com (note: big fat conflict of interest/nepotism alert).
More from the files...
A couple of rejected panels by Al Columbia:
Another 1997 WonderCon jam sketch pencilled by Gilbert Hernandez & inked by me:
A 1991 convention sketch I obtained from Dan Clowes while I was in college, three years before working at Fanta:
A 2004 wedding present from Chris & Marnie Ware:
More goodness from my Sanctum Santorum...
A gift from Johnny Ryan, patterned after a parody from the back cover of Angry Youth Comix #1:
Two business card drawings I picked up at a con a few years ago for a couple of bucks each. I know nothing about either cartoonist, but I've always wanted to know what a little baby who looks ready to fight has to do with a strip called "Off the Record":
Here's a Dan Clowes drawing of Richie Rich's nemesis that graced a package he sent me many years ago:
And a gorgeous Al Columbia panel that Al gave me years ago: