In honor of Joe Shuster's 100th birthday, which would have been today, Drew Friedman created this portrait of Siegel and Shuster working on their creation: Superman. Writer Jerry Siegel would have also been 100 this year in October!
For more amazing portraits of comic book and newspaper strip greats, check out Friedman's new book Heroes of the Comics, available for pre-order AND debuting at San Diego Comic-Con (details of Drew's signing schedule at our booth #1718 soon!).
Seattle photographer Lance Mercer has captured some truly gorgeous photos throughout the years of musicians from all walks of life. From the official photographer for Pearl Jam in the 90's to Beck, from The President of the Unites States to the chapter breaks in grunge-rock memoir by Danny Bland, In Case We Die, drama and action and life ooze from shots. Recently, our friend Lance was diagnosed with lymphoma. The doctors caught it early, he's been through chemo treatment but as with most freelancers, the medical bills are rather weighty. Lance's family created a GoFundMe account to help cover the bills, that are still totalling up. Check out his story over at the site and send a few dollars his way. 'Cuz fuck cancer.
Lance's bio from the website:
"Chances are you probably know Lance. Sometimes it seems like everyone does. He was born and raised in Seattle and began photographing the local music scene at the age of 13. Earning a reputation with his energetic and honest photographs, Lance got involved in some of the most legendary musical movements Seattle had to offer, including working as the official photographer for Pearl Jam in the 1990's. His work can be found in some of your favorite albums, in museums and galleries around the country, and in any music publication you can think of. In the 2000s he took some time off from photography to travel the world with his own band, Seattle punk spectacular The Briefs. And in recent years he has spent time engrossed in a wide array of projects from curating installations for Nordstrom to traveling to Nepal and documenting the grass roots Sherpa cultural identity for their 2012 Spring catalog ‘Sherpa Adventure Gear'.
(Pearl Jam, 1991)
Lance has been in recovery for over 10 years and one of his greatest passions in life is extending the hand of service to help others in need. He has worked cloesly with the MusiCares foundation to assist other artists struggling with addiction. He's helped countless individuals on the road to recovery and he is always there. Whether its to offer a place to stay, a ride, an ear to listen, or advice. Now its time for us to be there for him."
Cartoonist from Sammy the Mouse, Le Mano Press and one of the Autoptic Festival organizer,Zak Sally is currently running a Kickstarter to create an interdisplinary experiment in art education! With all the heavy-wallet-hitting schools like SCAD, SVA and CCS (which I love, don't get me wrong), seeing education programs like SAW, Frank Santoro's low-residency Comics Workbook program and now SchoolHaus are very encouraging for the highly-ambitious, hard-working people without a lot of extra dough. When the choice is eat dinner or new bristol? Sometimes that's a tough choice.
Along with Dan Ibarra of Aesthetic Apparatus, Zak Sally aims to create an educational system derived from what the students want to learn instead of hitting goals to earn a degree. Money made from the campaign will go towards many student's tuition. Minneapolis is already the home of many amazing book-friendly places like MCAD itself, Minneapolis Center for Book Arts, stores like Big Brain or Magers & Quinn; Ibarra and Sally's work in printing and education is definitely something the locals can sink their teeth into. Check out the Kickstarter and throw a few bucks their way, they have all sorts of beautiful rewards from screenprinted aprons to object books like the one below.
This July, the talented and incredible Eleanor Davis and Esther Pearl Watson will descend upon the Fantagraphics Bookstore and Gallery with the fury of a thousand suns, scorching earth and people in their paths. During the Georgetown Garden Walk on Sunday, July 13th, Eleanor and Esther will have a reception and signing from 3:00 to 5:00 PM. We'll have brand, spanking new copies of How to Be Happyand Unlovable 3 for you (feel free to bring your other EPW and Davis books from your shelves)
The original art exhibition continues through September 10, 2014. This events coincides, as we mentioned, with the festive Georgetown Garden Walk so you'll have a tulip trip of a time visiting all the shops and gardens throughout the historic neighborhood. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, just minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
Ron Regé, Jrhas the esteemed pleasure of being named the Cinders Gallery Artist of the Month! Cinders interviews Regé all about his comics creative process, his band Lavender Diamond, magick and even the last good movie he saw (a 1981 animated film, Ferherlofia aka Son of the White Mare). You'll notice that Rege is also sporting a very UNIQUE pair of leggings made from his Cartoon Utopia cover. The leggings are almost as hypnotizing as the book!
In one of the cooler videos to hit the internet lately, comics enthusiast and scholar Allen Rubenstein created a video of the 1000 Greatest Comics of all Time AND set it to "Wipe Out" by the Sufaris (so already won a place in our hearts). At home on Comics Juice, Rubenstein's video contains some great heavyweights like Maus, Blankets and bunch of Fantagraphics' titles from Nancy by Ernie Bushmiller to the newer Eisner-nominated Good Dogby Graham Chaffee.
Think you were able to see all the comics, like the Fanta-ones? Check the list and see if you won this game! And is there anything more beautiful than the patterns and rhythms created by the fast-scrolling book covers? I think not.
Charlotte, NC: Soak up some Southern charm at the 2014 Heroes Con! Known for being almost solely comics centered, there are too many amazing artists and writers attending for me to list them all. But here are some Fanta greats that'll be holding it down in the invitation only, Indie Island: Rich Tommaso! Noah Van Sciver! Gilbert and Jaime Hernandez! Plus so, so, so many others. The convention runs from June 20-22, with tickets still available! (More details)
Saturday, June 21st
Charlotte, NC: Continues through the weekend! Just as awesome as yesterday, maybe as awesome as tomorrow. Don't miss the Hernandez Bros panel at 1:30, moderated by Tom Spurgeon!
Savannah, GA: The solstice is going to get fun and freaky in Savannah as Dame Darcy hosts its first annual Mermaid Parade through Tybee Beach! Wear your boldest Mermaid costume, win prizes, clam jam to live music, and take a chance to be crowned mermaid QUEEN! Parade kicks off the festivities at 1 pm. (More details)
Seattle, WA: If you've been looking to spruce up your walls with some new original art pieces, pop by the Jeremy Eaton art show in Ballard, running from 12-6 pm. (More details)
Seattle, WA: For the first time, Seattle audiences will get to witness the live action comics anthology performance of Gridlords #23! Presented by Short Run, watch a combination of music, puppetry, video, readings, and more come together to form an original narrative. Many artists are participating, including Andrice Arp! Begins at 7 pm, at Gallery 1412. (More details)
Sunday, June 22nd
Venice, CA: A free opening reception for an exhibition celebrating the work of LA comics artists winds down the weekend, and features pieces by the likes of Ron Rege Jr., and Jordan Crane! The featured artists will be attending and reading from their work. Sponsored by Comics Juice, the reception begins at 3 pm.
Celebrate the Solstice this saturday with a Jeremy Eaton art studio art show! From Noon-6 pm, Jeremy will be showing and selling twenty all new original found-object sculptures, and paintings inspired by comics and cartoons. With work featured in Mome, and Dirty Stories, Eaton always packs depth of experience into a few pages (or a canvas!) with humor and sympathy for his subjects.
Fantastic weather is on the horizon for the rest of the week, and nothing says sunny day like great art. So come check out a Seattle great, and explore our vast art scene on a direct level. And it's only a quick stop on your way to or from the Fremont Solstice Fair!
Pop by 521 NW 43rd St, East of Leary. If you're not from Seattle, or will be out of town, check out his web store to get jealous about what you'll be missing. (Or to buy something!)
For decades, Jim Flora made some of the grooviest album artwork for Columbia and RCA Victor records, and for the first time all of that high energy art was compiled into one complete anthology with the help of co-archivists and authors Irwin Chusid and Barbara Economon. These ruckusly exuberant drawings, with eye-popping color, and post-cubist influence, are in constant motion. Original copies of some rare Flora album covers, proof sheets, and music artifiacts will be jumpin' off the walls at the Jalopy Theatre and Gallery.
Irwin Chusid will be on hand to sign and sell books amidst some swing and jazz tunes that influenced Flora's art, and vice versa. The FREE reception runs from 6-8 pm, but the art show will continue until August 22nd!
The Cartoon Art Museum in San Francisco has featured artwork by many of our caroonists from Jaime and Gilbert Hernandez to a future M.K. Brown show. Currently on exhibit is Pretty In Ink: The Trina Robbins Collection from now until August 24th, 2014 (postcard pictured above). We pulled Andrew Farago, curator at CAM, aside for a few quick questions about the process of getting a show ready.
What do you look for when choosing works from a singular artist/cartoonist? Is it a plan to arrange them visually by era or area (like if they did paintings, cel animation, comics)?
"It depends" is my basic answer for that. If it's a career retrospective, I'll find out if the artist has kept most of her originals or if they've been scattered amongst friends and collectors. Sometimes we'll be focusing on a book that's been recently published, sometimes we'll have our own exhibition catalog in the works. Sometimes I work with a co-curator who's tracked down most of an artist's major works. The fewer sources I'll need to tap into to produce a well-rounded exhibition, the more likely I am to pursue it.
Although that's really more of a technical answer. Before I get into any of that, I make sure that we're focusing on a talented artist whose work will make for a compelling exhibition. I show favoritism to established artists with a substantial body of work, and always prefer to work with the artists directly whenever that's possible. It's incredible getting to collaborate with people likeStan Sakai, Gilbert and Jaime Hernandez, M.K. Brown, Steve Purcell, Eric Drooker, Nina Paley, Jeff Smith, and Dan Piraro, just off the top of my head, when putting together giant solo exhibitions.
Getting art ready for the Pretty in Ink show
Describe the basic layout of the gallery (or if you have a blueprint bird's-eye view of it) and do you aim to have people travel through the show the same way every time? (forgive me, I haven't been before so this question may seem odd)
This particular gallery has two entrances. Visitors will usually enter from the back-right corner entrance, and from there, they'll either wander up to the actual start of the exhibition at the opposite corner of the room, or they'll just start walking through and might end up viewing that particular room a time-and-a-half when passing through. With an exhibition like M.K.'s, which will be more focused on single-panel cartoons than multi-page stories, that won't be an issue for visitors.
Have you ever had an incident where you hung a show and then had to replace/take down art before it opened/while it was open?
Sure. I changed over our Sandman exhibition three times due to late arrivals. The original art for the second issue of Overture wasn't available to us until late March, and I swapped out an entire room to put up the first two issues. Artists and collectors have sometimes sold pieces while they've been on display, to buyers who don't want to wait until the exhibition wraps up before getting their artwork (although that's pretty rare). I don't generally like to change things once a show's up, since that's fairly labor intensive and I don't usually build time for re-hanging into my schedule.
Art matted and framed, ready for a wall
Is work for sale if the creator wishes it to be?
Generally not. We're a museum, so we don't sell art off the walls, but sometimes an artist or collector will ask us to include a note with contact information letting people know that the art's available for purchase through their websites.
How long have you worked at CAM?
I started as a volunteer in the summer of 2000, got hired on as Gallery Manager in the fall of 2001, and eased into the Curator job in 2005. I've worked on a little bit of everything over the years.
Photo by Lani Schreibstein
Are you donation-based? How can people help? Thanks!
There are plenty of ways to support the Cartoon Art Museum. Signing up for an annual membership, making a one-time cash donation (and asking your workplace to match it), donating original artwork, shopping at our bookstore, visiting the Museum, buying books or artwork from us at conventions...Here's a good place to start: http://cartoonart.org/join-support/
Sidenote: the CAM booth at San Diego is a GREAT place to pick up a $10 sketch to support the museum, they feature all sorts of fun cartoonists like Raina Telgemeier, Jeffrey Brown and Sina Grace. Last year, I sketched next to Gene Yang and Zack Giallongo and someone wanted us all to draw Morrissey. What a blast!
Thanks again to Andrew Farago for answering a few questions and carefully, lovingly putting work up on the walls with his crew. If you want to see Pretty In Ink yourself general admission is $8 while students & seniors are $6. Children 6-12 are $4 while WOO-HOO! Members & Children under 6 stroll in through the door for free. Check out Trina Robbin's book Pretty in Ink: North American Women Cartoonists 1896-2013 today.