Celebrate the Solstice this saturday with a Jeremy Eaton art studio art show! From Noon-6 pm, Jeremy will be showing and selling twenty all new original found-object sculptures, and paintings inspired by comics and cartoons. With work featured in Mome, and Dirty Stories, Eaton always packs depth of experience into a few pages (or a canvas!) with humor and sympathy for his subjects.
Fantastic weather is on the horizon for the rest of the week, and nothing says sunny day like great art. So come check out a Seattle great, and explore our vast art scene on a direct level. And it's only a quick stop on your way to or from the Fremont Solstice Fair!
Pop by 521 NW 43rd St, East of Leary. If you're not from Seattle, or will be out of town, check out his web store to get jealous about what you'll be missing. (Or to buy something!)
For decades, Jim Flora made some of the grooviest album artwork for Columbia and RCA Victor records, and for the first time all of that high energy art was compiled into one complete anthology with the help of co-archivists and authors Irwin Chusid and Barbara Economon. These ruckusly exuberant drawings, with eye-popping color, and post-cubist influence, are in constant motion. Original copies of some rare Flora album covers, proof sheets, and music artifiacts will be jumpin' off the walls at the Jalopy Theatre and Gallery.
Irwin Chusid will be on hand to sign and sell books amidst some swing and jazz tunes that influenced Flora's art, and vice versa. The FREE reception runs from 6-8 pm, but the art show will continue until August 22nd!
The Cartoon Art Museum in San Francisco has featured artwork by many of our caroonists from Jaime and Gilbert Hernandez to a future M.K. Brown show. Currently on exhibit is Pretty In Ink: The Trina Robbins Collection from now until August 24th, 2014 (postcard pictured above). We pulled Andrew Farago, curator at CAM, aside for a few quick questions about the process of getting a show ready.
What do you look for when choosing works from a singular artist/cartoonist? Is it a plan to arrange them visually by era or area (like if they did paintings, cel animation, comics)?
"It depends" is my basic answer for that. If it's a career retrospective, I'll find out if the artist has kept most of her originals or if they've been scattered amongst friends and collectors. Sometimes we'll be focusing on a book that's been recently published, sometimes we'll have our own exhibition catalog in the works. Sometimes I work with a co-curator who's tracked down most of an artist's major works. The fewer sources I'll need to tap into to produce a well-rounded exhibition, the more likely I am to pursue it.
Although that's really more of a technical answer. Before I get into any of that, I make sure that we're focusing on a talented artist whose work will make for a compelling exhibition. I show favoritism to established artists with a substantial body of work, and always prefer to work with the artists directly whenever that's possible. It's incredible getting to collaborate with people likeStan Sakai, Gilbert and Jaime Hernandez, M.K. Brown, Steve Purcell, Eric Drooker, Nina Paley, Jeff Smith, and Dan Piraro, just off the top of my head, when putting together giant solo exhibitions.
Getting art ready for the Pretty in Ink show
Describe the basic layout of the gallery (or if you have a blueprint bird's-eye view of it) and do you aim to have people travel through the show the same way every time? (forgive me, I haven't been before so this question may seem odd)
This particular gallery has two entrances. Visitors will usually enter from the back-right corner entrance, and from there, they'll either wander up to the actual start of the exhibition at the opposite corner of the room, or they'll just start walking through and might end up viewing that particular room a time-and-a-half when passing through. With an exhibition like M.K.'s, which will be more focused on single-panel cartoons than multi-page stories, that won't be an issue for visitors.
Have you ever had an incident where you hung a show and then had to replace/take down art before it opened/while it was open?
Sure. I changed over our Sandman exhibition three times due to late arrivals. The original art for the second issue of Overture wasn't available to us until late March, and I swapped out an entire room to put up the first two issues. Artists and collectors have sometimes sold pieces while they've been on display, to buyers who don't want to wait until the exhibition wraps up before getting their artwork (although that's pretty rare). I don't generally like to change things once a show's up, since that's fairly labor intensive and I don't usually build time for re-hanging into my schedule.
Art matted and framed, ready for a wall
Is work for sale if the creator wishes it to be?
Generally not. We're a museum, so we don't sell art off the walls, but sometimes an artist or collector will ask us to include a note with contact information letting people know that the art's available for purchase through their websites.
How long have you worked at CAM?
I started as a volunteer in the summer of 2000, got hired on as Gallery Manager in the fall of 2001, and eased into the Curator job in 2005. I've worked on a little bit of everything over the years.
Photo by Lani Schreibstein
Are you donation-based? How can people help? Thanks!
There are plenty of ways to support the Cartoon Art Museum. Signing up for an annual membership, making a one-time cash donation (and asking your workplace to match it), donating original artwork, shopping at our bookstore, visiting the Museum, buying books or artwork from us at conventions...Here's a good place to start: http://cartoonart.org/join-support/
Sidenote: the CAM booth at San Diego is a GREAT place to pick up a $10 sketch to support the museum, they feature all sorts of fun cartoonists like Raina Telgemeier, Jeffrey Brown and Sina Grace. Last year, I sketched next to Gene Yang and Zack Giallongo and someone wanted us all to draw Morrissey. What a blast!
Thanks again to Andrew Farago for answering a few questions and carefully, lovingly putting work up on the walls with his crew. If you want to see Pretty In Ink yourself general admission is $8 while students & seniors are $6. Children 6-12 are $4 while WOO-HOO! Members & Children under 6 stroll in through the door for free. Check out Trina Robbin's book Pretty in Ink: North American Women Cartoonists 1896-2013 today.
Casey Stengel had a blunderously beautiful career in baseball. From inconsequential outfielder in the '20s, to worst won-lost record as a mangaer of the Dodgers, to winning five consecutive world championships as Yankees manager.
Drew Friedman, hailed as the most prolific portraitist, captured the 1966 Baseball Hall of Fame inductee in his Bronx Bomber blues, and is selling high quality prints in a limited set. The signed and numbered beauties are available from Friedman's fine are website for only $150. A necessitiy for history and baseball buffs.
As a lover of sports and art, you know that we at Fantagraphics love baseball. The summer nights, picnic pastimes, and hometown pride. Because of our big baseball crush, we have a lot of hardball hardcovers to share our love with readers.
If you're looking to expand your super universe of historical cartoons, the new Friedman portrait collection of those who were involved in pioneering and shaping the comic book industry, with forward by Al Jaffee, captures the inspirational worlds of these sequential warriors. Heroes and Comics: Portraits of the Legends of Comics is currently in pre-order, and waiting for you to add it to your collection.
Get your glitter and your cowboy boots, Esther Pearl Watson is a-coming home to Texas. Specifically, the spacious Webb Gallery in Waxahachie (remember when we visited a few years ago?). Esther's got a whole new line of paintings created just for this show and the opening reception is Sunday, June 1st from 4-7pm. She'll also be signing copies of her brand-spanking-new book Unlovable 3 starring the most endearing Tammy Pierce. Live in Dallas or Austin? Waxahachie is one sweet easy road trip away.
Can't make the signing? Contact
ahead of time to order your copy of a sketched-in and signed Unlovable 3! Below is a glimpse of the amazing Webb Gallery with their permanent installation of old carnival and freak show canvas signs juxtaposed perfectly next to Watson's paintings. Dog included!
Webb Gallery 209-211 W. Franklin Street Waxahachie, TX 75165 Opening Saturdays and Sunday, 1-5pm http://www.webbartgallery.com/
Jim Vadeboncoeur is one of our greatest comics historians and archivists, a mean publisher, whose ImageS magazine is a monument of good taste and curatorial excellence for the past 13 years, and a friend to Fantagraphics and consultant and contributor to many of our books, including Four Color Fear, Alex Toth's Setting the Standard, The Sincerest Form of Parody, Jack Davis: Drawing American Pop Culture, and the gigantic George Carlson retrospectivePerfect Nonsense. He is currently running a Kickstarter to print Issue #13, a full color one, and is less than $2,000 from his goal! So as Gary Groth would say, "He's a good guy, so send him money now."
"Horror is a peculiar and particular flavor of dis-ease. The body does not respond to it as it does to fear, with the urge toward fight of flight; instead, horror washes over you and lingers, reminding you that all is not as it should be in the world," writes Silke Tudor.
In Issue 31 of Hi-Fructose, Al Columbia is featured in a special matte paper insert featuring paintings, illustrations and some comics found in Pim and Francie, published by Fantagraphics in 2009. Columbia's dark hallways and candy-coated big-eyed children create the perfect landscape to lose yourself and your own mind in.
Founder and Editor-in-Chief 'Attaboy' says. "It's the layers of drawings and tracings atop half finshed thoughts, tear outs and revisions filled with obsessive detail that turns us into the shamless voyeaurs to what appears to be true madeness. We invite you to join us there."
Preparing for next month's Chicago Alternative Comics Expo aka CAKE, the organizers have an excellently curated art auction on Sunday, April 20th! CAKE FRAME 2: Live Art Auction and Brain Frame Comics Performance Event directly benefits CAKE. Doors open at 6pm, show at 7pm.
Artwork up for auction included works by Ivan Brunetti, Lane Milburn, Chris Ware, David Alvarado, Kevin Budnik, Andy Burkholder, Neil Brideau, Danielle Chenette, Anya Davidson, Jo Dery, Nick Drnaso, Krystal DiFronzo, Keith Herzik, Lyra Hill, Nicole Hollander, Edie Fake, Rebecca Mir Grady, Steve Krakow, Bret Koontz,,Brett Manning, Ben Marcus, Max Morris, Paul Nudd, Peanut Gallery, Onsmith, Otto Splotch, Grant Reynolds, Keiler Roberts, Brad Rohloff, Jeremy Tinder, Leslie Weibeler, and Jeff Zwirek!
$20 donator will be entered into raffle for special prize! The evening will also include a wide variety of comics performances by Brain Frame alums Kevin Budnik, Rachel Niffenegger, Pup House and Jen Rickert. There will be live drawing by Jenna Caravello and live music by El Is A Sound Of Joy. Brain Frame founder Lyra Hill will host the evening as master of ceremonies and auctioneer.
The pertinant deets: Sunday, April 20, 2014 - 6:00pm to 11:30pm April 20 at the Co-Prosperity Sphere 3219 S Morgan Street, Chicago IL 60608 $5 - $20 sliding scale entry
Ed Piskor's Hip Hop Family Tree got some wall love when Dutch graffiti artists Mega & Romeo dedicated some sweet space to his comic. They even emulated the same color palette from the book. If you happen to be in Sneek of the Netherlands, you can enjoy it for yourself!
Coming RIGHT UP, Elysian Brewing Company is releasing the new Jim Woodring Oddland brew: Ginger Berry Brown Ale! This new crispy brew features "a thicket of raspberry, blackberry and boysenberry with a thorny touch of ginger." It joins the past brews like the Peppercorn Saison and Spice Pear Ale and on cold refrigerator shelves everywhere (and Charles Burns' 12 Beers of the Apocalypse from 2012).
Elysian Brewing Company will be tapping their Woodring Oddland kegs on Thursday, March 13th at all their Seattle locations so be sure to pull up a bar stool (maybe with your favorite Frank graphic novel like Weathercraft, Congress of the Animals or Fran) and enjoy the tasty collaboration between one of Seattle's finest cartoonists and brewmasters. Visit the Cap Hill location (1221 E Pike Street), Elysian Fields by the stadiums downtown (542 1st Ave S, Seattle), Elysian Tangletown up north by Green Lake (2106 N 55th St).
One of the all time greats of American cartooning and a legendary figure in Pacific Northwest arts, Jim Woodring is an accomplished illustrator and oil painter, and his creations have also been translated into 3D in the form of toys. He is best known for his surreal comic series JIM, from which sprang the iconic character Frank. You may also know him from his quest to create a giant, functional pen nib, which he'll be bringing to Linework NW!
A free one day convention, Linework NW will play host to many fantastic cartoonists selling their own comics, prints and zines in addition to some publishers like Fantagraphics, Foxing Quarterly, Koyama Press, Oni Press and more. And yes, we'll bring you guys some Ginger Berry Brown Ale for your tasting pleasure and the full Woodring experience.