|SEATTLE: Eleanor Davis and Esther Pearl Watson Event|
|Written by Jen Vaughn | Filed under Fantagraphics Bookstore, events, Esther Pearl Watson, Eleanor Davis, art shows, art||23 Jun 2014 3:20 PM|
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Category >> art
This July, the talented and incredible Eleanor Davis and Esther Pearl Watson will descend upon the Fantagraphics Bookstore and Gallery with the fury of a thousand suns, scorching earth and people in their paths. During the Georgetown Garden Walk on Sunday, July 13th, Eleanor and Esther will have a reception and signing from 3:00 to 5:00 PM. We'll have brand, spanking new copies of How to Be Happy and Unlovable 3 for you (feel free to bring your other EPW and Davis books from your shelves)
The original art exhibition continues through September 10, 2014. This events coincides, as we mentioned, with the festive Georgetown Garden Walk so you'll have a tulip trip of a time visiting all the shops and gardens throughout the historic neighborhood. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, just minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
Ron Regé, Jr has the esteemed pleasure of being named the Cinders Gallery Artist of the Month! Cinders interviews Regé all about his comics creative process, his band Lavender Diamond, magick and even the last good movie he saw (a 1981 animated film, Ferherlofia aka Son of the White Mare). You'll notice that Rege is also sporting a very UNIQUE pair of leggings made from his Cartoon Utopia cover. The leggings are almost as hypnotizing as the book!
Think you have all the Regé books and what not out there? Cinders also has a limited edition print available on their site, there are only 30 left so get one now!
In one of the cooler videos to hit the internet lately, comics enthusiast and scholar Allen Rubenstein created a video of the 1000 Greatest Comics of all Time AND set it to "Wipe Out" by the Sufaris (so already won a place in our hearts). At home on Comics Juice, Rubenstein's video contains some great heavyweights like Maus, Blankets and bunch of Fantagraphics' titles from Nancy by Ernie Bushmiller to the newer Eisner-nominated Good Dog by Graham Chaffee.
Think you were able to see all the comics, like the Fanta-ones? Check the list and see if you won this game! And is there anything more beautiful than the patterns and rhythms created by the fast-scrolling book covers? I think not.
Friday, June 20th
Saturday, June 21st
Sunday, June 22nd
Saturday, June 21
Celebrate the Solstice this saturday with a Jeremy Eaton art studio art show! From Noon-6 pm, Jeremy will be showing and selling twenty all new original found-object sculptures, and paintings inspired by comics and cartoons. With work featured in Mome, and Dirty Stories, Eaton always packs depth of experience into a few pages (or a canvas!) with humor and sympathy for his subjects.
Fantastic weather is on the horizon for the rest of the week, and nothing says sunny day like great art. So come check out a Seattle great, and explore our vast art scene on a direct level. And it's only a quick stop on your way to or from the Fremont Solstice Fair!
Pop by 521 NW 43rd St, East of Leary. If you're not from Seattle, or will be out of town, check out his web store to get jealous about what you'll be missing. (Or to buy something!)
Friday, June 13th
For decades, Jim Flora made some of the grooviest album artwork for Columbia and RCA Victor records, and for the first time all of that high energy art was compiled into one complete anthology with the help of co-archivists and authors Irwin Chusid and Barbara Economon. These ruckusly exuberant drawings, with eye-popping color, and post-cubist influence, are in constant motion. Original copies of some rare Flora album covers, proof sheets, and music artifiacts will be jumpin' off the walls at the Jalopy Theatre and Gallery.
Irwin Chusid will be on hand to sign and sell books amidst some swing and jazz tunes that influenced Flora's art, and vice versa. The FREE reception runs from 6-8 pm, but the art show will continue until August 22nd!
What do you look for when choosing works from a singular artist/cartoonist? Is it a plan to arrange them visually by era or area (like if they did paintings, cel animation, comics)?
"It depends" is my basic answer for that. If it's a career retrospective, I'll find out if the artist has kept most of her originals or if they've been scattered amongst friends and collectors. Sometimes we'll be focusing on a book that's been recently published, sometimes we'll have our own exhibition catalog in the works. Sometimes I work with a co-curator who's tracked down most of an artist's major works. The fewer sources I'll need to tap into to produce a well-rounded exhibition, the more likely I am to pursue it.
Although that's really more of a technical answer. Before I get into any of that, I make sure that we're focusing on a talented artist whose work will make for a compelling exhibition. I show favoritism to established artists with a substantial body of work, and always prefer to work with the artists directly whenever that's possible. It's incredible getting to collaborate with people like Stan Sakai, Gilbert and Jaime Hernandez, M.K. Brown, Steve Purcell, Eric Drooker, Nina Paley, Jeff Smith, and Dan Piraro, just off the top of my head, when putting together giant solo exhibitions.
Getting art ready for the Pretty in Ink show
Describe the basic layout of the gallery (or if you have a blueprint bird's-eye view of it) and do you aim to have people travel through the show the same way every time? (forgive me, I haven't been before so this question may seem odd)
This particular gallery has two entrances. Visitors will usually enter from the back-right corner entrance, and from there, they'll either wander up to the actual start of the exhibition at the opposite corner of the room, or they'll just start walking through and might end up viewing that particular room a time-and-a-half when passing through. With an exhibition like M.K.'s, which will be more focused on single-panel cartoons than multi-page stories, that won't be an issue for visitors.
Have you ever had an incident where you hung a show and then had to replace/take down art before it opened/while it was open?
Sure. I changed over our Sandman exhibition three times due to late arrivals. The original art for the second issue of Overture wasn't available to us until late March, and I swapped out an entire room to put up the first two issues. Artists and collectors have sometimes sold pieces while they've been on display, to buyers who don't want to wait until the exhibition wraps up before getting their artwork (although that's pretty rare). I don't generally like to change things once a show's up, since that's fairly labor intensive and I don't usually build time for re-hanging into my schedule.
Art matted and framed, ready for a wall
Generally not. We're a museum, so we don't sell art off the walls, but sometimes an artist or collector will ask us to include a note with contact information letting people know that the art's available for purchase through their websites.
How long have you worked at CAM?
I started as a volunteer in the summer of 2000, got hired on as Gallery Manager in the fall of 2001, and eased into the Curator job in 2005. I've worked on a little bit of everything over the years.
Photo by Lani Schreibstein
Are you donation-based? How can people help? Thanks!
There are plenty of ways to support the Cartoon Art Museum. Signing up for an annual membership, making a one-time cash donation (and asking your workplace to match it), donating original artwork, shopping at our bookstore, visiting the Museum, buying books or artwork from us at conventions...Here's a good place to start: http://cartoonart.org/join-support/
Sidenote: the CAM booth at San Diego is a GREAT place to pick up a $10 sketch to support the museum, they feature all sorts of fun cartoonists like Raina Telgemeier, Jeffrey Brown and Sina Grace. Last year, I sketched next to Gene Yang and Zack Giallongo and someone wanted us all to draw Morrissey. What a blast!
Thanks again to Andrew Farago for answering a few questions and carefully, lovingly putting work up on the walls with his crew. If you want to see Pretty In Ink yourself general admission is $8 while students & seniors are $6. Children 6-12 are $4 while WOO-HOO! Members & Children under 6 stroll in through the door for free. Check out Trina Robbin's book Pretty in Ink: North American Women Cartoonists 1896-2013 today.
Casey Stengel had a blunderously beautiful career in baseball. From inconsequential outfielder in the '20s, to worst won-lost record as a mangaer of the Dodgers, to winning five consecutive world championships as Yankees manager.
Drew Friedman, hailed as the most prolific portraitist, captured the 1966 Baseball Hall of Fame inductee in his Bronx Bomber blues, and is selling high quality prints in a limited set. The signed and numbered beauties are available from Friedman's fine are website for only $150. A necessitiy for history and baseball buffs.
As a lover of sports and art, you know that we at Fantagraphics love baseball. The summer nights, picnic pastimes, and hometown pride. Because of our big baseball crush, we have a lot of hardball hardcovers to share our love with readers.
Batter Up Charlie Brown collects the best of the blockheads baseball blunders and triumphs, and is the perfect gift for fans young and old.
Willard Mullin's Golden Age of Baseball: Drawings 1934-1972 brings into focus the heartfelt and humorous cartoons of Willard Mullins, who captured decades of players and events with prowess and deft that highlighted a generation of baseball.
If you're looking to expand your super universe of historical cartoons, the new Friedman portrait collection of those who were involved in pioneering and shaping the comic book industry, with forward by Al Jaffee, captures the inspirational worlds of these sequential warriors. Heroes and Comics: Portraits of the Legends of Comics is currently in pre-order, and waiting for you to add it to your collection.
Can't make the signing? Contact
ahead of time to order your copy of a sketched-in and signed Unlovable 3! Below is a glimpse of the amazing Webb Gallery with their permanent installation of old carnival and freak show canvas signs juxtaposed perfectly next to Watson's paintings. Dog included!