|Venice, CA: Going Graphic Opening Reception 6/22|
|Written by Anna Pederson | Filed under Ron Regé Jr, Jordan Crane, events, art shows||19 Jun 2014 11:31 AM|
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Category >> art shows
Sunday, June 22nd
Celebrate LA cartoonists at the opening reception for Beyond Baroque's first ever comic show, Going Graphic! Sponsored and organized by enthusiastic champion of the comic's medium, Comics Juice. Meet and mingle with artists Ron Rege Jr., Jordan Crane, Tom Neely, and others. Then settle in for laughs as the attending artists read pieces from their work.
Beyond Baroque is a renowned literary and arts center/performance space/theatre/gallery/bookstore, located in the gorgeous old city hall building of Venice, CA. And they are pleased to be venturing into new territory with their first comic art gallery exhibit, highlighting LA's leading talent, and we're thrilled that some of our most exciting artists have been included!
The exhibit will be on display until July 19th, 2014, but the FREE opening reception on Sunday, June 22nd will begin at 3 pm, with the once-in-a-lifetime reading slated to begin at 4 pm.
Don't miss out on this community driven celebration of cutting edge cartooning work.
Saturday, June 21
Celebrate the Solstice this saturday with a Jeremy Eaton art studio art show! From Noon-6 pm, Jeremy will be showing and selling twenty all new original found-object sculptures, and paintings inspired by comics and cartoons. With work featured in Mome, and Dirty Stories, Eaton always packs depth of experience into a few pages (or a canvas!) with humor and sympathy for his subjects.
Fantastic weather is on the horizon for the rest of the week, and nothing says sunny day like great art. So come check out a Seattle great, and explore our vast art scene on a direct level. And it's only a quick stop on your way to or from the Fremont Solstice Fair!
Pop by 521 NW 43rd St, East of Leary. If you're not from Seattle, or will be out of town, check out his web store to get jealous about what you'll be missing. (Or to buy something!)
Friday, June 13th
Saturday, June 14th
Friday, June 13th
For decades, Jim Flora made some of the grooviest album artwork for Columbia and RCA Victor records, and for the first time all of that high energy art was compiled into one complete anthology with the help of co-archivists and authors Irwin Chusid and Barbara Economon. These ruckusly exuberant drawings, with eye-popping color, and post-cubist influence, are in constant motion. Original copies of some rare Flora album covers, proof sheets, and music artifiacts will be jumpin' off the walls at the Jalopy Theatre and Gallery.
Irwin Chusid will be on hand to sign and sell books amidst some swing and jazz tunes that influenced Flora's art, and vice versa. The FREE reception runs from 6-8 pm, but the art show will continue until August 22nd!
What do you look for when choosing works from a singular artist/cartoonist? Is it a plan to arrange them visually by era or area (like if they did paintings, cel animation, comics)?
"It depends" is my basic answer for that. If it's a career retrospective, I'll find out if the artist has kept most of her originals or if they've been scattered amongst friends and collectors. Sometimes we'll be focusing on a book that's been recently published, sometimes we'll have our own exhibition catalog in the works. Sometimes I work with a co-curator who's tracked down most of an artist's major works. The fewer sources I'll need to tap into to produce a well-rounded exhibition, the more likely I am to pursue it.
Although that's really more of a technical answer. Before I get into any of that, I make sure that we're focusing on a talented artist whose work will make for a compelling exhibition. I show favoritism to established artists with a substantial body of work, and always prefer to work with the artists directly whenever that's possible. It's incredible getting to collaborate with people like Stan Sakai, Gilbert and Jaime Hernandez, M.K. Brown, Steve Purcell, Eric Drooker, Nina Paley, Jeff Smith, and Dan Piraro, just off the top of my head, when putting together giant solo exhibitions.
Getting art ready for the Pretty in Ink show
Describe the basic layout of the gallery (or if you have a blueprint bird's-eye view of it) and do you aim to have people travel through the show the same way every time? (forgive me, I haven't been before so this question may seem odd)
This particular gallery has two entrances. Visitors will usually enter from the back-right corner entrance, and from there, they'll either wander up to the actual start of the exhibition at the opposite corner of the room, or they'll just start walking through and might end up viewing that particular room a time-and-a-half when passing through. With an exhibition like M.K.'s, which will be more focused on single-panel cartoons than multi-page stories, that won't be an issue for visitors.
Have you ever had an incident where you hung a show and then had to replace/take down art before it opened/while it was open?
Sure. I changed over our Sandman exhibition three times due to late arrivals. The original art for the second issue of Overture wasn't available to us until late March, and I swapped out an entire room to put up the first two issues. Artists and collectors have sometimes sold pieces while they've been on display, to buyers who don't want to wait until the exhibition wraps up before getting their artwork (although that's pretty rare). I don't generally like to change things once a show's up, since that's fairly labor intensive and I don't usually build time for re-hanging into my schedule.
Art matted and framed, ready for a wall
Generally not. We're a museum, so we don't sell art off the walls, but sometimes an artist or collector will ask us to include a note with contact information letting people know that the art's available for purchase through their websites.
How long have you worked at CAM?
I started as a volunteer in the summer of 2000, got hired on as Gallery Manager in the fall of 2001, and eased into the Curator job in 2005. I've worked on a little bit of everything over the years.
Photo by Lani Schreibstein
Are you donation-based? How can people help? Thanks!
There are plenty of ways to support the Cartoon Art Museum. Signing up for an annual membership, making a one-time cash donation (and asking your workplace to match it), donating original artwork, shopping at our bookstore, visiting the Museum, buying books or artwork from us at conventions...Here's a good place to start: http://cartoonart.org/join-support/
Sidenote: the CAM booth at San Diego is a GREAT place to pick up a $10 sketch to support the museum, they feature all sorts of fun cartoonists like Raina Telgemeier, Jeffrey Brown and Sina Grace. Last year, I sketched next to Gene Yang and Zack Giallongo and someone wanted us all to draw Morrissey. What a blast!
Thanks again to Andrew Farago for answering a few questions and carefully, lovingly putting work up on the walls with his crew. If you want to see Pretty In Ink yourself general admission is $8 while students & seniors are $6. Children 6-12 are $4 while WOO-HOO! Members & Children under 6 stroll in through the door for free. Check out Trina Robbin's book Pretty in Ink: North American Women Cartoonists 1896-2013 today.
The Scott Eder Gallery is one of the premier sellars of comic book art, and is the only gallery in New York City that is exclusively dedicated to showcasing and championing the art of comic books. So it's no surprise that when they open a new show, half of the talent on their roster include Fantagraphics artists.
Opening in tandem with the first ever New York Special Edition convention, the Scott Eder Gallery put together an anthological show to highlight their favorite selections over the past six years, and surprise premieres. Of the numerous masters being exhibited, there are a slew of Fantagraphics favorites and crowd pleasers, including:
Peter Bagge, Robert Crumb, Jim Woodring (featured on the flyer), Basil Wolverton, Jaime Hernandez, Gilbert Hernandez, Tony Millionaire, Spain Rodriguez, Kim Deitch, and Richard Sala (also a flyer feature).
So if you're already in New York, or flying out for the first annual comic creator centered show, NY Special Edition, add this show of continuously jaw-dropping original art to your list of places and events to hit up while you're in town!
Opening reception and party takes place on Friday, June 13th at 6 pm, gallery show runs until Septemeber 5th. Books, prints, and original art available for purchase!
Scott Eder Gallery
18 Bridge St.
Thursday, May 29th
Friday, May 30th
Saturday, May 31th
Sunday, June 1st
Can't make the signing? Contact
ahead of time to order your copy of a sketched-in and signed Unlovable 3! Below is a glimpse of the amazing Webb Gallery with their permanent installation of old carnival and freak show canvas signs juxtaposed perfectly next to Watson's paintings. Dog included!
Join us at Fantagraphics Bookstore & Gallery this Saturday at 6:00 PM to celebrate the publication of Peter Bagge’s new book with a show of original drawings, book signing and live music. The evening also marks the 10th anniversary of our retail partner Georgetown Records.
Peter Bagge’s Hate has chronicled the misadventures of Buddy Bradley and his crew of lovable losers since the formative period of the grunge era. Buddy Buys a Dump contains the last nine issues of Hate Annual and completes the current story arc with a new twenty-page conclusion, many of them on display for the occasion.
Visitors to the bookstore are invariably greeted with a delightfully esoteric soundtrack courtesy of Georgetown Records. Over the course of the last decade, they’ve earned a reputation as one of the region’s premier purveyors of vintage vinyl specializing in punk, prog, goth, garage, psychedelic, international, and other rare recordings. Come celebrate their 10th anniversary with Peter Bagge and live music by Kelli Frances Corrado and The Hinges.
These events coincide with the festive Georgetown Art Attack featuring colorful visual and performing arts presentations throughout the historic neighborhood. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, just minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
Wednesday, May 7th
Thursday, May 8th
Friday, May 9th
Saturday, May 10th
Sunday, May 11th