Beginning in 2008, the Georgetown Merchants Association commissioned graphic artist Tim Silbaugh to design posters for the Georgetown Art Attack. Working with Fantagraphics curator and GMA president Larry Reid, Silbaugh's monthly motifs convey something about distinctive character and colorful culture of the historic Georgetown industrial arts corridor.
Fantagraphics Bookstore & Gallery will host an exhibition of the posters next door at All City Coffee opening Saturday, July 12 from 6:00 to 9:00 PM. The digital composite prints on archival stock are available in a signed, limited edition. Prints can be purchased at Fantagraphics Bookstore for $25 unframed ($40 framed.) The exhibition continues through September 9, 2014.
Every three months, Seattle's tony cultural journal City Arts awards cash prizes for the best artworks exhibited in local galleries. A panel of three guest jurors nominates finalists each quarter. Winners will be chosen by popular vote this Thursday, July 11 at the Summer Art Walk Awards party. Max Clotfelter's story from the Intruder 10 exhibition in April at Fantagraphics Bookstore & Gallery is up for an award. Show up at Sole Repair by 9:00 PM, have a drink, carefully consider all the nominated work, then vote for Max!
The new Intruder 11, a comix tabloid edited by our own Marc Palm, was released this weekend. Drop by the bookstore and pick up a free copy of this lively anthology.
This July, the talented and incredible Eleanor Davis and Esther Pearl Watson will descend upon the Fantagraphics Bookstore and Gallery with the fury of a thousand suns, scorching earth and people in their paths. During the Georgetown Garden Walk on Sunday, July 13th, Eleanor and Esther will have a reception and signing from 3:00 to 5:00 PM. We'll have brand, spanking new copies of How to Be Happyand Unlovable 3 for you (feel free to bring your other EPW and Davis books from your shelves)
The original art exhibition continues through September 10, 2014. This events coincides, as we mentioned, with the festive Georgetown Garden Walk so you'll have a tulip trip of a time visiting all the shops and gardens throughout the historic neighborhood. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, just minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
Usually art shows open with a fancy party, lots of chatting, wine drinking, art looking. But Jim Blanchard and the Dwelling Spaces Gallery in Tulsa, OK are mixing it up! Though the show opens this Saturday (June 21st), they're going to close out strong on July 17th at 6pm, the last day of the show, with Jim Blanchard in attendance to meet, greet, and have a good time.
Jim Blanchard has carved an impressive mark in the Seattle punk, art, and comics scene with original illustrations, band flyers, album art, The Stranger covers, and comics featured in books like Newave! and Treasury of Mini Comics.
If you find yourself in the Tulsa area during this gallery run, you need to do yourself a favor and see the vast array of paintings, posters, books, and some large gilcee prints that are also going to be available for purchase. But if you can't find yourself in the Tulsa area, you can also peep and/or purchase his work online!
Celebrate LA cartoonists at the opening reception for Beyond Baroque's first ever comic show, Going Graphic! Sponsored and organized by enthusiastic champion of the comic's medium, Comics Juice. Meet and mingle with artists Ron Rege Jr., Jordan Crane, Tom Neely, and others. Then settle in for laughs as the attending artists read pieces from their work.
Beyond Baroque is a renowned literary and arts center/performance space/theatre/gallery/bookstore, located in the gorgeous old city hall building of Venice, CA. And they are pleased to be venturing into new territory with their first comic art gallery exhibit, highlighting LA's leading talent, and we're thrilled that some of our most exciting artists have been included!
The exhibit will be on display until July 19th, 2014, but the FREE opening reception on Sunday, June 22nd will begin at 3 pm, with the once-in-a-lifetime reading slated to begin at 4 pm.
Don't miss out on this community driven celebration of cutting edge cartooning work.
Celebrate the Solstice this saturday with a Jeremy Eaton art studio art show! From Noon-6 pm, Jeremy will be showing and selling twenty all new original found-object sculptures, and paintings inspired by comics and cartoons. With work featured in Mome, and Dirty Stories, Eaton always packs depth of experience into a few pages (or a canvas!) with humor and sympathy for his subjects.
Fantastic weather is on the horizon for the rest of the week, and nothing says sunny day like great art. So come check out a Seattle great, and explore our vast art scene on a direct level. And it's only a quick stop on your way to or from the Fremont Solstice Fair!
Pop by 521 NW 43rd St, East of Leary. If you're not from Seattle, or will be out of town, check out his web store to get jealous about what you'll be missing. (Or to buy something!)
Oslo, Norway: The land of my ancestors is hosting the Oslo Comics Expo June 12-14th, featuring special guest, Peter Bagge! The FREE event takes place at the Deichmanske Library at Grunerlokka, a gorgeous public library with a bar! (More details)
Brooklyn, NY: Original art fans will want to head to the Scott Eder Gallery for their opening reception of the "It's About Comics" exhibit, from 6-9 pm. Marvel at original works by Los Bros Hernandez, Woodring, Sala, Crumb, and many more. Can't say no to something you fall in love with? Pieces will be available to purchase! (More details)
Brooklyn, NY: Since you're already in BK, scoot on over to the Jalopy Theatre from 6-8 pm to catch the reception for the opening of the Jim Flora show, featuring work from the book The High Fidelity Art of Jim Flora. Original album covers, proof sheets, and other artifacts to show off his zaney, jazz inspired work. (More details)
Saturday, June 14th
Seattle, WA: The annual Georgetown Carnival is going down this Saturday from Noon-10 pm! Beer gardens, three stages of live music, and the famous Power Tool Races, with an entry by our own Larry Reid. Pop into the Fantagraphics Bookstore and Gallery for a rest, and scope some fantastic reads. The carnival is a perfect opportunity to discover all of the great things Georgetown has to offer: food, drinks, records, books, art and more! (More details)
For decades, Jim Flora made some of the grooviest album artwork for Columbia and RCA Victor records, and for the first time all of that high energy art was compiled into one complete anthology with the help of co-archivists and authors Irwin Chusid and Barbara Economon. These ruckusly exuberant drawings, with eye-popping color, and post-cubist influence, are in constant motion. Original copies of some rare Flora album covers, proof sheets, and music artifiacts will be jumpin' off the walls at the Jalopy Theatre and Gallery.
Irwin Chusid will be on hand to sign and sell books amidst some swing and jazz tunes that influenced Flora's art, and vice versa. The FREE reception runs from 6-8 pm, but the art show will continue until August 22nd!
The Cartoon Art Museum in San Francisco has featured artwork by many of our caroonists from Jaime and Gilbert Hernandez to a future M.K. Brown show. Currently on exhibit is Pretty In Ink: The Trina Robbins Collection from now until August 24th, 2014 (postcard pictured above). We pulled Andrew Farago, curator at CAM, aside for a few quick questions about the process of getting a show ready.
What do you look for when choosing works from a singular artist/cartoonist? Is it a plan to arrange them visually by era or area (like if they did paintings, cel animation, comics)?
"It depends" is my basic answer for that. If it's a career retrospective, I'll find out if the artist has kept most of her originals or if they've been scattered amongst friends and collectors. Sometimes we'll be focusing on a book that's been recently published, sometimes we'll have our own exhibition catalog in the works. Sometimes I work with a co-curator who's tracked down most of an artist's major works. The fewer sources I'll need to tap into to produce a well-rounded exhibition, the more likely I am to pursue it.
Although that's really more of a technical answer. Before I get into any of that, I make sure that we're focusing on a talented artist whose work will make for a compelling exhibition. I show favoritism to established artists with a substantial body of work, and always prefer to work with the artists directly whenever that's possible. It's incredible getting to collaborate with people likeStan Sakai, Gilbert and Jaime Hernandez, M.K. Brown, Steve Purcell, Eric Drooker, Nina Paley, Jeff Smith, and Dan Piraro, just off the top of my head, when putting together giant solo exhibitions.
Getting art ready for the Pretty in Ink show
Describe the basic layout of the gallery (or if you have a blueprint bird's-eye view of it) and do you aim to have people travel through the show the same way every time? (forgive me, I haven't been before so this question may seem odd)
This particular gallery has two entrances. Visitors will usually enter from the back-right corner entrance, and from there, they'll either wander up to the actual start of the exhibition at the opposite corner of the room, or they'll just start walking through and might end up viewing that particular room a time-and-a-half when passing through. With an exhibition like M.K.'s, which will be more focused on single-panel cartoons than multi-page stories, that won't be an issue for visitors.
Have you ever had an incident where you hung a show and then had to replace/take down art before it opened/while it was open?
Sure. I changed over our Sandman exhibition three times due to late arrivals. The original art for the second issue of Overture wasn't available to us until late March, and I swapped out an entire room to put up the first two issues. Artists and collectors have sometimes sold pieces while they've been on display, to buyers who don't want to wait until the exhibition wraps up before getting their artwork (although that's pretty rare). I don't generally like to change things once a show's up, since that's fairly labor intensive and I don't usually build time for re-hanging into my schedule.
Art matted and framed, ready for a wall
Is work for sale if the creator wishes it to be?
Generally not. We're a museum, so we don't sell art off the walls, but sometimes an artist or collector will ask us to include a note with contact information letting people know that the art's available for purchase through their websites.
How long have you worked at CAM?
I started as a volunteer in the summer of 2000, got hired on as Gallery Manager in the fall of 2001, and eased into the Curator job in 2005. I've worked on a little bit of everything over the years.
Photo by Lani Schreibstein
Are you donation-based? How can people help? Thanks!
There are plenty of ways to support the Cartoon Art Museum. Signing up for an annual membership, making a one-time cash donation (and asking your workplace to match it), donating original artwork, shopping at our bookstore, visiting the Museum, buying books or artwork from us at conventions...Here's a good place to start: http://cartoonart.org/join-support/
Sidenote: the CAM booth at San Diego is a GREAT place to pick up a $10 sketch to support the museum, they feature all sorts of fun cartoonists like Raina Telgemeier, Jeffrey Brown and Sina Grace. Last year, I sketched next to Gene Yang and Zack Giallongo and someone wanted us all to draw Morrissey. What a blast!
Thanks again to Andrew Farago for answering a few questions and carefully, lovingly putting work up on the walls with his crew. If you want to see Pretty In Ink yourself general admission is $8 while students & seniors are $6. Children 6-12 are $4 while WOO-HOO! Members & Children under 6 stroll in through the door for free. Check out Trina Robbin's book Pretty in Ink: North American Women Cartoonists 1896-2013 today.