|Stephen DeStefano art show photos|
|Written by Mike Baehr | Filed under Stephen DeStefano, art shows||30 Sep 2010 1:27 PM|
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Category >> art shows
Today's Online Commentary & Diversions:
• Review: "This is too much of an event to ignore: Fantagraphics, Seattle’s eclectic and prolific comics publisher,... is publishing its first volume of manga — comics that may be Japan’s most popular and influential art form. [...] A Drunken Dream and Other Stories is a four-decade anthology of graphic short stories by Moto Hagio, the 'founding mother' and premiere creator of shojo manga... Does Hagio’s work justify the hype? Her visual storytelling and graphic invention, by turns fluid, crisp, and stately, certainly do. ...Moto’s other later [stories] do indeed raise manga to literature." – Eric Scigliano, Seattle Met
• Review: "...[F]ew comics fans should have difficulty getting into A Drunken Dream and Other Stories... The stories in A Drunken Dream range from weird, powerful allegories... to dreamy tales of love and loss... But the best pieces here focus on memories of childhood, of playmates treated cruelly or parents and children misunderstanding each other. [...] Few stories in the entire history of the medium have been more overwhelming than 'Hanshin: Half-God,' a tale of conjoined twins — one haggard, one gorgeous — and their spiteful, symbiotic relationship. It’s a potent metaphor rendered with the intensity of an EC comic. [Grade] A-" – The A.V. Club
• Review: "Blake Bell’s Strange and Stranger: The World of Steve Ditko set the recent standard for how to put together a coffee-table book about a legendary comics artist, and Bell takes on another innovator of the medium with Fire & Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics... Because Everett didn’t have as long or as consistent a career as Ditko, Bell doesn’t subject Everett’s work to the keen analysis he brought to Strange and Stranger. But he makes up for the diminished insight with page after page of Everett’s vivid, varied work, showing how it all emanated from a man who was a lot like his most famous creation: a destructive antihero, always a little angry at the puny humans around him. [Grade] B" – The A.V. Club
• Review: "...The Complete Peanuts, Vol. 14: 1977 - 1978... shows just how much Schulz was all over the map during that time. [...] This is still a worthwhile volume of Complete Peanuts, though; it has a charming introduction by Alec Baldwin, the usual top-quality production of the whole Fantagraphics reprint library, and some fun story arcs..." – The A.V. Club
• Review: "Only a brain incubated in the warm, nourishing goo of Looney Tunes and vintage Disney cartoons could have produced Sammy the Mouse. [...] As always, Sally’s use of silent panels and dynamic perspectives guide readers’ eyes toward nightmarish horizons and grotesque situations... A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort. [Grade] A-" – The A.V. Club
• Review: At What Things Do, Jordan Crane writes "In the new issue of Love and Rockets (New Stories, no.3), Jaime has a story called Browntown. It just might be the best thing he’s ever done. In fact, I’d go so far as to say, it just might be the best comic I’ve ever read. Its construction is durable yet intricate, a bunch of simple parts working together flawlessly. It’s put together like a watch."
• Review: Guttersnipe's Shawn Conner on the "Counterculture Comix" exhibit at Bumbershoot last weekend, with photos by Robyn Hanson: "Curated by Larry Reid of Fantagraphics Books, it was an eye-popping display, even if you were familiar, as I was, with most of the work..."
• Commentary: At Amazon's books blog Omnivoracious, Alex Carr discovers John Stanley via The Best American Comics Criticism and remarks that the book "is a worthwhile resource: a go-to supply of top-notch comics writing..."
Jim Blanchard brings his Icon Soup art show to fancy-pants pizza joint Snoose Junction Part Dieu here in Seattle. Jim says "I'll have 18 recent paintings on their walls from September 10 through October 7 — Opening night is Friday, Sept 10 at 7 PM, and it should be a cool scene!" More info at Jim's Info Barn blog.
Holy smokes, take a look at the lineup for this art show organized by Tom Neely opening this Friday at Secret Headquarters in L.A.: from the Fantagraphics roster alone you've got Andrice Arp, Kim Deitch, Robert Goodin, Kaz, Anders Nilsen, Zak Sally, and Josh Simmons, plus a host of other all-stars from the small-press world. Amazing!
Stephen DeStefano makes the following announcement: "If you're not doing anything on Thursday, Sept. 16th and you're in the New York area, stop in at the mdh Gallery in Manhattan (233 W. 19th Street). My friend George Chieffet and I will be there to sign copies of our new graphic novel, LUCKY IN LOVE. Also, there'll artwork that I drew on the gallery wall. All the artwork will be for sale. One wall will feature pages from LUCKY. The other wall will include my comics work on LOONEY TUNES, SPONGEBOB, POPEYE THE SAILOR, DEXTER'S LAB and REN AND STIMPY." More info at Stephen's blog.
Fantagraphics Bookstore & Gallery curator Larry Reid is up to some extracurricular mischief: along with Mystic Sons of Morris Graves co-founder Charlie Krafft he's putting on an invitational art exhibition opening tonight from 5:00 to 8:00 PM at 3 galleries in the Tashiro Kaplan compound here in Seattle, with a séance to celebrate the centennary of Graves's birth on August 28. For complete details read the full announcement at Regina Hackett's Another Bouncing Ball blog. Ouija board above by Larry with graphic designer Tim Silbaugh.
I have several posters, some original ink drawings, and a 6′ hand-painted black light banner in this show.
Thunderbitch: Women Designers in Northwest Rock 1966-2010
From DIY Xerox flyers to album covers to silkscreened posters, women designers have shaped the visual identity of music in the Northwest for decades. Artists include: Lynda Barry, Ellen Forney, Lisa Orth, Alice Wheeler, and dozens more!
With live music by Barbara Ireland + Stone Gossard and Visqueen, plus an appearance by The Piston Packin’ Mamas, Seattle’s all-girl car and motorcycle club. Immediately following the opening party, Damien Jurado will perform a free, all ages show in the gallery.Check out a video preview of the art here.
This looks like an excellent and well-due survey of a robust but underacknowledged area of comics: "Graphic Details: Confessional Comics by Jewish Women" opens at San Francisco's Cartoon Art Museum on October 1, featuring work by Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Miriam Libicki, Corinne Pearlman, Sarah Lightman, Sarah Lazarovic, Diane Noomin, Trina Robbins (above), Racheli Rottner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, and Ilana Zeffren.
From the announcement: "The Forward, the leading independent Jewish weekly newspaper and web site, is media sponsor, and will publish the show’s catalog as an eight-page newspaper broadsheet. The catalog will include the last story written by Harvey Pekar, the legendary writer and pioneer and autobiographical comics. Pekar had been collaborating with artist Tara Seibel on the essay for 'Graphic Details' at the time of his death."
Twitter user Jesse Mack posted this glimpse of Michael Kupperman's artwork from The Sexy Book of Sexy Sex by Kristen Schaal & Rich Blomquist (who, Kupperman notes, met working on Kupperman's Snake 'n' Bacon Adult Swim pilot).