Here's some more wisdom for ya: Don't miss the art show The Pen-Ultimate Arnold Roth: 60 Years (and Counting) As a Freelance, currently on display at the Museum of Comic and Cartoon Art in New York City!
Over 45 original Arnold Roth cartoons are hanging now, highlighting his work from publications such as Sports Illustrated, Esquire, The New Yorker, Playboy, Punch, Southampton Review and many more.
For Roth, every drawing represents an artistic challenge as well as a narrative one. “I try to give myself little problems,” he said. “Brubeck, years ago, was on a symposium and somebody asked him, ‘Would you describe what playing jazz is?’ And he said, ‘It’s getting yourself into and out of trouble.’ “I thought that was a good way to put it. If you’re not doing that, you’re really hacking it, doing the same thing over and over. I always want to push it a little.”
The Museum of Comic and Cartoon Art is now housed in the Society of Illustrators [ 128 East 63rd St in Manhattan ]. This free exhibit can be found on the second floor of the Society’s historic headquarters through March 2nd, 2013.
As Gary tells us, "The gallery flooded and has had a lot of repairs and toil to get back in business. My work luckily was on a high shelf and so was not destroyed in the flood and so you can still see it rather than blobs of flotsam."
Support the arts and hurricane recovery, and take a trip to Chelsea for the opening reception from 6:00 to 8:00 PM. Fredericks & Freiser is located at 536 West 24th Street in NYC.
Seattle is once again the center of the alternative comix universe with shows opening all over town this weekend. On Friday, January 11 at Roq la Rue from 6:00 to 9:00 PM is the post-apocalyptic group show "I'll Love You Til The End Of The World" featuring Fantagraphics favorites Camille Rose Garcia and Scott Musgrove. The same evening you'll find "Friends" at Cairo, featuring Intruder artists Max Clotfelter, Darin Shuler, Aidan Fitzgerald, Tom Van Deusen, Marc J. Palm, David Lasky, Nikki Burch, Ben Horak, Jason T. Miles, Tim Miller, James Stranton, Kazimir Strzepek and Alexa Kristine Koenings. (The future of alternative comix now.)
The comix action moves to Georgetown on Saturday evening, with a show of "Paintoons" by John Ohannesian at the One Night Stand Gallery (located directly above Fantagraphics Bookstore.) John has been busy in recent months as a Fantagraphics freelancer faithfully restoring classic strips like Nancy, Buz Sawyer, and Popeye for your reading pleasure. It'll be interesting to see how this exercise informs his cartoon paintings. Across the street at LxWxH Gallery is Bette Burgoyne's "Forest," a 30-foot narrative scroll drawing. And, of course, don't miss the Problematic reception with Jim Woodring at our bookstore. Lots of great surprises await.
And to celebrate, an exhibition of original artwork is being launched at Librairie Les Super Héros in Paris! Join artist Ted Stearn on Friday, January 25th as he heads to the City of Light for the opening reception and book signing. Ted also reports that 20 original pages will be available for purchase!
Super Héros is located at 175 Rue Saint-Martin in Paris. The exhibit will be on display through Saturday, February 9th.
Join us at Fantagraphics Bookstore & Gallery this Saturday, January 12 from 6:00 to 9:00 PM for the book launch party of Jim Woodring’s Problematic. An exhibition of imagery not included in the book will be displayed, as well as the artist’s original sketchbooks, including examples of Woodring’s inventive pop-up drawing constructions. Get a rare glimpse inside the creative process of this iconoclastic master of modern cartooning. The artist will be available to sign copies of his exquisite new book.
This event coincides with the colorful Georgetown Art Attack, featuring festive art events and exhibitions throughout the neighborhood. Fantagraphics Bookstore is located at 1201 S. Vale Street in the heart of Georgetown’s historic arts community. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you soon.
Yesterday, the Fantagraphics Bookstore and Gallery hosted Koyama Press's Nathan Bulmer (born-and-bred Seattlite). With Zachary David Jammin' signing and laughing in the background, it was a beautiful time with I must say, a lower age median than usual. Larry Reid, Janice and excellent new intern Lilly hosted a great time. Nate's mother provided tasty tiny cookies so you could like, totally five and the platters still looked full.
Not one to cut in line just because I work at the company, I waited in line and undulated with the rest of the crowd to the music. My typical line at artist signings is "Jen with one 'n' – don't waste the ink." Lucky for all, Nate is a funny man at heart and pulled out a pencil instead of a pen. He proceeded to "waste lead like a boss." Sunday afternoons have never been more adorable.
Why are there so many cups?! It was party, please ignore the cups. Pick up your copy of Eat More Bikes at the Fantagraphics Bookstore or from Koyama Press.
While trampsing around the suburbs and backwaters of Texas, I happened to find the majestic Webb Gallery in Waxahachie for there lay a treasure trove of Esther Pearl Watson paintings. With fading painted trim in still vibrant oranges and teals matched with iron statues and odd toys from people long since dead, it reminds you of an open range and that mix of culture which is a side-step from Southwestern.
Watson's paintings, unlike her Unlovable comics Fantagraphis printed, are deeply personal and autographical. As the daughter of the local color, Watson watched her father build several large-scale UFOs. Out on the lawn.
Bitter-sweet nostaglic scenes in dirty brown skies and abandoned women's clinics, Watson paints a darker time in her childhood. But that ever-hovering presence, the idea of 'what-if', the UFO. (They Might Be Giants might have called it her 'hovering sombrero')
Compared to Watson's Unloveable, which also runs in Bust Magazine, the unapolagetic Tammy Pierce is nearly the opposite of these quiet moments with tension bubbling under the surface. Each canvas, most of them wooden, are akin to a diary page created in paint, dirt and the occasional glitter patch instead of words. Notes are scribbled in the corners of most of the paintings to enhance or detail the scene. Often a new town, a new landscape to explore.
Details of the paintings. They practically vibrate.
So all these gorgeous paintings hang on the high-ceilinged walls of the Webb Gallery amongst their antique carnival posters, including Coney Island originals. The perfect place for the painted recollections of hazy memories. Something almost most too incredible to believe.
The Webb Gallery is open Saturdays and Sundays from 1-5 or by appointment, (972) 938-8085. A quick 30 minute drive from downtown Dallas or 2 hours up from Austin, be sure to see it! 209 West Franklin Street Waxahachie, TX 75165. The current exhibition by Esther Pearl Watson will be up through January 20th, 2013.
The comics world lost a great cartoonist this month as Spain Rodriguez drove his wild hog one last time. As an influential members of underground comics, his reach was large. The New York Times wrote an excellent obituary on Spain and Bruce Weber profiled him as "part of a wave of artists — including R. Crumb, S. Clay Wilson and Bill Griffith, who created the character Zippy the Pinhead — who established the irreverent, profane, highly sexed, antiwar, anti-capitalist spirit of underground comics (often, in this context, spelled comix)." Below is a sketch Spain made for Associate Publisher Eric Reynolds.
From the Latino Comics Expo, Ricardo Padilla remembers some of his favorite moments. "We were touched by his generous spirit, his kindness, and his willingness to support and encourage artists and their dreams. He even agreed to be part of our Art Show, LA RAZA COMICA, which premiered at the Cartoon Art Museum after our Expo. . . I will always treasure these memories of Spain Rodriguez and will never forget the encouragement and support he lent to the Latino Comics Expo. He was a True Revolutionary and and an honorable man. My fondest memory is of him in the Museum's 'green room' after his panel discussion, smiling with his wife and daughter. . . savoring one of my mom's 'chile verde' burritos. . ."
Stephen R. Bissette and Skip Williamson taught me everything I needed to know about the history of underground comics including Zap comics and Spain Rodriguez, from there I went on to read his collected comics, thanks to Last Gasp and Fantagraphics. While not everyone was able to meet this amazing creator, we can remember him through friends' stories of Spain and the stories he created. Tom Spurgeon of the Comics Reporter made a thorough list of all the links, stories and pictures of Spain in his collective memory.
For the curious, a retrospective of Spain's career has been hanging at the Burchfield Penney Center in Buffalo, NY since September and will be up through January 20th. Jack Foran of ArtVoice recently visited the exhibit and had this to say, "Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare." His art will live on.
(The first photo is a panel from Cruisin' with the Hound by Spain released earlier this year while the last on is page six from Hard-Ass Friday Nite).
We're reminding you to check out The Art Institute of Chicago's exhibition entitled Rarely Seen: Contemporary Works on Paper, that is up from now until January 13, 2012. Organized by the Prints and Drawings Department of the museum, the show also includes comics from the Ryerson Library collection including Blexbolex, Mat Brinkman, Charles Burns, R. Crumb (Zap and Weirdo), Hairy Who, Humbug magazine, Al Jaffee, Rory Hayes, Jay Lynch, David Sandlin, Art Spiegelman, S Clay Wilson (Zap), and issues from Raw magazine.
The non-comics but still amazing part of the show includes artists such as Ed Ruscha, Martin Kippenberger, Carrol Dunham, Jim Nutt, and Romare Bearden and the whole show is located in Galleries 124–127.
"Whether centuries old or the latest contemporary creations, works on paper are extremely light sensitive and can only be displayed in the galleries for short and infrequent periods of time before they must be returned to the safety of the dark, climate-controlled vault."
So jump on the chance, Chicago, to see some brilliant works on paper in THIS lifetime. The museum is open daily from 10:30am-5pm, open late until 8 on Wednesdays. Admission to the Art Institute of Chicago is free to Illinois residents the first and second Wednesdays of every month.
Visitors to "The Horror: Selections from the EC Comics Library" on Saturday, October 13 at Fantagraphics Bookstore & Gallery will have the added pleasure of viewing "Apopalyptic America," an exhibition of new works by Jem Eaton. His postmodern paintings combine pop culture motifs with fine art techniques to create colorful comments on classic cartoon characters. The show is at the One Night Stand Gallery space directly above the bookstore and Georgetown Records, the site of a free concert that evening by Berlin-based recording artist Molly Nilsson. These events coincide with the lively Georgetown Art Attack featuring visual and performing arts presentations throughout the historic arts community. See you all then.