|Listen to Drew Friedman on WFMU|
|Written by Mike Baehr | Filed under Drew Friedman, audio||25 Jun 2010 11:45 AM|
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Online Commentary & Diversions, back after a short respite:
• Review: "Almost to a story, the bits and pieces of Mome [Vol. 18] just suck the careful reader in. Indeed, almost every contribution practically begs for critical examination, not to mention a different frame of mind. ... Some of the individual stories are just stunning. ... This is great art, good comics, and, in my opinion, odd when taken as a collection." – Jeremy Nisen, Under the Radar
• Review: "Right up front let’s admit this: Wally Gropius is a terrifying comic book and everyone reading this should buy it immediately. Tim Henlsey has crammed more horror into these 64 pages than any comic in recent memory. ... It is also a terrifying book to talk about, because its level of craft is so high, its surface so impenetrable, that it’s like trying to write about Kubrick or something: You know it’s all in there, but it’s hard to find a foothold. ... Hensley’s drawings... and are so fluid and articulate that it’s hard to believe he could or does draw or even hand write any other way. ... In his hands [the book's aesthetic] is a complete language. It’s a bracing, enervating way of making comics because there’s so much dissonance between what I want to read the lines as and what the drawings those lines form actually mean." – Dan Nadel, Comics Comics
• Review: "[Jim Woodring] has been called one of the great cartoonists of his generation and at this point, there’s little doubt of his visual storytelling prowess. But it’s the intense, visionary images and worlds that spring from his mind and on to his pages that truly separates him from his peers. ... Weathercraft, like all his Unifactor stories, is absolutely wordless. It’s a quiet, cosmic adventure that relies on Woodring’s extraordinary control of visual language and blends his understanding of Vedantic beliefs with stylized, Max Fleischer nightmares to explore ideas about the evolution of consciousness." – Paul Rios
• Review: "Read [Weathercraft] a third time, thinking about Woodring’s video commentary, and recognize how cohesive it is. There’s a real clarity to the plot and to Woodring’s character designs and panel compositions. You will think that, in some way, the key to much of this is the artist's omnipresent wavy line, but will be unsure." – Ken Parille, Blog Flume
• Review: "Kupperman’s all over the map, and manages to amuse with all the non sequiturs more often as not... If you have a soft spot for this sort of shenanigans, kinda like much of Adult Swim but smarter than the run of that mill, you could do worse than to pick [Tales Designed to Thrizzle #6] up..." – Johnny Bacardi, Popdose
• Review: "...Sand & Fury: A Scream Queen Adventure... is a romp concocted of homage to the weird horrors of filmmakers David Lynch and Dario Argento, with a shout out even to Roman Polanski’s Repulsion. But it also features the signature Anderson political subtlety. ... A graphic text is, by nature, more explicit — graphic — than it can be subtle. So, Anderson’s love scenes verge on kink, while the death scenes owe much to the gore of recent vampire flicks and George Romero’s Zombie franchise. ... Sand & Fury is not classic literature, but it is fine pop art. Check it out." – George Elliott Clarke, The Chronicle Herald
• Review: "The story booms with Deitch's explosive composition techniques and the narrative recoil — somehow even the genetically modified beavers here make perfect sense — is no less compelling. The Search For Smilin’ Ed! offers perhaps not as discrete a narrative as those found in Alias the Cat (2002) and The Boulevard of Broken Dreams (2007), but the joy of Deitch is that his work is almost impossible to tug apart. And who doesn't want their demons, time travelers, midgets and voyeuristic aliens in one oily melee?" – John Reed, Los Angeles Times
• Review: "Did you know the Earth is honeycombed with tunnels containing archives of the entire history of popular culture, as recorded on alien-designed microchips by a council of pygmies? Leave it to underground-comics legend Kim Deitch to make that concept simultaneously deeply attractive and deeply creepy in The Search For Smilin’ Ed... The story gets more twisted with every page, though it always makes sense in a Deitch-ian way. Deitch has trod this ground many times before... but he retains an astonishing ability to tap into the deepest desires of pop-culture junkies, and to show how the satisfaction we seek from nostalgia can lead us to some dark corners of our collective showbiz past. [Grade] B+" – The A.V. Club
• Review: "The second in the proposed Billy Hazelnuts trilogy by Tony Millionaire finds the Popeye-strong, sentient cake fed up with the 'filthy world of beasts,' made up as they are from 'disgusting blobs of meat.' The first Billy was about his origins; Billy Hazelnuts and the Crazy Bird is about the responsibilities of parenthood, and how they don’t necessarily sync up with maturity." – The A.V. Club
• Review: "Everybody dies in [It Was the War of the Trenches]. It's sad, gory, brutal, depressing, visceral, and overwhelming. It brings those poor soldiers back to life and, instead of celebrating any victories or glorifying any heroic acts, just shoots them in the gut all over again and leaves them to die in the mud and filth of no man's land. It's an impressive work of art that floods the reader with a feeling of hopelessness. How Tardi managed this feat without having participated in the first world war is really quite amazing. It is worth reading." – Sandy Bilus, I Love Rob Liefeld
Online Commentary & Diversions:
• Interview: In an audio interview originally broadcast on Resonance FM and now archived at Panel Borders for streaming or download, "Alex Fitch talks to Steffen P. Maarup about the collection of Danish comics he’s edited and translated into English: From Wonderland with Love – Danish Comics in the Third Millennium, an anthology that surveys the current comics scene in Denmark and collects creators from outside the world of comics also, including illustrators and fine artists alongside their sequential art peers. Alex and Steffen also talk about the wider world of Danish comics, including Danes who have found work on American titles and the controversy over the dozen cartoon illustrations printed in the Jyllands-Posten (Jutland Post) which led to death threats for the creators." (via The Forbidden Planet International Blog Log)
Online Commentary & Diversions:
• Review: "It's a closely observed story — specific in its details but broadly recognizable from the lives of a million young men — in an expressive, inky style... Night Fisher [is] an excellent naturalistic story of these young men in this closely examined place." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
Online Commentary & Diversions:
• Reviews: In three separate posts, Andrew Wheeler of The Antick Musings of G.B.H. Hornswoggler, Gent. looks at three of the Jason books which are compiled in Almost Silent: Meow, Baby! ("Jason knows the wellsprings of comedy: sex and death, embarrassment and familiarity. And he mixes and matches those elements, using his iconic cast, for a hundred and fifty wry and deeply amusing pages. ...a great introduction and a decently comprehensive catalog of his style, subjects, and strengths"), You Can't Get There from Here ("It's the touching story of Frankenstein's Monster and His Bride... one of the better Jason books; it has an inevitability to it, but it's not entirely bleak..."), and Tell Me Something ("a sad nearly-wordless noir story about some people and how none of them get what they want").
• Review: "...I’m happy to have this excellent collection [of Blazing Combat], handsomely packaged..., and all in one place for a good evening’s read. ... For lovers of great art, lovingly rendered in black and white and grey ink wash..., this is as good as it gets... This is one collection of war comics that even those not inclined to care about the genre can appreciate, and now it’s more affordable than ever." – Johnny Bacardi, Popdose
• Review: "Bottomless Belly Button is a 720-page family drama filled with neurosis, romance, mystery, comedy, fond memories, bad parenting, teen angst and sexual awakening. The book is big but not overwhelming, and sad with out being tragic. This is a graphic novel of the tallest order, from one of the most unique voices in the medium today." – Steve Ponzo, Multiversity Comics
• Review: "[Castle Waiting Vol. 1] is a massive and stunning work of art, from the production values by Fantagraphics to the beautiful comprehensive work inside. ... Not unlike Fables, Medley’s Castle Waiting tackles traditional fairy tales with inspired re-invention and especially to my liking, is that it does so with a bit of a feminist slant. The tales inside Castle Waiting are extremely female friendly and are something I’d love to see offered up to every little boy and girl as the required alternative to our more standard ‘happily ever after’ tales. ... The illustration... is flat out phenomenal. ...[T]he attention to detail, the consistency (every panel is picture perfect), the clarity of story telling, and the character design – down to the smallest facial expression, is just top notch. ... One of the best things about Medley’s Castle Waiting is the wonderful cohesiveness... It feels absolutely like a singular and uncorrupted vision in a way that few books manage. And I strongly believe that it is that uncorrupted and singular vision that makes this book so strong." – Kelly Thompson, Comic Book Resources
• Review: "It’s difficult not to be charmed by [Castle Waiting Vol. 1] as the stories are light, funny and entertaining. ... It’s a fun read. It’s well and clearly written. The art is top-notch for being b&w. ... This one comes recommended for those looking to get into comics and not knowing where to start, or those who enjoy comics from time to time but don’t want to invest in some huge story." – Emily Dresner, /project/multiplexer
• Profile: "It’s easy to fall in love with Jaime [Hernandez]’s characters, not only because of their obvious features, but also from their lifelike gestures and expressions, naturalistic in everyday scenes and exaggerated in comedic and suspenseful ones. His teachers, like Archie Comics artists Bob Bollings, Dan DeCarlo, and Harry Lucey, were experts in gestural drawings with their simplified cartooning. It’s a trait Jaime Hernandez has successfully adopted and made his own. 'I’m just happy that I’m still allowed to do comics. They’re still letting me because they’re paying my rent.'" – Christopher Irving, Graphic NYC (photos by Seth Kushner)
• Plug: "[Unlovable] Volume II has just been released from Fantagraphics Books for your perusing pleasure and it doesn't disappoint. ... I can't ever get enough of Tammy Pierce, the awkward teenager that Esther Pearl Watson has brought to life over the years..." – Meighan O'Toole, My Love for You Is a Stampede of Horses (unfortunately the event mentioned in the post is canceled)
• Plug: "I'm all about vintage. Especially vintage comics. Fantagraphics Books wants you to like vintage comics as well and are releasing Our Gang Vol. 4 (1946-1947), a vintage 1946-1947 comic in a new TPB." – Omnicomic
The Best Show on WFMU host Tom Scharpling welcomes Tales Designed to Thrizzle creator Michael Kupperman as a guest on tonight's show (along with Dave Willis and Dana Snyder of Aqua Teen Hunger Force), airing 8-11 PM Eastern time on 91.1 FM in New York and 90.1 FM in the Hudson Valley and streaming online at WFMU.org. Tune in for hilarity! We'll post a link to the archived audio when it's available.
Online Commentary & Diversions:
• Review: "This extraordinary collection of World War I tales offers perhaps the finest work from the lauded Tardi. Each story, based on actual accounts from French soldiers, relates the often-horrific realities of trench-warfare. Disturbing yet compelling images abound: a dead, mangled horse hanging from a tree serves as a warning; rats feasting on corpses; amputations; executions; countless dead. Far more memorable are the impassioned stories themselves. Betrayal, deceit, mistrust, murder, hope, and even humor run throughout these tales. Painstakingly researched, the amazing Tardi perfectly captures the everyday despair of the World War I trench soldier. Visceral, powerful, and effective, the flawless It Was The War of the Trenches blazes a new standard for the war comic." – Rick Klaw, The SF Site: Nexus Graphica
• Review: "One of the nice things about the rise of highbrow comics is the how many genuinely lurid entertainments a gentleman can get away with adding to his library. For starters, we’d suggest Tim Lane’s Abandoned Cars. It’s the modern equivalent of the Raymond Chandler yarns that fill up the more exciting portion of your bookshelf — a string of police chases and back-alley fist fights with a surprisingly introspective thread running in the background." – Kempt
• Interview: Mr. Media's Bob Andelman talks to Gahan Wilson about Fifty Years of Playboy Cartoons: ""I said, 'I'll see Mr. Kurtzman?' 'Oh, no,' the receptionist said. 'Trump is out of New York.' The art director came up behind me and said, 'Hef would like to see you.' I didn't know who or what a Hef was." Listen via the embedded player above or at this link, or download the MP3
• Commentary: On the Schulz Library blog, Robyn Chapman culls some tidbits from the 1999 interview with Megan Kelso in The Comics Journal #216: "The Journal in known for its in-depth interviews, and this one didn’t disappoint."
Online Commentary & Diversions:
• Review: "Redressing a sad literary situation — the prior unavailability of this full masterpiece in English — Fantagraphics finally brings Tardi's wrenching tales of trench warfare during WWI [It Was the War of the Trenches] to American audiences. ... From the living hell of combat to the ghostlike calm of bombed-out villages, each panel radiates with the fear and hopelessness of hapless conscripts who strive only to retain their limbs and their sanity. Calling the war 'a gigantic, anonymous scream of agony,' Tardi skewers the concept of nationalism and drives home the banality of death. Dark, densely packed backgrounds and heavy wedges of solid black recall the dramatic shading effects of European expressionism, as do the characters' black, fearful eyes. Nearly a century after the fact, Tardi's outrage and compassion make the First World War sting like a fresh wound." – Publishers Weekly (Starred Review)
• Reviews: The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Newave! The Underground Mini Comix of the 1980s and Almost Silent by Jason among their Comics of the Week
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.