• Review: "[The Complete Peanuts 1979-1980] is... a genius volume... Some of the pieces here – especially the longer storylines – are absolute classics. [...] Plus, there’s just the sheer kookiness of some of Schulz’s pop-cultural references and inventions, which continues to astound here... Schulz is at the height of his powers as a cartoonist here, as well. [...] Such graphic flair! Such economy of line! A Peanuts nut couldn’t ask for more, really." – Naomi Fry, The Comics Journal
• Review: "Littered with violence, inappropriate sexual innuendos, misguided bravado and infused with hilarity, Dungeon Quest (of which two 136 page volumes are available) promises a uniquely entertaining graphic novel experience." – Rick Klaw, The SF Site: Nexus Graphica
• Profile: Anthony Mostrom of the Los Angeles Times gives a brief history of E.C. Segar and the creation of Popeye: "Segar had no idea just how fat his checks would become after the invention of Popeye. Indeed, he flirted with the idea of dropping the character after the 'Dice Island' story ended. Who would have guessed that a character so grotesque of face would be so instantly loved, his fame so long-lived that he would become part of a Google logo 80 years later?" (Via Newsarama)
• Review: "The main thing I kept thinking about while reading Wandering Son— beyond the continuous undercurrent of general squee — is how things that seem insignificant to one person can be secretly, intensely significant to someone else. [...] The story is subtle, simple, poignant, and innocent. The tone is matched by Shimura’s uncluttered artwork, which features big panels, little screentone, and extremely minimal backgrounds." – Michelle Smith, Soliloquy in Blue
• Interview:The A.V. Club Denver talks to "arguably Denver’s premier underground comic artist" Noah Van Sciver: "People e-mail me to ask if they can send me a comic. They’re sending me these hand-stapled comics and asking me what I think. It’s great. If you’re not going to be paid a lot, you might as well meet like-minded people and start a gang." (Via Robot 6)
• Profile: "Olivier Schrauwen is not the first Belgian cartoonist that I would have pegged for success in the United States, but I'm certainly not going to complain about the opportunities that he is receiving. Since the publication of his book My Boy in English translation, he has published short pieces in Mome and elsewhere, generating a solid buzz for his idiosyncratic take on human disconnectedness. His new book, L'Homme qui se laissait pousser la barbe (Actes Sud/L'An 02) collects a number of short works that have been anthologized around the world, and was nominated for a prize at this year's Angouleme Festival. It will be published later this year in English as The Man Who Grew His Beard by Fantagraphics. [...] L'Homme is a collection of seven short pieces that can be read very quickly or studied for days." – Bart Beaty, The Comics Reporter
• Profile:iFanboy's Chris Arrant profiles Fantagraphics Bookstore & Gallery as part of their "Publishers Who Have Their Own Comic Book Stores" feature: "Opening in late 2006, this Seattle store acts as defacto gift shop and gallery extension of the long-time publisher's comics line. The store boasts a complete repository of everything Fantagraphics has in print — as well as a number of rarities you wouldn't find most anywhere else."
The great Drew Friedman was recently a guest on the WFMU radio show Fool's Paradise, discussing everything from, "Drew's early career, Tor Johnson sightings, the healing power of Joe E Ross and Drew's latest masterwork, Sideshow Freaks (Blast Books). Zagnut bars will also be referenced."
If you forgot to tune in, you can listen to the archive here! And toss those guys a few bucks -- it's the WFMU 2011 Marathon through March 13th!
"I was in a bookstore and bought several of his books, and the proprietor told me he lived virtually around the corner. I couldn't believe it. So I drove over and knocked on his door and took a photograph, and he signed some books. And I had written some stories I thought he might want to illustrate. And so it was a question of my being a fan and just knocking on his door."
Head here to listen to the interview and read an excerpt from the book.
• Review: "Working in frenetic black and white, Eisner-award-winning Italian cartoonist Lorenzo Mattotti illustrates screenwriter Claudio Piersanti’s Stigmata with powerful art that drives a timeless fable of existential dreams. [...] Thanks to Piersanti’s workable script, Stigmata comes across as naturalistic and modernist in an old-school Hemingway style. [...] It’s an old story, but the heart that Mattotti and Piersanti bring to their comic keeps the work interesting.Mattotti’s character designs are as incredibly idiosyncratic as they are intense — their bodies are hulking masses, with exaggerated proportions and faces that don’t feel drawn so much as sculpted." – Ao Meng, The Daily Texan
• Review: "Segar's Thimble Theater was a nearly perfect blend of humor and adventure, with a cast of interesting oddballs (led by Popeye himself, of course) and a tone that could veer from high drama to low comedy within a couple of panels. And this Fantagraphics series is even closer to perfection, presenting Segar's work gorgeously on great big pages — it would be a much better world if all our artistic treasures were treated this well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview (Audio): I haven't yet but you can bet I'll be listening to the entire 2 hours of the Inkstuds interview with the great Carol Tyler
• Interview:Robot 6's Brigid Alverson gets the behind-the-scenes scoop from Rich Tommaso about his work recoloring the Carl Barks ducks comics for our forthcoming collections
• Coming Attractions: The latest "Graphic Novels Prepub Alert" from Library Journal's Martha Cornog spotlights Murder by High Tide: "Belgian artist Tillieux (1921-78) is well known in Europe for tightly plotted mystery-comedies, churning with action and spectacular roadway mayhem. Never before translated for Americans, his work suggests Hergé's Tintin but in moodier, Will Eisner-grimy settings."
• Review: "If your sense of humor is still intolerant of situations in which people embarrass themselves, whether or not they’re conscious of that embarrassment, Unlovable is pretty much your nightmare. [...] If there are flaws to point to here, they are: 1) that no one could possibly be as clueless and as unintentionally revelatory of that cluelessness as Tammy Pierce (i.e., that there’s too much authorial interpretation here), and 2) that, like any diary, it’s not particularly structured but instead consists of one damn thing after another (i.e., that there’s not enough shaping). That may well mean Watson’s hit the mark just right." – Hillary Brown, Paste
• Review: "In devouring the latest in Fantagraphics' fine, modern-day collections [of Prince Valiant...] , I was actually reminded more of Kirby's fellow Silver Age comic book titan Steve Ditko. Foster's young man seethes and overreacts and even plays the fool in the same way that Ditko allowed Peter Parker the human foibles inherent to those in the process of becoming an adult. (Spider-Man never got mad enough to lop off anyone's hand that I can remember, so point to Valiant there; they did operate in different centuries with their own definition of 'responsibility,' however.)" – Tom Spurgeon, The Comics Reporter
• Review: "Love from the Shadows is weird even for Gilbert, who always seems to draw on the id more than his brother." – Hillary Brown, Paste
• Plug: "The first two Fritz books contained some of Beto’s finest storytelling, and I have really high hopes for this third volume. Love from the Shadows is purportedly a campy thriller, and the solicitation text make it sound like a hell of a lot of fun! Be sure to pre-order this one, so you don’t miss out!" – Edward Kaye, Hypergeek
• Plug: "Johnny Ryan's work isn't for everyone. But it most definitely is for me. [Prison Pit] is a book so batshit awesome it ought to be illegal (and maybe actually is). Ryan is as original as they come. Thank God for that, 'cause I don't think the world could survive two of them." – Jason Aaron (Scalped, Wolverine) at Comic Book Resources
• List:PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Profile:Mania's Niko Silvester puts Moto Hagio in the "Creator Spotlight" with a brief overview of her career
• Interview (Audio): Get ready for an epic Inkstuds interview as Al Columbia joins host Robin McConnell for a 2-hour chat
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek
• Review: "Like WWI itself, it's difficult to summarize It Was the War of the Trenches — each moment and story is precise and poignant and devastating, and they add up to far more than the sum of their parts, but they add up as a mosaic does, with each shard forming a point of color that only makes sense from a distant perspective. [...] Tardi is one of the giants of world comics, and this is one of his strongest works, a rare combination of ability, ambition, and subject. ...It Was the War of the Trenches is immediate and moving and deeply involving from page to page, showing once again the power that comics has to both illuminate dark corners of the world and to turn them into a compelling narrative accessible to nearly everyone." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Feature: At The SF Site: Nexus Graphica, Rick Klaw dubs Jacques Tardi "the Martin Scorsese of European comics" and runs down his reactions to all of our recent English reprints of Tardi's work: "Before my discovery of the French artist Jacques Tardi, how did I enjoy comics?"
• Interview (Audio): Guests Jean Schulz, Nat Gertler (The Peanuts Collection) and Kevin Fagan (Drabble) discuss the legacy of Charles M. Schulz on yesterday's episode of Southern California Public Radio's AirTalk (via Spurge)