"A mix of evocative, geometric watercolors and fluid pen-and-ink cartoons, How to Be Happy tells stories of sad people, lonely people, strong people, confident people, all trying to find a tiny bit of happiness in life…Davis’ clever and sometimes jaw-droppingly beautiful artwork makes those stories feel real." – Dan Kois, Slate Book Review
"The use of Adam and Eve’s human bodies to communicate to one another, to seek the bliss that’s coming, to lift that weight, is the image Davis wants us to leave with. No moral, no punchline, no muted epiphany — discarded along with all the other distractions, they leave only Edenic bliss behind." – Sean T. Collins, The Comics Journal
"A valuable gem to add to any collection focusing on independent comics and alternative storytelling with its avant-garde narrative voice, classical art style, and brilliantly paced sense of adventure" – Alger C. Newberry III, Library Journal
"Wood (1927-1981) conceived of witzend as a haven where he and his peers could publish personal work and burst the chains of mainstream comics. Though 'personal,' it must be said, often meant drawing generously endowed women flaunting bared breasts." – Dana Jennings, The New York Times
"It felt like a fan publication, but was produced by professionals. It appeared at the dawn of underground comix, but featured standard genre material, including a (great) Wood jungle hero named "Animan." And, most significantly, it had a philosophy that proved problematic, though intriguing." – Jake Austen, Chicago Tribune
Exposing the seamy underside of Martin Goodman's publishing empire, this never-before-told history of Goodman's pulps and scandal sheets and the Marvel artists who worked for them is chock full of unseen art. Blake Bell is also the editor for our sumptuous Steve Ditko Archives. Congrats!
Every three months, Seattle's tony cultural journal City Arts awards cash prizes for the best artworks exhibited in local galleries. A panel of three guest jurors nominates finalists each quarter. Winners will be chosen by popular vote this Thursday, July 11 at the Summer Art Walk Awards party. Max Clotfelter's story from the Intruder 10 exhibition in April at Fantagraphics Bookstore & Gallery is up for an award. Show up at Sole Repair by 9:00 PM, have a drink, carefully consider all the nominated work, then vote for Max!
The new Intruder 11, a comix tabloid edited by our own Marc Palm, was released this weekend. Drop by the bookstore and pick up a free copy of this lively anthology.
Gary's acerbic rage-writings of the 80s and 90s are referenced in the article by Paul Constant. Constant asked Gary if he was less angry now but since Fantagraphics started making the comics he wanted to read and are at most bookstores...Constant wrote it best. "that there was always more work to do, but it was clear to everyone that, yes, the century-long fight for the soul of American comics is over, and Gary Groth won."
On October 18, The Stranger will throw a huge, drunken party for all 15 finalists at the Moore Theatre (tickets here), with the Seattle Rock Orchestra and other live performances, and five of the finalists (one from each category) will go home with $5,000 each, no strings attached.
PublisherGary Groth was the happy recipient of a chocolate cake this week as alt-weekly paper, The Stranger, let him know he is on a very short list of nominees for the Genius Award in Seattle. Gary's up against some fierce local competition in the literature category but he's held a guiding light for Fantagraphics and comics long enough for us to know he's a genius (read: crazy, mad genius). Fantagraphics' cartoonists Jim Woodring and Ellen Forney have had the privilege of being on the short list as well (Woodring won!) so Gary will have some good company no matter what.
To find out who the genius is you'll have to grab the summer issue of A&P-out June 11-to find out. The Stranger plans on hosting a series of interviews with Genius Award finalists at the Frye Art Museum in August and September, and the Genius Awards are October 18 at the Moore Theatre. They've promised other amazing performers and the Seattle Rock Orchestra! For free!
Today, Joyce Farmer announced at the Penn State Libraries talk on Underground comics thatJim Woodring's Fran is the next recipient for the Lynd Ward Graphic Novel Prize! Sponsored by Penn State University Libraries and administered by the Pennsylvania Center for the Book, an affiliate of the Center for the Book at the Library of Congress, the Lynd Ward Graphic Novel Prize is presented annually to the best graphic novel, fiction or non-fiction, published in the previous calendar year by a living U.S. or Canadian citizen or resident. Fran is the first Fantagraphics books to win the prize (a runner-up many times in the past) and we are just so ding-dang delighted that Jim will be honored. Check out the latest comic about the Multiverse and Frank's newest companion, the playful Fran.
April 22, 2014 - This just in! The New York Public Library's Dorothy and Lewis B. Cullman Center for Scholars and Writers has picked its sixteenth class of Fellows: fifteen extraordinarily talented independent scholars, academics, and creative writers whose work will benefit directly from access to the collections at the Stephen A. Schwarzman Building. Chosen from a pool of 288 applicants from 24 countries, the 2014 class of Cullman Center Fellows Dash Shaw will be the David Ferriero Fellow. While at the Cullman Center he will work on a graphic novel about a Quaker during the American Civil War.
"I am tremendously proud to welcome the Cullman Center's new class of Fellows to The New York Public Library," said NYPL President Tony Marx. "The Cullman Center offers these talented individuals access to our world-renowned collections within an environment that inspires and supports their exciting work. I congratulate the new Fellows and look forward to seeing the unique and creative ways they engage with our collections."
The 2014 class of Fellows will be in residence at the Cullman Center from September 2014 through May 2015. Each Fellow receives a stipend, a private office in the Cullman Center's handsome quarters at The New York Public Library's landmark Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street and full access to the incomparable research collections and online resources there, as well as the invaluable assistance of the Library's curatorial and reference staff.
We look forward to seeing the results of Shaw's work and wish him a whole lotta luck!
Once again, we are so very pleased and excited for all our Eisner Award nominations. Our many cartoonists, editors, designers, translators and interns really rocked it this last year and it is an honor just to be nominated. Haven't read all of them? Here's a handy shopping list! You can also check out many of these comics digitally via comiXology. Vote for your favorite comics soon and make sure to do so by June 13th, 2014.
Ulli Lust just won the 2014 LA Times Book Award for Graphic Novels & Comics for her excellent Today is the Last Day of the End of Your Life. This prestigious award joins her 2011 Angouleme Prize for the original language printing and her Ignatz Award for Best Graphic Novel from last fall.
Pick up a copy at your local bookstore, our website or the upcoming festivals we're attending: Linework NW, TCAF and CAKE!
This graphic novel has had a little Fantagraphics story tacked onto it from Associate Publisher Eric Reynolds first seeing it at a festival in Europe to it being the last book Kim Thompson ever translated. Congratulations to Ulli Lust for a fantastic and touching book. Read Ulli's acceptance speech here: you'll love it because, well it's a comic!
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