Today SPX, Small Press Expo, released the nominees for the Ignatz Awards given out the Saturday of the show, September 14th. We have quite a few cartoonists listed and are so excited for them. Their amazing work speaks for itself but a nice brick award (based the Krazay Kat and Ignatz) is always helpful makes you look tough as hell next to your drawing table. Attendees of SPX are given ballots so start walking NOW to Bethesda and you'll get there in time.
Congrats are in order to Simon Hanselmann for Outstanding Comic nomination for St. Owl's Bay. His book MEGAHEX is coming out from Fantagraphics in 2014 so get ready for more amazing comis.
Here's a quick link to all of our Ignatz-nominee books in case you need to load up for some good readin'. See all of you at the awards acting all dignified and then sorta sloppy at the chocolate fountain!
The 2013 Harvey Award Nominations list more than a few Fantagraphics' titles! Here's a peak at their covers and click on any to find out more information if for some reason they aren't already on your bookshelves!
Final ballots are due to the Harvey Awards by Monday, August 19, 2013. Full submission instructions can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail
Congratulations are in order for two Fantagraphics cartoonists, Gene Deitch and Ellen Forney! At San Diego Comic Con they were each awarded the Inkpot Award which are given to "individuals for their contributions to the worlds of comics, science fiction/fantasy, film, television, animation, and fandom services."
At San Diego in July, we released two books for by Gene Deitch. Nudnik Revealed! includes of Deitch's animation artwork for the mid-1960s shorts starring bumbling everyman Nudnik (cross between Candide and Godot), one of his most creatively personal and commercially successful creations in a long career of innovative and successful work are showcased in this process book.
We also reprinted Cat on a Hot Thin Groove by Deitch. On the long road to becoming an Oscar-winning animation director (and Inkpot Winner!), Gene Deitch became an intense jazz fan. At the age of 21, he discovered The Record Changer magazine, a jazz collector's magazine filled with fanatical, scholarly, and purist essays about jazz as well as listings of hard-to-find jazz albums. Every jazz swinger in the '40s was called a cat (as in "cool cat"), so Gene Deitch created a cartoon feature for Record Changer titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951 along with "The Cat." Deitch's stylistically virtuoso images exquisitely embodied the essence of jazz and became a visual paean to the joy of collecting and appreciating jazz.
We brought back a couple of doorstops from San Diego — Eisner Awards for Pogo Vol. 2: Bona Fide Balderdash by Walt Kelly, named Best Archival Collection/Project — Strips, and "Moon 69" by Michael Kupperman from Tales Designed to Thrizzle #8 (and the Vol. 2 collection), named Best Short Story! You can catch Kupperman at the SPX-plosion in Baltimore and as a special guest at SPX in Bethesda. Maybe you'll get a copy with those special Eisner stickers on them! (We'll be forwarding the statuettes to Michael and Pogo editor Carolyn Kelly as soon as we get bored with spinning the little globes around.) Hurrah and congratulations!
Last night the 25th Lambda Literary Awards were presented and Justin Hall received one for No Straight Lines in the LGBT Anthology category. Congratulations to Justin and all the contributors to this amazing anthology that showcases four decades of queer comics, a historical tome of first person documentation and literary comics! No Straight Lines is ALSO up for an Eisner Award in Best Anthology. The hardcover version of the anthology sold out very quick last year but fear not, we have a softcover coming out in a few months. Browse a 34-page PDF excerpt and pre-order your copy right here. Can't wait? Buy a digital version of the book today at the comiXology website!
We love all of our books but are especially happy for the creators of the Eisner-nominated books. You can vote until June 12 online. If you haven't read all of them, check 'em out individually or via our list!
Still no sure which to read? Heidi MacDonald, Cal Reid and company discuss the nominations on the Publishers Weekly podcast. Meanwhile, Chris Sims, Matt D. Wilson and more of War Rocket Ajax discuss the nominations, although I'm not sure how long the podcast will be up at this link.
Some of the nominations gather in our mail room. See you in JULY!
The annual Stumptown Comics Awards nominees have been announced. Here on out, it's a down-and-dirty voting contest so we have a few recommendation on who you should vote for (Spoiler: our books) and the fact you should ask your mom and her intense network of friends.
Noah Van Sciver is up for Best Cartoonist for The Hypo. His emotionally charged drawing style added depth and charimsa to the beleaguered story of Abraham Lincoln long before he was a president.
Lilli Carré is up for two awards for Best Colorist and Publication Design for Heads or Tails. Carré recently was a Lynd Ward Prize honoree for 2013 for the same book. Filled to the brim with sweet, whimsical short stories that leave you shivering, this one-woman book of tales delivers for either side of the coin.
It was announced last week by Penn State University Libraries and the Pennsylvania Center for the Book that Chris Ware won the Lynd Ward Prize for Best Graphic Novel 2013, Lilli Carré with Heads or Tails was one of the two Honorable Mentions (along with Theo Ellsworth's The Understanding Monster)
"Each story is exquisitely crafted, demonstrating both a compelling literary style and a rich, engaging design sense that can seem deceptively naïve or childlike on first glance but in context reveals striking sophistication and complexity." You're damn right, it was and is! Lilli Carré's book,Heads or Tails is available in its beautiful simplicity and accumulating complexity at our online store or a bookstore near you.
No Straight Lines: Four Decades of Queer Comics was announced as a finalist for the Lambda Literary Awards in the LGBT Anthology category. Edited by Justin Hall, No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT artooning, like legendary NYC artist David Wojnarowicz (whose work has now been reprinted in 7 Miles a Second)and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Tony Valenzuela writes in the press release: Now in their twenty-fifth year, the Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. Winners will be announced during a ceremony on Monday evening, June 3, 2013, at The Great Hall at Cooper Union,7 East 7th Street, New York City 10003. Details on the annual after-party location are forthcoming. For more information and to buy tickets, click here.
The best looping GIF of Online Commentaries & Diversions:
• Review: Publishers Weekly gives a Starred Review to Messages in a Bottle by B. Krigstein. "Krigstein’s stories are sometimes epic and sprawling, sometimes compressed and confined…His mastery of chiaroscuro, and his dramatic composition and layout, applied across a very wide range of subject matter, are what make this gorgeous collection so essential."
• Review:The AV Club also shows extreme love for the comics of B. Krigstein in his new collection Messages in a Bottle. Noel Murray writes, "Krigstein treated each assignment as a chance to put theory into practice, and even among EC’s formidable roster of stylists, Krigstein stands out as one for whom the words around the pictures almost don’t matter, because the art’s so mesmerizing that it’s hard to pay attention to anything else…"
• Review: The Advocate warms up to the reading of Gilbert Hernandez's Julio's Day. Jacob Anderson-Minshall writes "Hernandez is able to illustrate that those events had a global reach and dramatically impacted the lives of everyone — including the people in Julio’s life…A remarkable accomplishment that is likely to find its way on numerous Best of 2013 lists and garner Hernandez more well deserved awards and accolades, Julio’s Day is, at its heart, a gay story."
• Plug:Philip Nel plugs our latest volume of The Comics Journal #302 and it's interview -- the last interview-- with children's book author and illustrator Maurice Sendak. "Above all, in reading Groth’s interview, it’s great to hear Maurice’s voice — his salty, funny, grumpy, insightful, irascible voice — just one last time."
• Review: Neal Wyatt of the Library Journal looks at the new books coming out this year from Fantagraphics. "Browsing the Fantagraphics spring catalog underscores the myriad of styles and literary approaches that graphic novelists and artists explore—be it Anders Nilsen’s near metaphorical images or Dash Shaw’s crowded and kaleidoscopic landscapes." He singles out Good Dog by Graham Chaffee, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch, Lost Cat by Jason, New School by Dash Shaw ("Known for his frenetic and inventive artwork…") and The End by Anders Nilson.
• Plug: The Austin Public Library highlighted two of our books on their blog. On Jordan Crane's The Last Lonely Saturday, Betsey Blanche described as "The artwork is simple – drawn in mostly red and yellow – but full and effective." They also pulled out Lilli Carré's The Lagoon: "It’s another haunting but beautiful book about a family, mysteries, and the power of legends."
• Review:The Comicbook Pusherman looks at 21: The Story of Roberto Clemente by Wilfred Santiago. "…as a comic it absolutely crackles. The art is stunning. Santiago clearly captures baseball's (and Clemente's) unique energy and the Americas of the '50s and '60s and most distinctly the Puerto Rico of the 30s and 40s," says Jeffrey O. Gustafson.