"…his paramount creation was the celebrated if obscure newspaper strip Barnaby, which, from its distinct visual look (minimalist, Thurberesque drawings; typeset word balloons) to its wry, understated humor, was unlike anything else ever to hit the comics page…There have been sporadic reprintings, but this effort, the initial installment in a five-volume series, is the first to collect it in its entirety. Even Mr. O'Malley couldn't conjure up a more welcome endeavor." – Gordon Flagg
"Because day in it means a lifetime (like what we mean by saying, "in Grandma's day"), the title of this spare graphic novel denotes an entire century… For lengthy stretches of his story, he's unspeaking, in the background, nowhere around as we watch the more dramatic lives of friends and family flare in bizarre illness and death, in madness and violence, and in love, at home more than in the wars and wanderings they are called to. All along, he lives with his mother, the still center of a century-long family storm that Hernandez's mastery of comics somehow makes somberly beautiful." –Ray Olson
"This welcome reissue publishes the work to its originally intended large page size and restores the original watercolors…The gritty yet gaudy artwork by Romberger, a friend of Wojnarowicz's who worked closely with him on the project, convincingly conveys the seedy milieu of Wojnarowicz's younger years as well as his later rage and frustration as he awaits his death, with the expressionistic colors ratcheting up the nightmarish intensity. Two decades on, Times Square is cleaned up and the AIDS crisis in America is largely contained; but Wojnarowicz's defiant cri de coeur retains its harsh potency." – Gordon Flagg
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
320-page black & white (with some color) 11" x 6.75" hardcover • $35.00 ISBN: 978-1-60699-522-8
The beloved comic strip is finally given the Fantagraphics treatment. Barnaby’s deft balance of fantasy, political commentary, sophisticated wit, and elegantly spare images expanded our sense of what comic strips can do.
Due to arrive in about 4-6 weeks. Click the thumbnails for larger versions; get more info, see more previews and pre-order your copy here:
Before authoring one of the most beloved children’s book series of all time — Harold and the Purple Crayon — cartoonist Crockett Johnson created the comic strip Barnaby for over ten years (1942 to 1952). Its subtle ironies and playful allusions never won a broad following, but the adventures of 5-year-old Barnaby Baxter and his fairy godfather Jackeen J. O’Malley was and is a critical favorite.
Fantagraphics introduces the wonders of Barnaby to a new generation of children and parents alike. Co-edited by Johnson biographer Philip Nel (Dr. Seuss: American Icon) and Fantagraphics Associate Publisher Eric Reynolds, with art direction by graphic novelist Daniel Clowes (Ghost World), this five-volume Barnaby series will collect the entirety of the original newspaper strips from 1942-1952. The first volume collects all the strips from 1942 and 1943.
Barnaby revolved around a precocious five-year-old named Barnaby Baxter and his fairly godfather Jackeen J. O’Malley. Yet O’Malley, a cigar-chomping, bumbling con-artist and fast-talker, was not your typical protector. His grasp of magic was usually specious at best, limited to occasional flashes, often aided and abetted by his fellow members in The Elves, Leprechauns, Gnomes, and Little Men’s Chowder & Marching Society.
Barnaby’s deft balance of fantasy, political commentary, sophisticated wit, and elegantly spare images expanded our sense of what comic strips can do. With subtlety and economy, Barnaby proved that comics need not condescend to readers. Its small but influential readership took that message to heart.
"I think, and I’m trying to talk calmly, that Barnaby and his friends and oppressors are the most important additions to American arts and letters in Lord knows how many years." – Dorothy Parker
"One of the best comic strips of the 20th Century and one of the most beloved older strips for a generation of devoted adult comics fans, Barnaby had become in the last decade and a half the great unsigned strip collection." – The Comics Reporter
After we received our first batch of advance copies of Crockett Johnson's Barnaby Vol. 1, we noticed that the flexi-bound softcovers planned for the series weren't well-suited to the landscape format of the book, so we had the printer re-bind the entire run in hardcover (without requiring an increase in cover price). We just got our first copies of the hardcover and we're much happier with how it came out.
Fortunately Daniel Clowes's beautifully minimalist cover design didn't require any alteration, and of course the book still comprehensively collects the first two years (1942-1943) of Johnson's beloved strip. Our revised release date is late May, and you can still sample 20 pages, and pre-order your copy, right here.
Saturday, April 6th // 1:00 - 2:00 PM Guest of Honor Bill Griffith in conversation with Paul Di Filippo [in the Programming Room in the Lower Level]
Where will all these wonderful books and artists be, you might be wondering? Why, tables B64, B65, C80, C81 -- right in front as you walk through the main entrance! (See a bigger version of this map here.) Our PR/Marketing duo of Jacq & Jen will be happy to see you at MoCCA!
We're so excited about the arrival of advance copies of Crockett Johnson's Barnaby Vol. 1, we all busted out our cameraphones for these snapshots! Eric Instagrammed this one:
This one's by Jen, of Jacq's desk:
Good gravy this book's a beaut! Boasting art direction by the one and only Daniel Clowes and comprehensively collecting the first two years (1942-1943) of Johnson's beloved strip between flexi-bound covers, it's one of the last items to cross off the list of "uncollected great American comic strips." And it's finally almost here! You'll be able to get your hands on a copy in late March or early April; for now you can sample 20 pages, and pre-order your copy, right here.
Earlier this month we wrapped up what has been my favorite project I've ever worked on. I've been pretty lucky to work on some amazing books by many of my favorite cartoonists, but this... this is something else. This is Crockett Johnson's BARNABY . This has been my #1 dream project for well over a decade, and it's now real.
Which is all to say, I'm genuinely thrilled to be the first one to present this sneak peek at Vol. 1.
If you're unfamiliar with BARNABY, let me allow Chris Ware to set the stage. This is from his introduction to Vol. 1:
"I never thought I'd see this day, but the book you hold is, well... the last great comic strip. Yes, there are dozens of other strips worth rereading, but none are this Great; this is great like Beethoven, or Steinbeck, or Picasso. This is so great it lives in its own timeless bubble of oddness and truth..." — Chris Ware
BARNABY is the long-lost comic strip masterpiece by Crockett Johnson, legendary children's book author (Harold and the Purple Crayon) and illustrator (Ruth Krauss' The Carrot Seed).
Featuring the misadventures of five-year-old Barnaby Baxter and his cigar-chomping, bumbling con-artist of a Fairy Godfather, J.J. O'Malley, BARNABY deftly balanced fantasy, humor, politics and elegant cartooning in a strip that captured the imaginations of kids and intelligent adults alike, including Dorothy Parker, Charles Schulz, W.C. Fields, Gardner Rea and Milton Caniff. We will be collecting in five volumes the entire, original ten-year run from 1942-1952.
Speaking of BARNABY superfans, our books are being designed by Daniel Clowes, which would sound more inspired if he weren't really the only man ever considered for the job. Dan is the person who first introduced me to the work of Johnson over 15 years ago, and I know this series means as much to him as anyone. I couldn't be happier with his designs. You've seen Dan's final cover for Vol. 1 above. Here's Dan's initial thumbnail rough from his sketchboook earlier this year; as you can see, he pretty much nailed it on the first take:
Here's a similar peek at one of Dan's initial "storyboards" for the book, this time for the opening spread of Jeet Heer's introductory essay:
... and here's the final, more-or-less identical final version, executed by our own esteemed Tony Ong and Clowes:
Dan makes things easy.
Here's a teaser of the entire jacket:
I can't end this post without mentioning my series co-editor, Philip Nel. Phil knows more about Crockett Johnson than anyone. Period. If you like Barnaby, please read Nel's definitive bio: Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature from the University Press of Mississippi.
In addition to his invaluable help behind-the-scenes, Phil has provided two indispensible resources for our first volume: a comprehensive biographical essay on Johnson focusing on the creation of Barnaby, as well as "The Elves, Leprechauns, Gnomes, and Little Men's Chowder and Marching Society: A Handy Pocket Guide," a stunningly comprehensive glossary to everything referenced in BARNABY. He'll even explicate formulas like this:
Anyway, there's much more to be had in this first volume, but I'm honestly reluctant to tip our hand too much. I can't wait for people to see this book. Featuring the first two calendar years of the strip, 1942-1943, you're in for a dense, rewarding treat. Look for it in stores by late-March or early-April (we'll update you as we go).
And once you finish Vol. 1, look for Vol. 2* in Spring 2014:
The saltiest sounds of the ocean's Online Commentaries & Diversions:
• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go onRolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."
• Interview (video): George O'Connor with co-host Natalie Kim recap SPX on InkedTV, including an interview with Gilbert Hernandez, and George shows off his Love and Rockets shirt.
• Plug:Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."
• Review:Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frostwith Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."
• Review:InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.
• Plug:The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."
• Review:Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."
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