The Toronto Comics Arts Festival was amazing, it was a whole corral of Fantagraphics cartoonists visiting Toronto with publicist Jacq Cohen and me to sell sell sell books to the sweetest Canadians. On Friday we stopped at the coolest comic book store, The Beguiling.
Dash Shaw's new floppy comic, 3 New Stories! Plus, Maidenheadlock a crazy screen printed comic.
There was an awesome shop called Honest Ed's full of $1 jeggings and $3 babies. BABIES, guys. It was a hell of deal. Luckily they had cool signage everywhere. If Jacq ever uses the internet for dates, here you go.
We were all lucky enough to enjoy a converstation between Gilbert Hernandez, Tom Spurgeon and Jaime Hernandez about Love and Rockets, alternative comics and more in the Reference Library Friday night.
Andrew and James (yes?) from The Beguiling working the Bros book booth on Friday night. Thank you for being sweethearts and working hard.
Mike Winters, funny comic book man and Kupperman fan, was ready for his first comics show and showed off his cash envelope-bowl. His loonies and toonies smelled faintly of egg salad.
Jaime and Dash Shaw were ready EARLY at 9am to sign books!
Our first cup of coffee was barely over before a Jaime fan bared all to show off his sexy Maggie tattoo. Jaime said "Make sure to get those boxers in the photo" just so you know I'm not objectifying this gentleman.
Then the magical Ulli Lust made her appearance. Leon Avelino of Secret Acres and The Beguiling's Peter Birkmoe showed up but were sadly outdone by the BEST CON FACE EVER. Thank you, Toronto.
Ulli doesn't really spend ANY time on these book signings, right? Man, alive!
Gilbert pretends to act crotchedy with an enthsiastic Peggy Burns from D&Q. Jade and Tracy in the background!
Jaime and I discuss Little League baseball. Gilbert keeps up the act.
Jacq and our former intern, future super cartoonist Sophie Yanow.
Oh geez, they had someone doing 10 minute henna at the front of TCAF show and while so beautiful, all I could think is what happens when someone accidentally rubs the still drying design on some $40 book. Actually, now I think about it that's a great way to get rid of some backstock.
Ulli and Dash signing books: Dash promises he was listening and not drifting back into his new book, New School.
BUT Dash Shaw and I only have to hear the first half of the word 'VOGUE' before hittin' it, so to speak.
One of the Beguiling employees was chuffed to meet Michael Kupperman so they had to pose for a photo. You can tell its nice and early here because of all the butt space people have while walking down the aisles.
Michael draws a commissioned illustration for a fan.
Jacq snapped this photo of Michael at his artist spotlight panel. We wish our cartoonists had more confidence.
Alex from The Beguiling picks up The Armed Garden by his favorite cartoonist, David B. NO, DA-vead Beh, say it right.
Ulli stops to say hi to smart person and comics fan, Gil Roth.
Thanks to Oliver East for tabling next to Fantagraphics all weekend, he is a true pleasure!
ALSO, thank you thank you to anyone who stopped by my comics booth. I put my name in for work and myself and never dreamed I'd get into TCAF with my own comics. Thanks to you, new friends, (and my harried and usually alone tablemate, Lucy Bellwood).
How cool is The Beguiling for buying all your comics (or a goodly amount) after the show? Standing in the line was worth it not to carry your comics back over the border! Hopefully you said thank you to Peter Birkemoe and Chris Butcher at some point.
The after party was at Lee's Palace, an old punk venue that was so gorgeous. The town is full of beautiful facades and interesting buildings.
The Monday after the show we ran around Toronto with whomever was left in town. Like Rutu Modan! Jacq, me and Rutu accidentally ate opposite Robin, Mark P. Hensel (aka William Cardini) and Murilo.
Theo Ellsworth joined us for a visit to the beautiful Taiyo Matsumoto exhibit at the Japan Foundation and we ran into the Matsumoto himself! I've been a fan since Steve Bissette showed me some of his comics and the Ping Pong movie. PLEASE check it out if you haven't already and prepare to be blown away.
This restaurant could be dangerous for someone like me. We were all confused as to what this kid's mouth is doing, why he's pushing his cheeks in, especially when saying the word 'cheese' pulls your mouth wide. You win this one, Toronto.
Thank you, TCAF and The Beguiling, for all the help and love. We had a great time. Ulli mentioned one time how much she loved 'North American enthusiasm' so you made her week!
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
The longest, unabridged edition of Online Commentaries & Diversions:
• Review: The Village Voice is almost hospitalized while reading Michael Kupperman's Tales Designed to Thrizzle Vol. 2. "Kupperman heaps absurdity upon absurdity…The result is a jubilant rococo, the strips all thrilling ornamentation…No exaggeration: I coughed hot soup out of my nose while reading the new hardbound volume of deadpan dadaist Michael Kupperman…" states Alan Scherstuhl.
• Review: Comic Book Resources looks at Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. Brian Cronin loves the Moon 69 story. "The devolution of the ads as the story continues might be my favorite part…The second collection of Kupperman’s individual Thrizzle issues JUST came out and it includes [Moon 69]! So go buy it, dammit!"
• Review:Tales Designed to Thrizzle Vol. 2byMichael Kuppermanshines at The AV Club. "Kupperman's work only gets funnier when read in bulk... Kupperman's comics take pre-existing popular culture-TV shows, advertising, other comics-and tweak them just a little until they become hilariously absurd," states Noel Murray.
• Review: Glen Weldon reviews The Comics Journal #302 on New Republic, exclusively the Maurice Sendak interview conducted by Gary Groth. "Why on earth would I want to read 100 pages of caustic carping? Because Sendak is funny. Deeply, passionately so. Read in full, Sendak’s zingers lose their venom and evince a sincere and surprising warmth. He comes off as bitter, but not embittered—a fine distinction, perhaps, but a real one."
• Plug:USA Today's Pop Candy mentions TCJ #302. "This week I've been reading the wonderful (and massive) issue No. 302, which contains a huge Maurice Sendak tribute as well as his final interview"
• Revew: Chris Estey of KEXP writes on some of our new titles like The Comics Journal #302, edited by Gary Groth, Kristy Valenti and Michael Dean. "Probably my favorite single issue magazine of 2013, it is actually a freakily-elevated edition of the long-running only-trustable trade magazine devoted to comics…it gives us a chance to sample the gamut of an ever-evolving and surprisingly inspiring art-form."
• Revew: Chris Estey of KEXP reviews our newest book of music criticism The Grammar of Rockby Alexander Theroux. "Ripping through this hilarious rage on banality and unexpected pleasures I thought, they don’t make writers like this anymore…Drop that boring band biography and fetch this, if only for the mountains of lists of rarely-heard missing gems he has sampled and tasted beforehand for you."
• Review: Pop Matters has to tune into The Grammar of Rock by Alexander Theroux. John L. Murphy writes, "Naturally, the fun of The Grammar of Rock lies in its acerbic prose as well as its aesthetic insight…You’ll either laugh or you won’t. I laughed."
• Review:Washington Independent Review of Books also looks at Alexander Theroux's The Grammar of Rock. "Reading Alexander Theroux’s The Grammar of Rock is like hitching a ride with a suspiciously awake truck driver who talks endlessly for hours…All in all, this book is a very cold love letter," says DJ Randy Cepuch.
• Plug: Wired runs 10 sketches by Janet Hamlin featured in her upcoming book,Sketching Guantanamo. Hamlin remembers sketching Khalid Sheikh Mohammed, "He would turn and pose — a deliberate turn, facing me, holding very steady."
• Review:Julio's Day by Gilbert Hernandez gets reviewed on on The AV Club. "Julio's Day(Fantagraphics) is as much about what's not on the page as what is...Fashions, mores, and technologies change; but desires and disappointments do not," writes Noel Murray.
• Review:Nerds of a Feather give an outstanding rating and review a recent reprint of Jack Jackson's work. Philippe Duhart writes, "Los Tejanos and Lost Cause are the products of serious historical research, and as such they are clear exhibitions of comics' potential as a viable media for academic and journalistic work…I appreciate that Johnson sticks with the perspective of the “losers” -- Juan Seguin's struggles against racism following Texas’ rebellion and Texan Confederates' struggle to regain a sense of honor following the defeat of their cause."
• Review:Fingers on Blast reads Linda Medley's Castle Waiting Vol. 1. "The tales weave their way together seamlessly thanks to Medley's art. There is no simple way to describe it, but to say it draws you ever deeper into the story."
• Revew: Chris Estey of KEXP writes on some of our new titles Peter Bagge's Other Stuffwhich" features Bagge doing some sharp-witted journalism (on comedy festivals, especially) and historical stories…it is an electric, howlingly funny, bona-fide classic mangle of manic music history, prickly satire, and perfectly rendered cartooning."
• Review:Novi Magazine picks apart feminist storytelling in Moto Hagio's The Heart of Thomas. "While Thomas depicts male characters, Hagio codes femininity into every element of the story, with every effort towards drawing in her assumedly female audience…" writes Dan Morrill.
•Review:BookDragon plugs The Heart of Thomas by Moto Hagio. "…it’s certainly proved its lasting effects. Never mind the rockets, sometimes turbulent feelings can take you much, much further…" writes Terry Hong.
• Plug:Comics Forge is looking foward to The Adventures of Jodelle by Guy Peellaert as much as we are! "This was one of the trend setting 1960’s comics that you will see echoed worldwide during that time and when this style of pop art was raging as the most important thing since sex was invented…It looks like it is going to be a beautiful book, like most of the books that Fantagraphics puts out, you can feel the love."
• Review:Scoop covers Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane in one hell of a history lesson on newspaper and adventure comics. "Buz Sawyer may be the peak of the adventure strip as a genre…Crane’s ability to walk a fine line between hyper-realism while still incorporating an easy to read and understand style places him among the greats in comic history," says Mark Squirek.
• Review:Scoop covers Mort Meskin's Out of the Shadows. "He is so skilled at body language that without reading a single word you can see the kid’s enthusiasm for his grandfather’s story grow across the first three panels,"writes Mark Squirek.
• Interview: Comic Book Resources and Alex Dueben interview Tom Kacyznski about his books. Kacyznski says, "There's an easy willingness to imagine the collapse of everything instead of small changes in the political system that could fix a lot of the problems that we're having. Those kinds of themes interest me."
• Review:Beta Testing the Apocalypse by Tom Kaczynski gets a look-see on B-Sides & Rarities. Elizabeth Simins writes, "Kaczynski’s style involves a pretty dedicated commitment to setting scenes with lyrical descriptions as much as imagery, which is something I associate with the space between “regular” fiction and comics…You should read it."
• Review:Grovel reviews The Hypo by Noah Van Sciver. "It’s a surprising but fascinating insight into the psyche of a man that outsiders would normally assume to be a sort of political superhuman, but Sciver adds depth and soul to the two-dimensional image of the man with half a beard and a top hat," penned Andy Shaw.
• Review:Comic Pusher enjoys their read of Chris Wright's new book: "In Black Lung Wright presents a world of ceaseless violence and pain, his reflectively brutal cartooning interwoven with elegiac prose, with the very syntax of comic storytelling breaking down under the memory and transformative agony of loss and obsession," says Jeffrey O. Gustafson.
• Plug: Jade at D&Q Bookstore digs into Your Vigor for Life Appalls Me by R. Crumb. "The extraordinary title is only matched by the incredible insight into the iconoclast’s mind and the ultra-snazzy portrait of an early Crumb on the cover, sporting a corduroy jacket and tie…A definite must-read for any Crumb fan."
• Review:The Comics Journal digs Black is the Color by Julia Gfrörer. Sean T. Collins writes, "Gfrörer’s most moving comic to date, Black Is the Color eroticizes suffering not to glamorize it, but to endure it."
• Interview: Robin McConnell interviews Julia Gfrörer about her webcomic and soon-to-be-in-print book,Black is the Color on Inkstuds.
• Review: Comics Bulletin loves Charles Forsman's The End of the Fucking World. Geoffrey Lapid writes "Instead of allowing you to step back and look at James and Alyssa through wistful adult hindsight, Forsman's fluid and subdued linework take us right into those moments that you only understand when you're 17 years-old, proudly oblivious and doomed…James and Alyssa feel like real, substantial characters rather than simple broad strokes alluding to a deeper history."
• Interview: Ed Piskor is interviewed by Jackie Mantey for Columbus Alive during his Ohio art residency and on Hip Hop Family Tree. "The purity of intent is something that’s important to me with anything I come across," Piskor believes.
• Interview: Kelli Korducki interviews Jaime Hernandez on behalf of Hazlitt about Love and Rockets. Jaime answers, "I like the way women react to situations. Guys in a certain situation mostly try to keep it cool, keep their cover, keep things in control. With a lot of women I know, you get eight different reactions to a situation."
• Review: Jon Longhi looks at Spain Rodriguez in Having a Book Moment.Cruisin' with the Hound, a recent collection, is "it's all gang fights, hot rods, teenage mayhem and its wonderfully entertaining and beautifully illustrated."
The best looping GIF of Online Commentaries & Diversions:
• Review: Publishers Weekly gives a Starred Review to Messages in a Bottle by B. Krigstein. "Krigstein’s stories are sometimes epic and sprawling, sometimes compressed and confined…His mastery of chiaroscuro, and his dramatic composition and layout, applied across a very wide range of subject matter, are what make this gorgeous collection so essential."
• Review:The AV Club also shows extreme love for the comics of B. Krigstein in his new collection Messages in a Bottle. Noel Murray writes, "Krigstein treated each assignment as a chance to put theory into practice, and even among EC’s formidable roster of stylists, Krigstein stands out as one for whom the words around the pictures almost don’t matter, because the art’s so mesmerizing that it’s hard to pay attention to anything else…"
• Review: The Advocate warms up to the reading of Gilbert Hernandez's Julio's Day. Jacob Anderson-Minshall writes "Hernandez is able to illustrate that those events had a global reach and dramatically impacted the lives of everyone — including the people in Julio’s life…A remarkable accomplishment that is likely to find its way on numerous Best of 2013 lists and garner Hernandez more well deserved awards and accolades, Julio’s Day is, at its heart, a gay story."
• Plug:Philip Nel plugs our latest volume of The Comics Journal #302 and it's interview -- the last interview-- with children's book author and illustrator Maurice Sendak. "Above all, in reading Groth’s interview, it’s great to hear Maurice’s voice — his salty, funny, grumpy, insightful, irascible voice — just one last time."
• Review: Neal Wyatt of the Library Journal looks at the new books coming out this year from Fantagraphics. "Browsing the Fantagraphics spring catalog underscores the myriad of styles and literary approaches that graphic novelists and artists explore—be it Anders Nilsen’s near metaphorical images or Dash Shaw’s crowded and kaleidoscopic landscapes." He singles out Good Dog by Graham Chaffee, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch, Lost Cat by Jason, New School by Dash Shaw ("Known for his frenetic and inventive artwork…") and The End by Anders Nilson.
• Plug: The Austin Public Library highlighted two of our books on their blog. On Jordan Crane's The Last Lonely Saturday, Betsey Blanche described as "The artwork is simple – drawn in mostly red and yellow – but full and effective." They also pulled out Lilli Carré's The Lagoon: "It’s another haunting but beautiful book about a family, mysteries, and the power of legends."
• Review:The Comicbook Pusherman looks at 21: The Story of Roberto Clemente by Wilfred Santiago. "…as a comic it absolutely crackles. The art is stunning. Santiago clearly captures baseball's (and Clemente's) unique energy and the Americas of the '50s and '60s and most distinctly the Puerto Rico of the 30s and 40s," says Jeffrey O. Gustafson.
The fullest mailbox of Online Commentaries & Diversions:
• Interview: Alex Dueben interviews Richard Sala about Delphine on CBR . "The main story, which is depicted with ruled borders, was always linear. But I allowed myself more room with the main character's inner life. All of that -- the memories, dreams, fantasies, wishful thinking -- all of that is depicted in panels with soft, cloud-like, non-ruled borders. And so I was able to add to the character's inner life -- his thoughts and fears and confusion -- as I went along." And,edit to the article, we also have The Hidden and The Grave Robber's Daughter available at comiXology.
• Interview:Wilfred Santiago is interviewed by Christopher Borelli about Bull on Parade for the Chicago Tribune and Michael Jordan's 50th birthday. "[Santiago] said a graphic novel seemed like a perfect medium for exploiting athleticism, then added: 'But also, Jordan, as a figure, never seemed that interested in satisfying people. Which is interesting to me.'"
• Plug: Tom Spurgeon on the Comics Reporter talks about TCJ 302, edited by Gary Groth, Kristy Valenti and Michael Dean. "There's an amazing Roy Crane section in there that's as good as you can imagine practical advice from a practical-minded comics craft master being. The Sendak is hilarious and sad." Spurgeon gives a review for TCJ 301 as well. "Publishing Groth's big interviews in print like this is an effective use of one of comics' most versatile thinkers and aiming a very good and only intermittent writer like Kreider at something as odd yet Journal-appropriate as the entirety of Cerebus seems to me fine editorial planning."
• Review:Page 45 reviews 7 Miles a Second by David Wajnarowicz, James Romberger and Marguerite Van Cook. "Romberger painfully captures the frailty of forms and tenderness of touch, but equally the delirium of David’s mad fucking visions and dreams. Marguerite Van Cook’s colours are virtually toxic…This is not a beautiful book; it’s an ugly book, a brilliant book, a Last Will & Testament which I hope you will hear," writes Stephen L. Holland.
• Interview: James Romberger interviews Tom Kaczynski about Beta Testing the Apocalypseon the Hooded Utilitarian. Kaczynski made a list, we love those: "Overall I can cite 3 primary ways I use color in the book. 1. Color as a naturalistic element (as lighting, depth, etc.) 2. Color as pure design element. 3. Color as information."
• Review: Julien of the D&Q Bookstore is excited to read Moto Hagio's The Heart of Thomas. "Like the other Magnificent 49ers (the legendary first wave of female comic artists), Hagio's work is fearlessly avant-garde and visually stunning. Over her fruitful and now slightly less under-translated career, she has set the bar for all manga artists to follow, up to this day, and not just shonen-ai or shoujo mangaka."
• Review:Publishers Weekly loves Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. "Kupperman deploys a stunning arsenal of art styles to bring home the laughs, from stilted woodcut art to a kind of Tintin lite…Kupperman is pretty much his own genre of humor now."
• Interview: Gary Panter was interviewed by Nick Gazin on VICE on Dal Tokyo, creativity and other fun. Gazin describes the book, "…trying to follow the story like it was a traditional comic is hard it feels like we're seeing the inside of Panter's brain. We go where he wants to take us and the landscape reflects his current mood and interests. Not everybody can do whatever they feel like and make it as interesting as this book."
• Plug: Jeff Kinney from Diary of a Wimpy Kid reminisces about his father and their shared love of Carl Bark's duck comics at Disney Dads. Kinney says, "I consider [Carl Bark's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on.
• Review: Johanna Draper Carlson reviews Young Romance edited by Michel Gagné on Comics Worth Reading. "It’s neat to read these long-ago tales of girls acting out of jealousy or determining how to make the right love decision in such an easy-to-hold hardcover with restored coloring. I love seeing more of this forgotten period of comic history, particularly since it was so widely popular and yet so ignored these days," writes Carlson.
• Plug: Jim Hanley's Universe blog creates The Definitive Love & Rockets Reading Guide and Full Bibliography by Jeffrey O. Gustafson to whet your appetite for our Love and Rockets Companion and Reader. "Featuring mature, character based stories, the quality in art and story of the work of [Hernandez brothers] represent the high-water mark of independent, creator-owned comics, indeed comics period."
• Plug:Peter Bagge 'hates' on Beavis and Butthead in this month's MAD magazine, reported by Paste.
• Plug:Noah Van Sciver continues the funny at Denver Westword with the 10 biggest buzzkills at a concert. Read this and laugh or maybe recognize the horrible person that you are.
The most evolved finch of Online Commentaries & Diversions:
• Review:Tom Kaczynski'sBest Testing the Apocalypse is reviewed on Bookslut. Martyn Pedler states, "Science fiction is notoriously unreliable when it comes to predicting Saturn dreams, laser beams, and 21st century sex machines. It’s fantastic, however, at taking our present reality and making it strange again. Beta Testing The Apocalypse makes us Martians to better let us see what’s happening all around us. Read it and witness the disquieting Gernsback of Now."
• Review:Beta Testing The Apocalypse is reviewed by Comics Metropolis. "…a book with an elegant and agile format, immediate in its communicative ability, and extraordinarily dense in its content. An essential reading," writes Biri.
• Interview (audio): Michael Kupperman speaks to Julie Klausner on How Was Your Week.
• Review (audio): The Inkstuds roundtable talks about the Best Books of 2012. Joe McCulloch, Robin McConnell, Tom Spurgeon and Bill Kartalopoulos talk about Lilli Carré's Heads or Tails at the 2 hour, 2 minutes mark. All agreed there was a lot of work. And good work. "Lilli is very good at short stories," says Bill. " 'The Rainbow Movement' was a beautiful short story and exquisite."
• Review: In case you missed it, 7 Miles A Second was a Publishers Weekly Pick of the Week. "How do you draw grief"? David Wajnarowicz, James Romberger and Marguerite Van Cook know. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message."
• Interview: Originally posted on The Comics Journal, then reposted on Boing Boing, Marc Sobel speaks to Ed Piskor at length. In regards to Hip Hop Family Tree, Piskor states, "I think the value that my book has and will have over time as I keep moving forward is that it really does stand a chance of being one of the most comprehensive histories of hip hop culture. There really isn’t one resource that includes all of this minutiae and stuff that I’m focusing on."
• Plug: The Poetry Foundation revisits The Last Vispo after reading another review. "We’re still reading and looking through our copy, enjoying the sheer abundance and diversity of work gathered together," writes Harriet Staff.
• Interview (audio):Gary Groth appears for a full hour on TELL ME SOMETHING I DON'T KNOW now on Boing Boing. Hold onto your comics, it's a great ride.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
672-page black & white/color 7" x 8.5" softcover ISBN: 978-1-60699-603-4
"Business as usual for a publication that was treating the cultural significance of comics as a known fact decades before graphic novels were making the bestseller list."–Noel Murray, The AV Club
"…with over 600 pages of nerding out on comics! In this issue, TCJ gives a heartfelt farewell to Maurice Sendak, featuring his final interview, a comic strip tribute by Art Spiegelman, and various essays on his work…an investigation of R Crumb’s legal battles concerning his famous “keep on truckin’” cartoon, and a touching tribute to the late Dylan Williams." –Jade, D&Q Bookstore
So for the next month or so people will tell you all the reasons why you should read The Comics Journal #302. It has the last interview with Maurice Sendak, an amazing How to Draw section with Roy Crane and his ghost artist (it's worth at least one semester of comic book school credit), a tribute to Dylan Williams, an extensive interview with Jacques Tardi, a new Joe Sacco comic, a Percy Crosby examination and so much more. But I'm here to tell you how you could use TCJ 302 to sweat. At 672 pages, this tome is not just a brick of knowledge, it's a heavy-ass brick of knowledge.
While the matte cover could potentially soak up a lot of sweat, wrist bands and occasionally toweling yourself will keep your TCJ 302 fighting fit.
The single arm row is a great workout for your back. Kneeling over a chair or bench, place one knee and hand on it. Hold TCJ 302 in other arm fully extended towards the ground. With your back parallel to the ground, slowly bring the book up to your midsection and then return to the starting position. Remember to keep your back still as you shakily lift up TCJ 302.
Now the triceps are a problem area for most Americans. Standing completely straight, feet planted firmly hip-width apart on the floor, start with your TCJ 302 in your hand extended straight up in the air. Using not gravity or momentum but your own muscles, bend your elbow and slowly bring your forearm behind your head. If you do this move too fast, you might get a papercut on your ear as the pages flip around a bit. Make sure not to move your elbow or upper arm. Then return your arm to the fully extended position. Feel free to place your free hand on your hip or wrap it around your face to cradle your elbow to ensure it doesn't dip down during the rep.
Now, some of you think you can just read TCJ 302 on the bus or in bed without any training or conditioning. Unless you want a repeat of the late 90s-2000s "Harry Pottered Nose" or to generations before that "Unabridged Les Mis" we suggest you read sitting upright until you've conditioned your forearms to proper reading strength. Be alert and well-hydrated while reading.
Now don't think I've forgotten about cardio! Run your usual one mile, three miles, sprints or what have you, but while holding TCJ 302 and imagining Maurice Sendak's mischievous beasts breathing down your neck. For added horror, run while holding the TCJ 302 above your head.
Some of you might be cartoonists yourselves who have a love of history, the craft and critical analysis. Bully for you! This excersize will whip your arm into shape. Strap TCJ 302 onto your drawing arm and work on your 1000 pages of bad comics until the good ones show up (per Dave Sim's advice). Soon you'll be one-arm push upping your way to glorious two-page spreads and switching from nib to brush to tech pen with the greatest of ease.
The hottest, sweatiest Online Commentaries & Diversions:
•Review: Ray Olson continues the reading journey of Joe Daly's Dungeon Quest Vol. 3 and reviews it on Booklist Online: "For at times, the yarn becomes seriously exciting, especially during the travel and fight scenes when everybody clams up. . . Because of Daly’s cartooning chops, nonpareil entertainment."
•Plug:Comics Reporter only needs 140 characters sometimes, especially when talking about Joe Daly's work. Tom Spurgeon says on Twitter, "Dungeon Quest Vol. 3 is so good at one point 1000 copies danced around my bed like in an old Warner Brothers cartoon."
•Review: Writer on the go Maria Popova reviews Significant Objects at Brain Pickings. "Part Sentimental Value, part MacGuffinism, Significant Objects reminds us of the storiness of our lived materiality — of the artifacts we imbue with meaning, with loves and losses, with hopes and desperations."
•Interview:Comic Book Resources interviews Gary Groth on The Comics Journal digital archives move to Alexander Street Press. Chris Mautner quotes Groth,"The magazine is a journalistic repository that comprises the history of comics from the year I co-founded it, 1976, to present, though the first 25 pre-Internet years are probably the most valuable; so, depending upon how valuable you think those 274 issues of The Comics Journal are, this will allow academics and students access to every one of those issues. There are literally tens of thousands of pages comprising interviews with hundreds of creators (many of whom have sadly died), reviews and criticism, investigative journalism, and debate about issues"
•Review:Booklist Online looks at Angelman. Ray Olson compares the creator Nicolas Mahler to another creator: "Mahler is, however, minimalist musical lampooner and prankster Erik Satie."
•Review:Fredrik Strömberg's Jewish Images in The Comics is reviewed on The Jewish Daily Forward. "The current comics renaissance has produced a plethora of engaging and positive Jewish images to fill the collection. . . Like most surveys, “Jewish Images” sacrifices depth for breadth, and Strömberg plays a lot of catch-up for readers who may not be familiar with Jewish laws, traditions or history. Still, this is a work of tremendous ambition, spanning countries, languages, and artistic styles," says Mordechai Shinefield.
•Plug: The first of many Love and Rockets appropriations via Covered. François Vigneault remakes Jaime Hernandez's L&R cover #31 after the jump.
•Review: Tucker Stone glibbly describes what makes Love and Rockets: New Stories #5 so damn good on The Comics Journal. "[Jaime] opts to take a step back from the heavy drums of emotional extremes, focusing on some lesser used characters as they wander through some summer business. Gilbert takes a more direct approach to the spectacle, pouring a heavy mix of the snarling violence that’s laced so much of his recent work all over the streets of Palomar, the fictional village that so many of his critics clamor for him to return to. It’s a meaty read. . . It’s the new Love and Rockets. What the fuck else did you have planned?"
•Review: Shimura Takako's Wandering Son Volumes 1 - 3 are reviewed on Pol Culture . Robert Stanley Martin says, "Shimura handles a sensitive early-adolescent subject with considerable grace. She captures the doubts--and the joys--of the two characters as they explore and come to terms with their cross-gender tendencies."
•Review:Booklist Online enjoys the latest and last Popeye Volume 6 "Me Li'l Swee'Pea" by E.C. Segar. Gordon Flagg states,"It’s a testament to the brilliance of Segar’s creation and the solid foundation he laid down in his decade drawing Popeye that the one-eyed sailor endures as a pop-culture icon to this day."
•Review: New Noise Magazine and Marco Lalubin take a peek at Mysterious Traveler: The Steve Ditko Archives Vol. 3 A rough French translation says,"Steve Ditko reaches one of the most memorable creative peaks of his career here, first by turning in more carefully worked-over stories and second by frequently displaying a twisted and cruel sense of humor modeled on what EC Comics had been doing in the first half of the 1950s. Especially dazzling are his attempts at graphic boldness, his compositions reaching the same level (at least for the period collected here) as Jack Kirby (albeit less chaotic) -- particularly amazing in that they paradoxically give the impression of respecting the physical constraints of the classic comic book page"
•Review:A Prince Named Valiant reviews the latest Prison Pit - wait no, not at all. They reviewed Prince Valiant Vol 5 1945-1946 as their name might suggest. Michael J. Bayly says, "With stunning art reproduced directly from pristine printer's proofs, Fantagraphics has introduced a new generation to Foster's masterpiece, while providing long-time fans with the ultimate, definitive version of the strip."
Having been preoccupied by this past weekend's Emerald City Con, we're a bit late in offering our warmest wishes and hearty congratulations to two of our favorite gentlemen and their lovely significant others.
First up, TheComicsJournal.com co-editor and Picturebox Founder Dan Nadel and his partner Rachel welcomed their first child, Henry, into the world early Friday morning. (You should do each of you a favor and help keep Henry in fresh diapers by picking up Picturebox's new Rory Hayesand Destroy All Monsters! books).
Meanwhile, on Sunday, our old pal Jacob McMurray , Senior Curator of Seattle's Experience Music Project and author of our book TAKING PUNK TO THE MASSES , and his wife Sara welcomed their second daughter, Eleanor, into their family.