• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly
• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)
• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club
• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6
• Review: "The end of [Thomas Ott's The Number 73304-23-4153-6-96-8] isn’t surprising, but the way that the logic is worked out to its predestined conclusion is nice, and the drawings are wonderful." – Journey to Perplexity
• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania
• Interview:Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."
• Plugs:The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."
• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List: At the Forbidden Planet International Blog Log, Richard Cowdry's Best of the Year picks include E.C. Segar's Popeye ("beautiful Depression era comics") and Johnny Ryan's Prison Pit: Book 1 ("Johnny Ryan takes ideas and styles that have been knocking around the art comics scene for the last few years, and injects them with gallons of fun, attitude and humour. My favourite new comic of the year!"); he also names Noah Van Sciver as a talent to watch; for favorites of the decade he names Love and Rockets ("jaw-droppingly amazing"), Eightball #22, Hotwire Comics, and various issues of Mome ("REALLY good")
• List: At Comic Book Galaxy, Marc Sobel declares You'll Never Know, Book One: A Good and Decent Man by C. Tyler to be Book of the Year: "Although this is only the first volume..., You’ll Never Know feels like Tyler’s masterpiece, the crowning achievement that she’s been building toward." (We also racked up 5 Honorable Mentions.)
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Norwegian journalist Bente Kalsnes mentions Joe Sacco's Safe Area Gorazde as one of her favorite political comics
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "...[G]oofy fun... Supermen! The First Wave of Comic Book Heroes 1936-1941... is worth it for Fletcher Hanks’ 'Fantomah' and 'Stardust' strips and Basil Wolverton’s Spacehawk. The fact that you also get stuff like 'Yarko the Great' and 'Rex Dexter of Mars' can only be counted as a bonus." – Jeff Kapalka, The Post-Standard
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• Come on, people: One of my rare editorial comments: Why the hell haven't any "best covers of 2009" lists included Jordan Crane's Uptight #3? Critics: Get with the program!
The 1975-1976 volume of The Complete Peanuts is still a few months away (March 2010) but we just can't wait to bring you this first glimpse of the volume after that, 1977-1978, featuring cover star Patricia "Peppermint Patty" Reichardt (yep, that's her full name, as revealed in 1971-1972). Design, as always, by Seth. Note that this is a preliminary version and that some details may change between now and next Fall when the book is released.
Hey, let's have some fun: the first person in the comments to correctly guess the cover star for the 1979-1980 volume wins a copy of our Unseen Peanuts comic from Free Comic Book Day 2007! Winner revealed tomorrow.
Oh lordy, I felt like I was never going to get through this installment of Online Commentary & Diversions:
• Interview/Reviews/Contest: The Seattle Geekly podcast visits Fantagraphics Bookstore & Gallery ("full of dangerous amounts of awesome") and talks to curator Larry Reid as part of their current episode's focus on "geek gifts"; plus reviews of Strange Suspense: The Steve Ditko Archives Vol. 1 ("If you're interested in the history of the comics genre, this is a must-have") and Hans Rickheit's The Squirrel Machine ("steampunk style mashed up with H.R. Giger... the art is amazing"). Plus, they're having a contest giving away a copy of Strange Suspense!
• List: Graphic Novel Reporter begins their Best of 2009 survey of educators and comics pros; so far A Mess of Everything by Miss Lasko-Gross ("Lasko-Gross’ words and pictures felt incredibly authentic") and Luba by Gilbert Hernandez have been named
• Review: "Rolling in like a slow, fuzzed-out guitar line from an Orange-brand amp, The Red Monkey Double Happiness Booklives up to the good vibes promised in its title. ... Having recently finished Thomas Pynchon's Inherent Vice and Jonathan Lethem's Chronic City, I couldn't help but consider The Red Monkey Double Happiness Book as a distant third-cousin to those titles. ...The Red Monkey Double Happiness Book is a weekend read, best consumed with your feet propped up, opposable digits or not." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Paul Hornschemeier excels at a sort of cryptic-cute comic that is better read than described. It's a blend of darkness and sharply delineated perfectionism that, whether he likes it or not, sometimes brings to mind his Chicago contemporary Chris Ware What he knows, though, is that he can go places Ware can't — Hornschemeier's style is every style. ... His diversity of styles is most apparent in All and Sundry: Uncollected Work 2004-2009... It's just a stew of stuff that, like the best sketchbooks, offers an intimate invitation to spy on the ramblings of a formidable creative." – Byron Kerman, PLAYBACK:stl
• Review: "For being a company that puts out the reprints of one of the safest comics of all time, Peanuts, Fantagraphics sure lives on the edge of the comics medium, particularly in the realm of anthologies. Blab! is just such an anthology, featuring a variety of visual quirks that hover closer to straight up art pieces than comics work, but still do not seem out of place with the more narrative pieces that slide between the pictorial pages. ...[T]here's probably someone for everyone in Blab!, if you take the time to look." – Panel Patter
• Review: "Richard Sala’s reinvention of Snow White is a sparkling macabre gem. The 2-color art glows in handsome sepia that is pitch perfect for this delightfully demented tale of a strange land. Sala populates Delphine with cast of horror carnival rejects that is diverse enough to both excite and confound the imagination. This issue [#3]’s creepy locales: dark tunnels, a creepy house, and a gloomy castle are the true stars of this chapter. They make this scary tale an absolute winner. ...[Grade] A" – Leroy Douresseaux, Comic Book Bin
• Reviewer: A new book review from Laura Warholic author Alexander Theroux for The Wall Street Journal, this time of an interesting-sounding collection of "literary invective" called Poison Pens
• Plug: "I grew up in the video age and I’m still in awe of the technology that first allowed me to watch thousands of movies in the privacy of my own home. Call me sentimental and nostalgic, but when I first got wind of Jacques Boyreau’s upcoming book Portable Grindhouse: The Lost Art of the VHS Box it made me giddy with excitement." – Kimberly Lindbergs, Cinebeats
UPDATE 4/14/09: The prints are all gone and the offer below is over. Thanks to everyone who participated!
Congratulations to the winners of our 20/20 Club Lloyd Llewellyn Llottery! We have a handful of these recently unearthed limited edition Lloyd Llewellyn prints left over, and we're gonna give them away! They measure 8.5" x 11" and are signed and numbered by Daniel Clowes. Read on for details...
This print will be included with your order FREE of charge if A) your order subtotal is $100 or over, before shipping and after any discounts are applied, and B) your order includes at least one item by Daniel Clowes. Any item listed on this page will qualify for part B. Act fast -- this offer is only good while our extremely limited quantities last, and is likely to expire without warning, so please be sure you want your order even without the print. Thanks and good luck!
20/20 Club members: check your inbox for details on how you can have a chance to buy one of a scant handful of recently-unearthed copies of the outrageously out-of-print #$@&! The Official Lloyd Llewellyn Collection by Daniel Clowes! Plus there's an incredible bonus if you combine it with an order of $100 or more. All the details are in the email; if you're a 20/20 Club member and you don't receive the email, for pete's sake write me at "mbaehr" at this here "fantagraphics.com" domain before the end of the week so I can add you to our mailing list and send you all the details.
Everyone else: we'll have another semi-related contest next week featuring an even rarer Lloyd Llewellyn collectible, so be on the lookout for an announcement because you'll have to act fast. And if you're not a 20/20 Club member yet, this is the kind of crazy exclusive offer we'll throw at you every once in a while, in addition to all the usual benefits (20% off, breaks on shipping), once you sign up...
Congratulations to Philip Spector of Mamaroneck, NY for winning the signed limited-edition Ghost World silkscreen print! Philip, your prize is on its way. Thanks to everyone who participated by pre-ordering Ghost World: Special Edition (which is now in stock).
This deluxe new edition of our most popular book ever expands the original graphic novel — which tells the story of two best friends, Enid and Rebecca, facing the prospect of growing up and apart — from 80 pages into a 288 page, behind-the-scenes tour through the making of both the classic book and the subsequent hit film. Including a new introduction and several pages of new strips by Clowes, as well as over 200 pages of ‘extras’: the Oscar-nominated screenplay by Clowes and Terry Zwigoff, dozens of pages of never-before-collected ephemera, including unused concept drawings, notes, movie posters, foreign edition covers, merchandise, artwork created for the movie by Clowes, Sophie Crumb and the cast, and much more, all annotated by Clowes. Truly lavish, definitive and comprehensive.
(NOTE: Our contest for the drawing to win the limited-edition signed Ghost World exhibit poster is now closed as of midnight last night. We will announce the winner as soon as we figure out who it is. Stay tuned! We are also down to the very last of the signed bookplates, which will likely be gone today or tomorrow. First come, first served, so don't delay!)
Good news for people who pre-order Ghost World: Special Edition! Not only are you entered in our drawing for the limited-edition Ghost World exhibit silkscreen print, but the first 50 people to order the book (including everyone who's already ordered) will receive a FREE exclusive bookplate (shown above) signed by Daniel Clowes! This means they're already over half gone, and the book is due to arrive from the printer imminently, so the poster contest will be over soon... get your order in NOW!
Announcing our Ghost World: Special Edition poster giveaway contest! Pre-order Ghost World: Special Edition by Daniel Clowes directly from Fantagraphics.com and your name will be placed in a random drawing to receive a signed copy of the ultra-limited-edition silkscreen show print (shown below) for the Ghost World: Special Edition exhibit opening this Friday, August 29, at Fantagraphics Bookstore & Gallery. (The poster will be available for purchase ONLY in person at the FB&G and is sure to sell out.)
Some rules: limit one entry per person (multiple orders, or ordering multiple copies, while appreciated, will not increase your chances); to be eligible for the drawing, orders must be placed via the Fantagraphics.com website and received before midnight Pacific time the night before Ghost World: Special Edition is listed as "in stock" on the New Releases page of Fantagraphics.com (currently expected to be the week of September 15, but this is subject to change up until the last minute); if you've already placed your order, YES, you're automatically eligible for the drawing; we only have one (1) poster to give away; the winner will be chosen randomly and contacted via email. Good luck!
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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