Good Dog marks the welcome return of alternative cartoonist Graham Chaffee, one that comiXology has made available digitally the same day as the book is out in print! Ivan, who is plagued by terrible nightmares about chickens and rabbits, is a good dog — if only someone would notice. Chaffee combines illustrative gravitas with cartooning verve for a richly textured, dog’s-eye view of the world. Preteen-and-up dog fanciers, especially, will warm to the well-meaning Ivan and his exploits with a motley assortment of Scotties, Bulldogs, and mutts. Chaffee combines illustrative gravitas with cartooning verve and creates a richly textured, dog’s-eye view of the world. The story is a rousing Jack London-esque adventure as well as a moral parable. Available for only $12.99 on comiXology.
"Getting into the mind of a dog -- that's a real trick. I know, I've tried. Getting into the whole heart and soul of a dog is another whole feat. Graham Chaffee not only does it with aplomb (he draws GREAT dogs), he gets into the whole dog's life -- and so should you." -- Nick Abadzis
Fantagraphics and comiXology are happy to bring one of the pillars of alternative comics to the digital forefront. Peter Bagge's Other Stuff is perfect for a long-time reader of Hate or a new-comer.
Other Stuff includes a series of Bagge-written stories drawn by other cartoonists, including "Life in these United States" with Daniel Clowes, "Shamrock Squid" with Adrian Tomine, and the one-two parody punch of "Caffy" (with art by R. Crumb) and "Dildobert" (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of "Kool-Aid Man" written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.) Enjoy 146 pages of fun for only $14.99 on comiXology.
"Other Stuff also brings together strips Bagge has written about rock icons, along with a few cartoon essays, and strips featuring his characters Lovey and The Leeways, who respectively represent hipster adventurism and dogged domesticity. It’s a full picture of who Bagge has been as an artist and humorist over the past 20 years, and as such is as valuable for newcomers as fans…" –Noel Murray, The A.V. Club
Bringing you the absolute best in alternative comics, Fantagraphics and comiXology have released Newave! The Underground Mini Comix of the 1980s for your digital reading delight. Edited by Michael Dowers, Newave! is a gigantic collection of the best small press cartoonists to emerge after the first generation of underground cartoonists (such as R. Crumb, Gilbert Shelton, and Art Spiegelman) paved the way. These cartoonists, inspired by the freewheeling creative energy of the underground comix movement, began drawing and printing their own comix seen here.
This gigantor collection has 856 pages of comics by your favorite artists of today and yesterday for only $19.99. Get Newave! on comiXology and settle in for the night, hell, make it the whole weekend!
"...[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." -- Publishers Weekly
"Back in the days of Factsheet Five, I used to order tons of minicomix. Most were mediocre, but a few were terrifically good and that made it worth the risk to send in the fifty cents or so that they cost. ... Fantagraphics just released a massively thick (900 pages!) anthology of minicomix called Newave! The Underground Mini Comix of the 1980s, and it's a treat." – Mark Frauenfelder, Boing Boing
Dash Shaw's newest comic, 3 New Stories, is available today for the first time both in print and digitally via comiXology! In this 32 page comic, Shaw creates three full-color short stories exploring varied dystopian societies, from a Sherlock Holmes-style investigator who must complete his high school degree to filmed "voluntary" nudity to prison camps full of jaded children.
Enjoy this full meal of comic on its own or consider it an appetizer for New School out next month. It's only $2.99 for a fun read.
"Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies." -Benn Ray, Atomic Books
comiXology and Fantagraphics bring another classic cartoonist to the digital screen in Weird Horrors & Daring Adventures: The Joe Kurbert Archives Vol. 1. Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more. For the first time since the printe edition, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime.
Drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions. With an extensive set of historical notes and an essay by the book's editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography. For $24.99, this thick volume of comics takes up no space on your shelf but will no doubt fill your brain with images, keeping you up until the wee hours.
"Schelly and the always sterling Fantagraphics production team do a nice job of preserving the look and feel of these comics…the master cartoonist was equally at home doing broad humor as intense action/adventure as well as lighter, Archie-style teen humor."–Jason Sacks, Comics Bulletin
"Best known for Sgt. Rock, Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." -Mark Frauenfelder, Boing Boing
The book that has been sold-out twice in a row comes to you, dear reader, in digital form. Four Color Fear: Forgotten Horror Comics of the 1950s. The finest non-EC horror covers and stories of the pre-code era by artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood, collected in a robust and affordable volume. And by volume, we mean four. This book is SO BIG, SO HUGE that we had to break it up into four parts: CMYK for the printing colors Cyan (blue), Magenta, Yellow and Black or parts one, two, three, four.
Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding a most delightful read in their dusty, creaky attic. Each part is only 6.99 for 80-something pages bound to terrify and keep you up all night long, glowing from your tablets thanks to comiXology.
"[Its] a wonderfully creepy hurtle through the exuberant, cheerfully gross and icky horror comics that prevailed in the golden, pre-Comics-Code era. ...[T]he art is brilliant: indistinct piles of slimy viscera, purple-green zombies, skull-faced vampires and demons, Satan in a dozen guises, witches and occult symbols, creatures from the eleven hells of the darkest mythos of the human spirit." – Cory Doctorow, Boing Boing
Finally, the sold-out first volme of the Ditko Archives is here in digital reading glory via comiXology, Strange Suspense. Before the Amazing Spider-Man and mysterious Dr. Strange, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and1954), Ditko drew tales of macabre suspense that were not yet hobbled by the Comics Code Authority. These stories featured graphic bloodshed, dismemberment and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko's imagination.
Strange Suspense: The Steve Ditko Archives Vol. 1features, for the first time, spectacular full-color reprints of every story from those first two years of his career. Beginning with Ditko's very first story to Ditko's short stint in the Joe Simon/Jack Kirby studio, to Ditko's eventual encampment at the Charlton Comics operation in 1954, readers will see the initial works of an artist already at a level of craftsmanship that exceeded most of his peers. The book also features editor Blake Bell's insightful introduction, providing historical background and speaking to Ditko's influence and his unique craft.
Enjoy this 238 page masterpiece on your reading tablets, anywhere, anytime.
"Fantastic... Raw and grotesque and beautifully drawn and presented." –Dave Gibbons
Wilfred Santiago's baseball biography comic is ready to read on the way to your next away game at comiXology. 21: The Story of Roberto Clemente follows Clemente's life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960s World Series where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.
Named one of Library Journal's Best Books 2011: Graphic Novels, one of Booklist's Top 10 Graphic Novels: 2012 (for 2011 books), one of ALA/YALSA's Great Graphic Novels for Teens 2012, 21 is a great book for teens, adults and baseball fans all around. 179 pages of the struggle and success of a immigrant baseball player achieving the American dream can be yours. Batter up!
"...21: The Story of Roberto Clemente... is drawn with a jagged whimsy that gets at the sudden sharpness of a baseball game's action, the frenzy that comes from out of nowhere to temporarily replace the long, slow stretches of waiting, scratching, spitting and eyeballing opponents that are endemic to the sport…Comic books bring a different kind of narrative that's not possible in any other medium — not books, not movies.'" – Julia Keller, Chicago Tribune
"Santiago evokes the world Clemente lived in, from the dusty Puerto Rican streets where he played baseball with bottle caps and tree branches to his years as a perennial All-Star. The art is scratchy and abstract when it’s dealing with home and homesickness, and then hardens into the stuff of superhero comics whenever Clemente steps to the plate." – Noel Murray, The A.V. Club
The Year of Gilbert Hernandez begins with a bang with Julio's Day, now available via comiXology. Or truth be told it begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Julio's Day (originally serialized in Love and Rockets Vol. II but never completed until now) is Hernandez's latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life - indeed, one century in a human life - through a series of carefully crafted, consistently surprising and enthralling vignettes.
This singular, standalone story released this week both digitally and in print will help cement Gilbert Hernandez's position as one of the strongest and most original cartoonists of this, or any other, century. And you can read it anyway via your tablets thanks to comiXology.
"A haunting performance and about as perfect a literary work as I've read in years. Hernandez accomplishes in 100 pages what most novelists only dream of — rendering the closeted phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece." – Junot Díaz
Fantagraphics is proud to announce Spacehawk, the whole space shebang by Basil Wolverton is available for digital delight on comiXology. Spacehawk had but one mission in life: to protect the innocent throughout the Solar System, and to punish the guilty. Every story from Spacehawk’s intergalactic debut in 1940 to his final, Nazi-crushing adventure in 1942.
Basil Wolverton is one of the greatest, most idiosyncratic talents in comic book history. Though he is best known for his humorous grotesqueries in MAD magazine, it is his science-fiction character Spacehawk that Wolverton fans have most often demanded be collected. While Spacehawk is the closest thing to a colorfully-costumed, conventional action hero Wolverton ever created, the strip is infused with Wolverton’s quintessential weirdness: controlled, organic artwork of strangely repulsive aliens and monsters and bizarre planets, and stories of gruesome retribution that bring to mind Wolverton’s peer, Fletcher Hanks. Spacehawk had no secret identity, no fixed base of operations beyond his spaceship, and no sidekicks or love interests. Only his mission. Your mission is to read this book!
"What you read [Spacehawk] for is the character design, that amazing Wolverton grotesque that is as unmistakable as it is unforgettable. I mean to say, this guy could really draw monsters [in this] weighty tome that almost strobes with awesome." -Cory Doctorow, BoingBoing
"Basil Wolverton rises to the occasion and gives the reader a detailed and hilarious look at megalomania while throwing in some fantastic aerial fight scenes…Fantagraphics Publishing brings Wolverton’s art to the reader in as detailed and perfect a form as possible. Each wave of space, every geometric shape and all the incredibly ugly aliens look better than they ever have in their entire lives." –Mark Squirek, New York Journal of Books