Multimedia reading and performance Plus! Dazzling dancer Fuschia FoXXX! (Voted one of the Stranger's "Sexiest Citizens"!) Scantily-clad boy AND girl sirens, including Holly Chernobyl! (Also voted one of the Stranger's "Sexiest Citizens"!) Chocolate kisses! More!!
Thursday, February 28, 7pm Bailey/Coy Books 414 Broadway Ave. E. (across from QFC)
Ellen Forney's follow-up to her wildly popular I Love Led Zeppelin is a collection of cartoons celebrating the sometimes stunningly crude, sometimes surprisingly sweet online world of kinky personal classifieds. Forney has for several years been illustrating the Seattle alt-weekly The Stranger's "Lustlab" classified ads by interpreting the most interesting, outrageous, or idiosyncratic ad in that week's paper. To cap it off, the collection includes frank, revealing interviews with some of the advertisers conducted by Forney, plus an introduction by the notorious sex advice columnist and novelist (and Stranger editor), Dan Savage.
"Alternately clever and goofy, Lust is a fantastic voyage into the nether regions of human desire. A-" - Entertainment Weekly
"Whether you're a true kinkster or a part-time voyeur who occasionally skims online personals, it's hard to tear yourself away from Lust... No matter who - or what - your yen, Lust is worth a peep." - Readymade
"Give your partner a copy of Ellen Forney's Lust... It's a great way to open the door for discussing different kinks you might be interested in exploring." - Fleshbot
The Northwest Film Forum, Seattle's non-profit cinematheque with two screens located on Capitol Hill, along with a little help from their friends at Fantagraphics Books, is presenting a trio of film adaptations of classic comic strips. These family-friendly versions of DICK TRACY, ANNIE, and POPEYE are sure to win the hearts of new young viewers. These films will be a treat for parents too; they revisit the peculiar results of the unlikely directoral assignments for John Houston, (ANNIE), Robert Altman (POPEYE) and Warren Beatty (DICK TRACY).
Also, all attendees of the series will receive a 20% off coupon to the Fantagraphics Bookstore & Gallery, where you can purchase collections of the original strips these films were based on!
POPEYE: MARCH 1 - 2, Saturday-Sunday at 1:30, 4pm
(Robert Altman, USA, 1980, 35mm, 113 min)
ANNIE: APRIL 5 - 6, Saturday-Sunday at 1:30, 4pm
SING-A-LONG WITH THE MOVIE SUNDAY AT 4PM! Sheet music will be given out!
(John Huston, USA, 1982, 35mm, 127 min)
DICK TRACY: MAY 3 - 4, Saturday and Sunday at 2, 4pm
(Warren Beatty, 1990, 35mm, 105 min)
All screenings will be held at:
Northwest Film Forum 1515 - 12th Avenue Seattle, WA 98122 (206) 329-2629
Georgetown Second Saturday Art Attack Continues with Spring Surge on March 8!
The inaugural Georgetown Second Saturday Art Attack in February attracted countless throngs of art enthusiasts to Seattles colorful and creative Georgetown community. This lively event continues on Second Saturday, March 8, from 6:00 to 9:00 PM. The list of participants has expanded to more than 30 galleries, studios, nightclubs, boutiques, and cafes. The public of all ages is invited to explore the singular appeal of this diverse industrial arts district.
Come dine, drink, shop and socialize in one of our regions most entertaining and engaging cultural environments. Most participating businesses cater to all ages clientele and admission is free. The Georgetown Second Saturday Art Attack is a production of the Georgetown Merchants Association. Website: www.georgetownartattack.com
Georgetown Second Saturday Art Attack Saturday, March 8, 6:00 9:00 PM.
All City Coffee, Artcore Tattoo, Art at the Top of the Stairs. Backstage, Bella Vitale, Belle & Wissell, Bolte Creative, Calamity Jane's, Catherine Gill Studios, A Dog's Dream Natural Pet Supply, Equinox Studios, Fantagraphics Bookstore & Gallery, Fruit Cocktail Collectibles, Full Throttle Bottles, George, Georgetown Art Center, Georgetown Liquor Company*, Georgetown Records, Georgetown Tile Works, Great Stuff, Hangar Café, Jules Maes Saloon*, MIX, 9 Lb. Hammer*, Smarty Pants Restaurant*, Squid and Ink, Stellar Pizza & Ale, Two Tarts Bakery, and more. * Indicates 21 + with valid ID.
Join Ellen for a multimedia reading and performance next Thursday!
Plus! Dazzling dancer Fuschia FoXXX! (Voted one of The Stranger's "Sexiest Citizens"!) Scantily-clad sirens, including Holly Chernobyl! (Also voted one of The Stranger's "Sexiest Citizens"!) Chocolate kisses! More!!
Thursday, February 28, 7pm Bailey/Coy Books 414 Broadway Ave. E. (across from QFC) Seattle, WA 206-323-8842
FRIENDS OF THE NIB COMICS JAM WITH SPECIAL GUEST KIM DEITCH AT FANTAGRAPHICS BOOKSTORE & GALLERY ON SATURDAY, MARCH 8.
The public is invited to join a stellar group of accomplished cartoonists in the "Friends of the Nib Comics Jam" at Fantagraphics Bookstore & Gallery on Saturday, March 8 from 6:00 to 9:00 PM. Celebrated cartoonist and visual artist Jim Woodring will preside over the activities, which will include a guest appearance by New York underground comix legend Kim Deitch. Aspiring cartoonists of all ages are encouraged to participate in this lively session, which will include a rare screening of Deitch's 1960 short film "Dial M for Monster."
Friends of the Nib is an informal cartoonist's salon formed by Woodring that meets weekly at Café Racer in Seattle’s Ravenna neighborhood. Acclaimed artists such as Ellen Forney, David Lasky and animator Bruce Bickford regularly attend to mentor emerging cartoonists and network with their peers. The “Comics Jam” on March 8 will feature more than a dozen artists cartooning on-site while offering casual encouragement to public participants.
Kim Deitch is among America’s most prominent and influential alternative cartoonists. The (astonishingly sophisticated) animated and live-action film short "Dial M for Monster" he created as a teenager with his friend Tony Eastman has become legendary among Deitch fans; it was never released, and has only been shown a handful of times in small venues as part of Deitch's multimedia presentations; see below for a two-page comic strip by Deitch about the film. Prior to the 7:30 screening, he will introduce the film with a brief media presentation.
Deitch's work has been featured in Art Spiegelman's RAW and R. Crumb'sWeirdo anthologies. In a recent review of Deitch's Shadowland graphic novel, New York Times book critic John Hodgman observed, "Few underground cartoonists deserve that subterranean title so fully as Kim Deitch. He was there at the beginning of the movement, drawing for The East Village Other in 1967, and his work retains much of that psychedelic, R. Crumb-like earthiness." In addition to Shadowland, Fantagraphics Books has collected Deitch's work in Beyond the Pale and published comic book series including The Stuff of Dreams, Mishkin File, and Waldo World.
Admission is free to the public of all ages.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. in Seattle's Georgetown industrial arts district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
The "Comics Jam" coincides with the monthly "Georgetown Second Saturday Art Attack." Over twenty-five galleries, studios, nightclubs, boutiques, and cafes participate in this lively showcase of Georgetown’s creative diversity.
"Friends of the Nib" Comics Jam with special guest Kim Deitch Saturday, March 8, 6:00 – 9:00 PM* ("Dial M for Monster" film screening at 7:30 PM)
Fantagraphics Bookstore & Gallery 1201 S. Vale St. (at Airport Way S.) Seattle, WA 206.658.0110
Open Daily 11:30 – 8:00 PM. Sundays until 5:00 PM
*It's the inaugural Georgetown Second Saturday Art Attack! Festive openings, performances and related events throughout the neighborhood
WHO: Jonathon Rosen, Glenn Head, Sam Henderson, Danny Hellman, Mark Newgarden, David Sandlin, Chadwick Whitehead, Craig Yoe, R. Sikyorak, Doug Allen, Marc Dean Veca and other guests t.b.a.!
WHAT: HOTWIRE COMICS Vol. 2 Release Party & Signing WHERE: Rocketship, 208 Smith St., Brooklyn, NY 11201 WHEN: Friday, Feb. 22, at 8PM
Insanity, dementia, stray bullets, hangovers, hillbillies, sci-fi, candy-rods, carnies, Wilhelm Riech, PCP, decayed portraits, Tijuana bibles, gags, mobsters, Mick Jones, zombies, paranoia, orgones, and psychedelia... it's all here!
HOTWIRE COMICS Vol. 2 weighs in at 136 pages, 64 in full color, with an eye-popping fold-out and big 9x12 format. Edited by Glenn Head (Snake Eyes). Featuring all new work by these GREAT talents: Tim Lane, Jonathon Rosen, Mark Newgarden, R. Sikoryak, David Sandlin, Mary Fleener, Johnny Ryan, Matti Hagelberg, David Paleo, Sam Henderson, Danny Hellman, Glenn Head, Carol Swain, Mark dean Veca, Stephane Blanquet, Mack White, Onsmith, Lorna Miller, Chris Estey, David Lasky, Ivan Brunetti, Tobias Tak, Craig Yoe, and Christian Northeast....
HOTWIRE puts the kicks back in comics! Yes, the Eisner and Harvey award nominated comics' anthology is back for another mindbending, madcap, mash-up of thrills, spills, and glorious cartoon mayhem!
Implicit in the title of this collection is a ceremony of disintegration: shattering, fragmentation. A shedding of time. A shaking loose of the bonds of linearity and sequence. An immediacy of contact with the tools of construction so lucid and unsullied by the seductions of the future and the burdens of the past that the writing becomes a continuous doing and undoing, a joyful participation in the creation of a strange new alphabet of illimitable occurrence, a fetus of meaning in a placenta of ink.
The presentation is twofold: writing as writing (sentences, laminations, thought, “an undulant mind on soft display“), and concrete poetry -- letters arranged in eccentric patterns of visual energy. The writing is playful, probing, and provocative; sentences in paratactic leapfrog with their teasing proposals: “what restrains a superpower after guilt has lost its charm”; “as a windowsill is a place for elbows, so should a beach be a horizontal wonderment with the diesel fumes of military aggression”; “an unplugged brain is more dangerous than any taxpayer.” The emphasis with both strategies -- abstract and concrete, linguistic and visual -- is to advance an experience with language that becomes an ongoing textual genesis, Stein’s “continuous present.” It is also highly entertaining. Vassilakis is a funny guy, a postmodern Socrates with a quizzical cue stick.
This tendency toward showcasing the implements and machinery of language -- what Charles Bernstein calls “the desire for writing to be the end of its own activity, its very thatness” -- is most abundantly available in Vassilakis’s sections of concrete poetry. For instance, the configurations of letters displayed in the section titled “Rubber,” such as the entity on page 136 consisting of Os and Hs and Gs and Ss and Ts (which could spell the word ‘ghosts’ any number of times) (the letters are, in fact, rather pale) resembles some sort of wiggly-wobbly creature from the alphabet lagoon; Jean Tinguely’s Cyclops comes to mind, as do the Martians from War of the Worlds.
Wittgenstein wrote that “philosophical problems arise when language goes on holiday.” In Text Loses Time, language is on a holiday from time: sequence, servility, routine. We enter a hall of mirrors where words refer to one another. Where words bump one another like bumper cars, lean into the dark, return us to trance, the means by which we meander. Most importantly, it provides (I am drawing this quote from the Afterword by Nick Piombino)”, “an exit from the current pervasive cultural tendency to employ meaning and visual space according to needs and desire for personal advantage, corporate profit and social control… refuge in the microscopic details of immediate, unfiltered visual and internal perception…”