Kim Deitch: A Retrospective will display original comics pages and other work covering the artist's entire career to date, beginning with full-page comic strips drawn for the East Village Other in 1967 up to recent graphic novels including The Boulevard of Broken Dreams, Alias the Cat, Shadowland, and Deitch's Pictorama. The exhibit will also feature rarely seen work including elaborate preparatory drawings, hand-colored originals, lithographs and other prints.
Kim Deitch was born in Los Angeles in 1944, the eldest son of Oscar-wining animator Gene Deitch (Tom Terrific, Munro). Deitch studied at the Pratt Institute, traveled with the Norwegian Merchant Marines and worked at a mental institution before joining the burgeoning underground press in 1967. As an early contributor to the East Village Other and the editor of Gothic Blimp Works, Kim Deitch was among the first members of the underground comix scene that would explode with the 1968 publication of Robert Crumb's Zap #1. Forty years later, he stands alongside Crumb, Bill Griffith, Aline Kominsky-Crumb, and Art Spiegelman as one the most notable and consistently prolific artists to emerge from that milieu. In addition to his comic books and graphic novels, Deitch's work has appeared in such venues as RAW, Weirdo, Arcade, Details, the L.A. Weekly, McSweeney's, Nickelodeon Magazine, and The New Yorker.
"Kim Deitch's career spans the post-war history of avant-garde comics," said curator Bill Kartalopoulos. "And throughout it he brilliantly weaves vast intergenerational narratives that enfold a deep history of American popular entertainment, from the past to the present and into the fantastic outer reaches of his meta-fictional universe. Distinctions between fiction and reality blur in Deitch's work just as real madness bleeds into the visions and schemes of the artists, entertainers, and hustlers who populate his world. The result is a rich narrative tapestry as compelling and breathtaking as Deitch's densely layered, tightly woven, and intricately detailed black and white comics pages."
Deitch's body of work stretches outward from comics to embrace a spectrum of visual-narrative modes, including extra-textual single images and illustrated prose modeled after Victorian illustrated fiction. His most recent book is Deitch's Pictorama, a collection of illustrated fiction produced in collaboration with brothers Seth and Simon Deitch. The exhibit will highlight Deitch's career-long experimentation with text/image modes.
MoCCA will publish an original poster and 1" button featuring Deitch's artwork in association with the exhibit. The Museum will also host a series of talks and events related to the exhibit. For more information please visit: http://www.moccany.org
Please join us at MoCCA on September 12th to celebrate Kim Deitch; A Retrospective. The artist will be present and refreshments will be served!".
Event: Kim Deitch: Opening Reception "Free and open to the public" What: Opening Host: Kim Deitch: A Retrospective Start Time: Friday, September 12 at 6:00pm End Time: Friday, September 12 at 9:00pm Where: MoCCA: The Museum of Comic and Cartoon Art
I'll let the images speak for themselves except to say that everybody and everything was delightful and wonderful. I've said this before, but it bears repeating: what a great month it's been to be a graphic novel fan in Seattle.
TONIGHT! SEEDaniel Clowes in a rare in-store appearance! GAZE upon an exhibit of original art from Ghost World! HEAR Dan answer questions from our fearless leader Gary Groth! MEET other special unannounced guests! PURCHASE the very first copies of Ghost World: Special Edition and our special signed limited-edition silkscreen exhibit poster (VERY limited quantities of both - get there EARLY to secure your copies)! GET your Clowes books and paraphenalia signed! CLICK here for more details!
Adam Baumgold Gallery presents an exhibition of drawings by Charles Burns from September 5 through October 12, 2008. This will be Charles Burns' first New York solo exhibition and will include fifty seminal drawings executed in the last 25 years that showcases Burns' masterful pen and ink drawings for his award winning comic books and other publications.
Featured in the exhibition will be covers and drawings for the serialized version of Charles Burns' epic graphic novel "Black Hole," as well as the drawings for the covers and pages of "Skin Deep," "Big Baby," and "El Borbah," and a rare RAW era "Dog Boy" strip. The exhibition will also have drawings and covers for The New Yorker, Esquire and numerous other magazines that include drawings of cult figures William S. Burroughs and Robert Crumb. Also included will be the cover of "Permagel" the new large scale book of Burns' art.
Gallery hours are Tuesday through Saturday 11:00 - 5:30 P.M. . For additional information please contact Adam Baumgold at (212)861-7338 or
Signed exhibition posters will be available. A preview of the exhibition can be seen at adambaumgoldgallery.com Charles Burns will be present at the opening on Friday September 5th from 6 to 8.
Adam Baumgold Gallery 74 East 79th St. #1-D New York, NY 10075 (212)861-7338
Stop by at 6 for a beer and an autographed book. Performance starts at 8.
Who: Leah Hayes / Scary Mansion What: Musical performance and book signing When: Friday August 29th 6-9 p.m. (music at 8) Where: Desert Island, 540 Metropolitan Ave, Brooklyn NY 11211 Why: If you need to ask this question then maybe you shouldn't come.
Kim Thompson has posted an annotated list of the 20 artists featured in his "Vingt sur 20" slide lecture (given at the Alliance Française on July 16, 2008) on The Comics Journal message board for your reference and discussion.
We hinted that we might be bringing you audio of Kim's talk, but Kim will be presenting an improved version at SPX this Fall, so we're going to wait for that!
Photographer Steve Sampson of the Alliance Française also took many, many great photos over the week; we'll be sure to post a link when they're up on the Alliance's website. And we recorded audio at all these events (and the Library is going to be podcasting theirs), so we should be able to bring you MP3s and possibly some multimedia in the near future.
Special thanks to all of the individuals and organizations who worked so hard to put together this fantastic week of events, and of course to the gracious and phenomenally talented David B. for making the journey, tirelessly signing and sketching, and providing such fascinating discussion. It's a great month to be a graphic novel fan in Seattle.