Our homeboy Marc Palm created this Filmation-style Prison Pit fan art, which Johnny Ryan posted over at his blog, where you can find out the inarguable reasoning behind Marc's color choices.

As blogged by Johnny Ryan: "This piece of 8-Bit inspired Prison Pit fan art showed up on Twitter today, courtesy of Swedish artist @jnkboy (his DeviantARt page is here). Right now a Prison Pit video game is beautiful dream…or maybe it’s a whisper of things to come? Only time will tell." It looks a lot better in the original un-resized GIF — see it.

Kristin Hersh tweeted this pic of a fan-made tote bag with a hand-drawn reproduction of Gilbert Hernandez's cover artwork for the Throwing Muses album Limbo. Nicely done! Anyone else out there have any DIY Fantagraphics-related handicrafts you've made? Tweet or Facebook 'em at us!

Today's Online Commentary & Diversions:

• Review: At Comix Cube Kevin Czap praises Steven Weissman's "Barack Hussein Obama" (seen here on our website and in Mome Vol. 21): "It actually reminds me of Wally Gropius in terms of the structure, which is not surprising given its appearance in MOME. One can only hope that the whole thing will get collected, at which point I predict it to be one of my favorite comics ever." (Via The Comics Reporter)

• Review: We almost missed this cartoon review by Casey Scieszka and Steven Weinberg at Unshelved Book Club: "…The Last Musketeer… is the epitome of everything we love about Jason: stunning color palette, insane and absurd plot, humor that sneaks up on you, his signature anthropomorphized animals, and surprisingly serious themes of authority, humanity, death, love, jealousy…"

• Interview (Audio): On yesterday's episode of Albany, NY public radio station WAMC's program The Roundtable, Ian Pickus talked to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind — listen to the archived show at the link

• Profile: At Examiner.com, Gillian Gaar talks to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind: "The book, as its title suggests, views Nirvana’s success as the culmination of the alternative rock scene that blossomed in America during the 1980s. 'That’s the bigger context in the exhibition as well,' McMurray explains. 'It is the story of Nirvana, but it's couched within what was happening throughout the Northwest, and throughout the US, from the rise of punk rock on. It’s the idea that there needs to be a sort of infrastructure in place for a band like Nirvana to even exist; that without all of these advances that had been happening in the underground by a dozen different bands, Nirvana would have never happened.'"

• Interview: Comic Book Resources' Chris Mautner talks to Gilbert Hernandez about Love from the Shadows and the other "Fritz B-Movie" books: "The Fritz series frees me of any obligation to be a do-gooder cartoonist, something most regular L&R readers probably don't want to hear. I felt straight jacketed with 'Palomar' and the like after a while, really. I have a lot more going on in my imagination than I'm expected to utilize." Further reading: at CBR's Robot 6 blog, Sean T. Collins comments on the interview

• Interview (Audio): Mark Kalesniko talks with Tom Waters. host of Big Words I Know By Heart, and Donald A. Wynecoop Jr. of Don's Atomic Comics. Direct download: MP3

• Interview (Audio): The Gentlemen's Guide to Midnite Cinema podcast correspondent Rupert Pupkin talks to Destroy All Movies!!! The Complete Guide to Punks on Film co-editor Bryan Connolly

• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editors Jessica Abel & Matt Madden spotlight two stories from Mome Vol. 13 as 2010 Notable Comics: Abel picks Dash Shaw's "Satellite CMYK" — "Dash Shaw just keeps popping up in our 'can’t miss' pile. [...] Beyond being a good story, the formal element of using color (and black and white) as a storytelling tool is very unusual and makes this work a standout." — and Madden picks Josh Simmons's "Jesus Christ": "The storytelling is fluid and dynamic, and Simmons’s ability to convey the enormity of the monster is bracing. Simmons deliberately mixes elements from different mythologies to defy any obvious reading. In the end, all we have before us is this escstatic Kali-Godzilla-Centaur with a halo of fire and a title to provoke us."

• Coming Attractions: Anime News Network reports that Wandering Son creator Shimura Takako begins a new serial titled Awashima Hyakkei in the online manga magazine Pocopoco soon. We'll keep an eye out and try to add it to our webcomics roundups if possible

In a recent spring cleaning at Casa Reynolds, I unearthed these original PEANUTS strips I created in the late-1970s at the tender age of 8 or 9. I apparently thought I was really onto something with the no pants gag. Or perhaps it just reveals something about my id that I'd rather not consider. Either way, I bet the folks at BOOM! are now kicking themselves for not adding me to the creative team of their new PEANUTS graphic novel. 

Ghost World’s Rebecca & Enid as Scooby Doo’s Daphne & Velma, a "mush-up" by Beasts! artist Mr. Ed. Also don't miss his Wilson-as-House. (Hat-tip to Jacob!)

(Psst... the Ghost World softcover is part of our April Ship of Fools Weekend Sale!)

Follow the #hourou_pic hashtag on Twitter to see some wonderful Wandering Son fan art being done for a contest being run by the producers of the Hourou Musuko (Wandering Son) anime series. The above entry was posted by @niko9_niku9; below by @pippupgiii a.k.a. Akari (I can't resist a giraffe).

The world's most famous street artist paints the world's most famous blockhead in West Hollywood. Reported at Movie City News, via the SPX blog.

OMfuckingG. It's Michael DeForge's entry for The New Yorker's Eustace Tilley cover contest, starring Cannibal Fuckface and friend from Johnny Ryan's Prison Pit. Eustace Fuckface! Michael DeSlorge! I could go on and on. So awesome I can barely stand it.

It's Charlie Brown & Snoopy as adorable comics-vending street urchins in this illustration by French artist Boulet, as seen on the cover of French comics magazine Zoo's upcoming 29th issue, which is a free special edition for the Angoulême festival — you can view the entire issue in advance online here. Zut alors, c'est mignon! (Via Bleeding Cool.)