This afternoon Kim Thompson was showing off his newly-acquired import DVD copy of Estigmas, director Adan Aliaga's 2009 Spanish film adaptation of the graphic novel Stigmata by Lorenzo Mattotti and Claudio Piersanti, which we will be publishing in English in December. The trailer in Spanish is embedded above; watch it with English subtitles and get more information about the film at the SIFF website (the film screened here in Seattle at the SIFF Cinema last week).
Online Commentary & Diversions returns from the U.S. holiday:
• List:About.com: Manga places Moto Hagio's A Drunken Dream and Other Stories at #19 on their list of "50 Essential Manga for Libraries": "Collected for the first time in a gorgeous hardcover edition, A Drunken Dream offers a rare glimpse into the work of one of Japan's most distinctive and influential creators in shojo manga, and heck, manga, period. Worth recommending to both older teen and adult readers alike."
• Review: "Hagio draws these stories as if a full symphonic score were playing in the background. Her delicate, razor-thin pen line expertly captures her characters’ wide-eyed, open-mouthed anguish effectively. [...] I, certainly, am very glad that Fantagraphics made the effort (and judging by the exceptional production values it was a tremendous effort) to get this book out there ...because... beyond Hagio’s historical significance, [A]Drunken Dream [and Other Stories] is a book that deserves attention." – Chris Mautner, Robot 6
• Review: "Ever since it was announced in March (was it really that long ago?), I’d been looking forward to reading [A Drunken Dream and Other Stories] by legendary Moto Hagio. [...] It would be a real shame if Fantagraphics didn’t get any supportive business from this collection and demand for more. [...] I’m looking forward to reading more, and adding to the crying list!" – Sunday Comics Debt (who also provides the following two links)
• Review: "BUY. THIS. BOOK. No, seriously, buy it now. [...] I don’t think there is a single thing wrong with this book; Hagio-sensei touches on each of the topics she chooses to use with such perfection and …delicacy? that you can’t help but be amazed at how she does it. [...] I can’t wait for the next volume of manga Fantagraphics chooses to put out! They did a beyond amazing job with [A Drunken Dream and Other Stories]." – Kelakagandy's Ramblings
• Plug: "This week... everything fades in the presence of a newly-released collection of short manga from shojo pioneer Moto Hagio, A Drunken Dream and Other Stories. [...] Simply put, this book is gorgeous. [...] This is a release I’ve been eagerly anticipating since its announcement. Visit your local bookstore to find out why." – Melinda Beasi, Manga Bookshelf
• Review: "'Greatest Generation' hoopla will never seem the same after You’ll Never Know: Collateral Damage, book two in Carol Tyler’s sprightly but relentlessly honest 'graphic memoir'... [T]his is the story of not just a family but a generation, or two or three. And all are told with a saving dash of humor. Tyler’s form, a mix of scrapbook, diary, and cartoon panels, is likewise messy and eccentric, but it pays off in layered textures and viewpoints. Two famous precedents, Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis, seem almost one-dimensional by comparison." – Eric Scigliano, Seattle Met
• Review: "While there aren’t necessarily many surprises in the story, Set to Sea is more about the savoring of a series of vivid moments (both for the lead character and the reader) than any sort of narrative complexity. With each page acting as a single panel, the true joy of reading Set to Sea is luxuriating in Weing’s intense crosshatching and detail. [...] Indeed, in a book whose visuals have such a powerful impact, Weing’s decision not to overwrite (and especially not to over-narrate) was his wisest. With nearly 70 of the book’s pages appearing as silent, the result was a book that understood and maximized its charms." – Rob Clough, The Comics Journal
• Interview:Nicola D'Agostino presents the original English text of the Drew Weing interview which ran at Comicsblog.it so you don't have to struggle through the mangled autotranslation: "So one day in 2005, I drew a panel with a guy sleeping. The only thing I knew about him was that he was a big fellow. I spent more than a year adding to it bit by bit, just improvising panels as I went. I started Set to Sea with no idea that it would be set in the past, or even set on the sea, so to speak!"
• Review: "...[T]he Billy Hazelnuts books are safe for children, while still being unique and complex enough for adults. Here Millionaire combines a gung-ho adventure spirit with a tempered yet still present darkness — two strains that have been the keys to so much of the greatest children’s literature. [...] Tony Millionaire is a genius and the Billy Hazelnuts books may be his best work. Imagine if Beatrix Potter had dropped acid with the 60s underground comix crowd or if A.A. Milne had collaborated with Franz Kafka. If you love fun, hilarious, and plain weird stories, then Billy Hazelnuts is for you." – Lincoln Michel, The Faster Times
• Profile/Preview: A gallery of images from the book accompanies this article: "See the work of Dan DeCarlo in the book The Pin-Up Art of Dan DeCarlo, published by Fantagraphics, which plunges into an alternate universe where Betty, Veronica, Sabrina grew up and live out situations that summed up the lewd sexual desire of men in the time before the sexual revolution of the twentieth century." – Ambrosia (translated from Portuguese)
• Interview: At his Cats Without Dogs blog, Jason presents a brief Q&A he recently did with the Spanish newspaper El Periodico de Catalunya: "I can hear the voice of a woman, from somewhere above me. 'Don't cry,' her voice says. 'One day you will see Neal Adams at a comic book convention in America.'"
• Feature:USA Today Pop Candy's Whitney Matheson spotlights Jim Woodring and his giant pen project: "I can't wait to see the pen and the drawings! (Also, can we start a campaign to get a live demonstration in New York?)"
• Commentary: At The Hooded Utilitarian, Ng Suat Tong surveys the use of buildings in comics and then looks specifically at architecture in Josh Simmons’s House
We're teaming up with our pals at Seattle's venerable Scarecrow Video to give away Terry Zwigoff's classic documentary Crumb, new on DVD and Blu-Ray from the Criterion Collection, plus Zwigoff's debut film Louie Bluie, also new on Criterion DVD with cover artwork by Crumb! All you have to do is "like" this post on our Facebook page, or if you're not on Facebook, send an email to the friendly folks at Scarecrow; click here for all the details.
Plus! Stop by Scarecrow to pick up a coupon good for 20% off any purchase at Fantagraphics Bookstore & Gallery that includes at least one Robert Crumb book, and at Fantagraphics Bookstore & Gallery you can pick up a coupon for $2 off the Criterion Crumb DVD or Blu-Ray at Scarecrow. Feel the love!
We had a flurry of exciting celebrity shoppers toward the end of the day:
Above, Fire & Water author Blake Bell meets the television & movie actress of the oddly similar name Lake Bell and the world does not implode, possibly due to Lake's boyfriend, comedian Nick Kroll, executing the perfect photobomb.
Here, Nick strikes a perfect mirror-image pose with one of two Drew Friedman books he picked up while Tom Spurgeon botches his photobomb.
Our own Eric Reynolds forwarded me this link: The co-writer and co-star of the upcoming film Paul sports an Eightball #23 t-shirt in this short behind-the-scenes video (and presumably on screen during the film). Such a shirt was never produced commercially as far as I know, so this must be a custom job from the film's wardrobe department. Look for more Fantagraphics set dressing when the film arrives in theaters (release date TBA). And speaking of Fantagraphics set dressing, how about that new season of The IT Crowd?
Via indieWIRE comes this first look at the demo teaser for Dash Shaw's in-development animated feature film The Ruined Cast. Frank Santoro is helping out and I can totally see his drawing in there. indieWIRE has the full scoop on the film (which is still gathering financing and projected to be finished in Fall 2011) from Dash and producer John Cameron Mitchell.
• Dash Shaw provides a glimpse at some sample animation art for his in-development animated feature film The Ruined Cast
• Dash (again) writes: "In the upcoming May issue of The Believer: a long comic strip called Spiritual Dad by Jesse Moynihan and I. It's glued into the last page. Just a bonus awesome thing stuck in there." I saw a test printing of this waaaay back at APE last year and it looks fantastic.
Luc Besson's The Extraordinary Adventures of Adele Blanc-Sec, adapting the earlier volumes of Jacques Tardi's graphic novel series, opened last week at a solid #1 at the office in France (handily beating the only other major opening, the Matt Damon Iraq flick Green Zone), to generally positive reviews. There was general praise for the lead performance by Louise Bourgoin (although some reviewers familiar with the original comics lamented the "sweetening" of Tardi's cranky original), the special effects, and the fun-ride aspect of the movie, less enthusiasm for some of the broader farcical aspects, and a general consensus that the Paris-based sequences worked better than the Spielberg-ish Egypt-based ones.
Given the last few Besson movies, the reaction boiled down to "Whew! Better than we expected!"
Not many domestic reviews yet, except for the inevitable Variety. We can't link to it as this review is subscribers-only, but here are some excerpts:
"Take Indiana Jones and replace him with a knockout redhead, a slew of CGI and a somewhat bloated storyline, and you'll get an inkling of what lies behind Luc Besson's costumer/creature feature, The Extraordinary Adventures of Adele Blanc-Sec....most notable for newcomer Louise Bourgoin's captivating perf as a fearless, wisecracking heroine who — this being France — drinks, smokes and plays in the buff."
And, what we were waiting for: "Massive local rollout delivered a strong opening, and should venture beyond Francophone markets." Yes indeed!
They go on: "With handsome production values, polished visual effects and eye-popping locations (shot by Besson regular Thierry Arbogast) that include icons like the Louvre and the Eiffel Tower, pic smoothly blends state-of-the-art CGI with a story set in pre-WWI France."
Cine-nerd note: Arbogast shot pretty much all of Besson's movies (think the glory days of Leon/The Professional and The Fifth Element), as well as the late-career Brian De Palma masterpiece Femme Fatale, Emir Kusturica's wacky Black Cat, White Cat, the absurd but compellingly watchable Penélope Cruz/Salma Hayek megacleavage western Bandidas (admit it, didn't that description tempt you to add it to your Netflix queue?), and, uh, cough, the Halle Berry Catwoman.
Variety also cites Gilles Lellouche's performance as the hapless Inspector Caponi as "amusing" and notes that Mathieu Almaric (the villain from Quantum of Solace) is "practically unrecognizable with pasty makeup and buck teeth."
And boy, they just can't get enough of Mademoiselle Bourgoin:
"...what frankly saves pic from its convoluted plot and boilerplate villains is Adele herself, thanks in no small part to the all-consuming performance of Bourgoin (who made a noteworthy debut in Anne Fontaine's 2006 The Girl from Monaco). Delivering lines with screwball timing, while sporting an assortment of disguises like a sexed-up Lon Chaney, she dominates practically every scene and makes us regret the ones without her."
No U.S. distributor or release date yet, but I'd be awfully surprised if it hasn't been grabbed by the time Cannes finishes up late next month.
...in France, with the world premiere in Brussells tomorrow. Still no announcement of U.S. distribution for Luc Besson's adaptation of Jacques Tardi's ADELE BLANC-SEC (we're still hoping it will open here when we debut the first volume of our new translation of the original comics at Comic-Con), but here's the final trailer, with lots and lots of new footage:
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