• Review: "And indeed, [Carl Barks's] work of c. 1948–54 ranks amongst the most consistently inspired, inventive, touching, and plain fun in the history of comics. Fantagraphics’ inaugural volume in their complete edition of Barks’s Disney comics [Walt Disney's Donald Duck: Lost in the Andes] drops the reader in right at the onset of this creative surge, covering the years 1948–49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists." – Matthias Wivel, The Comics Journal
• Interview:The Believer blog presents part 1 of an interview with Jim Woodring conducted in 2008 by Ross Simonini: "There’s a Robinson Jeffers poem about a guy who has made wounds on the back of his hands and keeps them fresh by cutting them over and over again with a sharp piece of clean metal. That always struck me as being akin to what I do. I wouldn’t let those childhood wounds heal. The tunnel kept trying to close behind me, and I kept forcing it open so I could remember those primordial things, the way that the world seemed to me as a child. It’s been a vocation for me to keep that view intact."
• Interview (Audio): Matt Smith-Lahrman of New Books Network talks to Kevin Avery about Everything Is an Afterthought: The Life and Writings of Paul Nelson; in Smith-Lahrman's written introduction he says "In Avery’s biography, Nelson is a man who deeply believed in the idea of the American hero as a maverick: tough, brave, in touch with the essence of what it means to be human, and, importantly, alone. Nelson died in 2006, just as Avery was beginning to write this book. He died alone.... Nelson’s writing is deeply personal, inviting readers into the relationships he had with the people he wrote about. Avery’s biography similarly invites readers into Paul Nelson’s life, lonely as it was."
• Plug: "New from Fantagraphics, a decade spanning comics anthology from icon maker Bill Griffith. Griffith is surely best known as the creator of the polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith's productivity reaches far beyond Zippy. Lost and Foundis a collection of comics, handpicked by the artist, many rare and out of print, from 1969-2003 (but with the first third of that time period, the heyday of the underground, occupying the majority of the book). Though most of the comics in Lost and Found aren't about Zippy, there are some unique and important Zippy moments included, like the icon's first appearance..." – 211 Bernard (Librairie Drawn & Quarterly)
• Plugs:Robot 6's Michael May & Graeme McMillan look ahead to a couple of our upcoming releases:
Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]
Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]
I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]
• Plug: "Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work, which has never been published, is finally going to see the light of day. Fantagraphics has two books coming out this Spring by McNeill: one with his lost drawings and paintings, and the other a reflection on the relationship between word and image which has made an indelible mark on the artist and master draftsman." – Laura Williams, Lost at E Minor
• Review: "[Newave: The Underground Mini Comix of the 1980s] was a treasure to find for me, because I got to read some of the stuff I was reading in the Chicago burbs being all 'punk rock' and 'rebel rebel.' You have to live it to understand it, and while I’ll look at 1960’s underground comics as a history tour, this comic brought back live living memories of awesome underage shows, best friends forever, hard dancing, stage diving, and all the other fun things that these comics represented to us. Rating this an enthusiastic five of five, it holds a place of honor on my book shelf, and oh you betcha, I’m reading this to my grand children. You need to go buy this one, because it is totally special." – Dan Morrill, Comics Forge
• Review: "This anthology [God's Bosom and Other Stories] is an interesting take on early American history and Texas.... Overall, this was a bizarrely wonderful journey through some of the things I missed because I was essentially a very small child during the time, and I doubt anyone would really have brought a four year old to a free love in concert in a park that goes horribly wrong.... I am rating this comic book five of five stars, because it is extraordinarily well done, and is an interesting and approachable way of getting a look at early underground comic books. This one is well worth owning, and loving in your physical comic book collection." – Dan Morrill, Comics Forge
• Commentary: "...I have to pay homage to Richard Sala’s incredible and overlooked book, The Hidden. Sure we reviewed it here on the site, but I only just read it, and it’s really quite incredible. Sala’s kind of a pro himself, turning out at least a book a year (much like another visionary, Gilbert Hernandez), and this twist on Frankenstein reads, not unlike that gothic romance, as an allegory for artistic ambition gone wrong, or, maybe because I’m currently reading Simon Reynolds’ Retromania, like a tale of collector psychosis." – Dan Nadel, The Comics Journal
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."
• List:Comics Bulletin names Walt Disney's Donald Duck: Lost in the Andes the Best Archival Reprint of 2011, with Jason Sacks saying "Universally acclaimed as one of the finest reprints of Barks's works by even the most exacting Duckophiles, Lost in the Andes finally presents an English-language collection of Duck stores behind two hard covers and with the typical exacting standards for which Fantagraphics is justifiably famous. The good people at Fantagraphics outdid themselves with this reprint, which will undoubtedly be a treasure enjoyed by fans for many years."
...and they also name Dave McKean's Celluloid the Best Erotic Graphic Novel of 2011, with Daniel Elkin saying "Dave McKean is a tremendous artist. He creates work of enormous emotional impact with a deftness and subtlety that is so often missing in modern art. McKean can tell an entire novel's story in a single picture. He's that good.... Celluloid is beautiful and it is powerful and it is mysterious and engaging. It is art as defined by every iteration of the word. It is also another example of what comics can do that no other form of media can match."
• List:Forbidden Planet International's Joe Gordon names The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 one of his Best of the Year: "For my money Jacques Tardi is one of Europe’s great comics creators, a true maestro... This second helping collects two of the original French albums and serves up a heady cocktail of conspiracies, secret societies, black magic practicioners, mad scientists (and boy does Tardi do a great, cackling mad scientist – he even brings in some from his brilliant The Arctic Maruader into this) and all set against a beautifully realised backdrop of Belle Epoque, pre-war Paris. Fantagraphics are translating a huge swathe of Tardi’s work and in fact I’d recommend and and everything they have so far translated and republished, but for the sake of this piece I’ll go with the wonderful Adèle."
• List: One more Best of the Year list at Forbidden Planet International, with festival organizer Clark Burscough putting Joe Daly's Dungeon Quest Book 2 at the top of his Graphic Novels list: "Childish, purile, hilarious, brilliant. I am completely in love with Joe Daly’s series at this point, and the second volume continues in the same vein as the first; namely, silly stoner-esque humour, with a love for RPGs at its heart."
• Review: "...[Young Romance] is a real treat, an inexpensive way to read a nice sampling of some Kirby comics that any Kirby fanatic has to be curious about. Michael Gagne did a great job assembling a fun cross-section of stories, and noted romance comics historian Michelle Nolan provides an insightful introduction. These might not be the first classic Kirby comics that you would choose to pick up, but they are a lot of fun to read. Rating: ★★★★★" – Jason Sacks, Comics Bulletin
• Review: "The art is evocative and detailed, still in a very Ub Iwerks-ian rubber-hose style... The character of Mickey [Mouse] -- and the simple fact that he has a character, and isn't just the waving silent mascot of the last couple of decades of Disney -- will be surprising to most readers, but this mouse was a tough little guy, ready for both adventures and fun at any minute, and he's deeply enjoyable to read about." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Profile:The Portland Mercury's Matt Stangel catches up with Tony Millionaire on working the illustrator's beat (as documented in 500 Portraits): "'Making a living off comics is almost impossible,' says Millionaire, musing on the illustration work that's kept him fed through the years."
Now that you've seen the previews of our collection of Joost Swarte's comics Is That All There Is?, perhaps you would like to know more about the artist and his other work. Here's a nice brief English-language video profile commissioned by DutchDFA that spotlights not only Swarte's comics but some of his work in illustration, design and architecture, with a glimpse inside his drool-inducing studio space.
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• Review: "Wandering Son Vol. 2 is a great sophomore collection from Takako; I feel like the slightly choppy nature from the early chapters in Vol. 1 is gone, and Takako’s starting to expand the cast and the plot in a way that provides more of a dramatic bite. Based on the class trip sequence in this volume, Takako’s just getting ready to make Wandering Son a lot more heavy and less idealized for the characters. If it goes anything like we see here, we’ve got a hell of a ride ahead of us. With beautifully designed hardcovers (and a pleasing weight and feel to the books too, with a good paper stock to boot), Wandering Son is the sort of series you’ll be proud to have on your bookshelf. I’m ready for the next volume now." – Greg McElhatton, Read About Comics
• Review: "...I should warn you: this book is dark and bleak even for Sala, and that's dark indeed. There are still hints of his mordant humor, and his precise lines and color washes are as ghoulishly appropriate as always -- but The Hidden out-Salas any of the prior Sala books, which is an unlikely and impressive thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: At USA Today Pop Candy , guest contributor Grace Bello chats with Tony Millionaire: "I'm still stuck with my love for fantasy. When I say 'fantasy,' I don't mean wizards and swords -- I mean anything that pops into my mind. I like stuff that doesn't have a contemporary feel to it. I mean, if I draw a telephone, it's got to be one of those old-fashioned phones that you hold with two hands. But that would be the problem with anything that's autobio; I'd have to draw modern cars and telephones, and I don't want to do that yet. If I draw an autobio comic, it's got to be about me in 1727."
• Interview: At Comic Book Resources, Alex Dueben talks to Michel Gagné about restoring Simon & Kirby's romance comics for our upcoming collection Young Romance: "Like a snowball, the project kept getting bigger and bigger. It was one of those things you have on the back burner for years and you constantly have to give it some attention. Finding the material was difficult and costly, the restoration process was long and tedious, but the book kept looking better all the time so I stayed motivated throughout. I wanted that book on my shelf!"
• Interview (Video):Mr. Media®'s Bob Andelman talks to Kevin Avery about Paul Nelson and Everything Is an Afterthought: "Paul Nelson had a fascinating life. If we worked together, it would not have been the same book; being a very private man, Paul would not have revealed everything that I found out."
• Plug: The Austin American-Statesman's Joe Gross looks ahead to some of his most-anticipated 2012 books, including Listen, Whitey!: The Sounds of Black Power 1965-1975: "Producer and writer Pat Thomas spent five years researching this tome, exploring the vinyl legacy of the Black Power movement from recordings of speeches by activists such as Huey Newton, Bobby Seale and Elaine Brown to Motown's activist imprint Black Forum to the role white figures such as Bob Dylan and John Lennon played in the movement. Probably the book on this list to which I am most looking forward."
"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth
"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'" – Sean T. Collins
"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben
• List:Robot 6's Graeme McMillan picks his 5 favorite books of 2011, including Stigmata by Lorenzo Mattotti & Claudio Piersanti...
"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."
"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."
"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."
• List:Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."
• List: Another top-10 from Panel Patter's Rob McMonigal, whose Best of 2011: Indie Comics, is topped by 3 of our titles: Jason & Fabien Vehlmann's Isle of 100,000 Graves...
"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."
"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."
• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine
• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics
• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl
• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics
• Interview:The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."
• Interview:Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."