For those out of town, the show can also be experienced on the blog with one cover being posted per day beginning March 6th. Work can be purchased by following a link to the Secret Headquarters Flickr page.
The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.
FUNNY (not funny) Recent Comic Art Exhibiting Signs of Black Humor Curated by Ryan Standfest
January 22 - February 26, 2010 Reception: Friday, January 22 6-9pm
The University of Michigan Work : Detroit Gallery 3663 Woodward / Suite 150 Detroit, MI 48230
Participating Artists: Ivan Brunetti Chris Cilla Sue Coe Lisa Hanawalt Glenn Head Tim Hensley Ian Huebert Ben Katchor Michael Kupperman Mats!? Daniel Maw Taylor McKimens Travis Millard Tom Neely Mark Newgarden David Paleo Jonathon Rosen David Sandlin Rob Sato Jon Vermilyea
The "FUNNY (not funny)" exhibition seeks to elicit uncomfortable laughter in the realm of black humor-a place where the serious and the taboo are fodder for comic provocation. Artists in numerous media have long sought to overturn convention and challenge what is funny with what is not as a means of producing humor out of the unlikeliest of situations. Work by the twenty artists on view in "FUNNY (not funny)" demonstrates that cartooning is keeping the tradition of black humor alive and flourishing. The very form of the comics page itself is as relevant a vehicle as ever, freed from so many of the commercial restrictions placed on other art forms, to effectively deliver potent images and narratives that carry with them a very immediate and accurate measure of the absurdity of our age.
Starting with today's Online Commentary & Diversions, some minor formatting changes to hopefully make it easier to scan all that text:
• Review: "Published in the oversize Sunday page format ala the Fantagraphics’ Popeye collection (also, brilliant), Prince Valiant Vol. 1: 1937-1938 collects the earliest of Foster’s tales of the exiled Prince of Thule. ... The colors are warm and vibrant, and the line art pristine. The stories themselves are a delight. ... The art is consistently stunning... each page is spectacular to behold. ... The strips in Prince Valiant Vol. 1: 1937-1938 are merely the first installment of a massive, groundbreaking, and thoroughly exciting adventure saga that was better than nearly anything during its time, and remains better than nearly anything on the shelves today." – Michael C. Lorah, Newsarama
Thanks to everybody who came out to see us at the Alternative Press Expo in San Francisco this weekend! As always we loved meeting fans and hanging out with our pals and colleagues. This year's gold star goes to Frank Santoro, who provided us with our best photo ops and cheerfully helped us out packing up at the end of the show. We can't wait to read your Comics Comics post about the ninja comics you bought, Frank!
Frank flexes the muscles he'd later use packing boxes, while Dash Shaw and Jon Vermilyea look on. Note the early, un-dustjacketed copies of Dash's The Unclothed Man in the 35th Century A.D.
Frank, Jon and Jon.
John Pham signing one of the last remaining copies of con debut/sell-out Sublife Vol. 2. That's Leigh Walton of Top Shelf's Tintin sketchbook under John's left arm there.
We sold out of Andrice Arp and T. Edward Bak's issues of Mome before their signing times, so we gave them the day off. Also, get better soon to Renee French, who had to cancel her APE-pearance (sorry, it's late) due to illness.
We have a few additional shots of both APE days over in our Flickr set, including video of Dash painting, so check 'em out if you get a chance.
Fantagraphics is storming APE this weekend in San Francisco. Come check out a slew of new books and get 'em signed by some amazing cartoonists!
FANTAGRAPHICS SIGNINGS AT APE:
11AM - 1PM: Jon Vermilyea (MOME) & Frank Santoro (MOME)
12PM-12:45PM: SPOTLIGHT ON DASH SHAW
1PM - 3PM: Dash Shaw & T. Edward Bak (MOME)
3PM - 5PM: John Pham
5PM - 7PM: Renée French & Andrice Arp (MOME)
11AM - 1PM: Jon Vermilyea (MOME), Frank Santoro (MOME) & Dash Shaw
1PM - 3PM: T. Edward Bak (MOME) & John Pham
3PM - 5PM: Renée French (MOME) & Andrice Arp (MOME)
NEW BOOKS INCLUDE:
The Troublemakers by Gilbert Hernandez
In the Service of the Hypothetical by Robert Williams
Pim & Francie by Al Columbia
Sublife #2 by John Pham
The Unclothed Man in the 35th Century A.D. by Dash Shaw
MOME Vol. 16 by various
The Great Anti-War Cartoons by Craig Yoe
Ganges #3 by Kevin Huizenga!
As an added bonus, DASH SHAW is an official APE guest this year and will be signing copies of his new book, THE UNCLOTHED MAN IN THE 35TH CENTURY A.D. For anyone who buys the book at one of his Fanta signings during APE, Dash will do an original PAINTING on the front cover! You will not want to miss out.
This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask "What Is Art?" (translated by secret weapon Kim Thompson).
Also: the second chapter of T. Edward Bak's "Wild Man - The Strange Journey - and Fantastic Accounts - of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)"; a new "Cold Heat" story by the team of Ben Jones, Frank Santoro & Jon Vermilyea; Dash Shaw interprets an episode of "Blind Date" into comics form; and new stories from Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.