Not-to-be-missed Jon Vermilyea show opens Friday night in Los Angeles. I lifted this info straight off the Secret Headquarters site:
I believe Jon told me this show is all prints he drew reinterpreting the infamous "Mars Attacks" trading cards from the 1960s. Jon's old silkscreen book was a jewel of pop culture sickness that mashed-up the legend of Hercules' Trials with He-Man's life in Eternia. Like a Saturday Morning cartoon made by an acid-tripping Basil Wolverton, these Vermilyea interpretations should be amazing in person.
Meanwhile, in case you need a meat shirt, find one here. Or a print. Whatever.
It brings us great joy to welcome four of our favorite comic artists to the Mome fold in this Fall's Volume 16: Renée French (who graces the cover), Nicholas Mahler, Archer Prewitt and Ted Stearn. Of course, our returning artists are also nothing to sneeze at: T. Edward Bak, Dash Shaw, Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, Sara Edward-Corbett, and the "Cold Heat" crew of Ben Jones, Frank Santoro and Jon Vermilyea. This issue is now available for pre-order in our online shop. Download our free 12-page PDF excerpt for a sample page from each contributing artist. This book is scheduled be in stock and shipping in mid-September, and in stores approximately 4 weeks later (subject to change).
Yes, we're late picking this up, but in further "mainstream properties kyping our talent" news: In case you were wondering how the Bongo Comics folks could top last year's The Simpsons' Treehouse of Horror contribution from Gilbert Hernandez, this year they asked Sammy Harkham to guest-edit (I guess he and Matt Groening hit it off after Sammy asked Matt to be in Kramer's Ergot #7) and he's put together an unbelievable roster for this year's issue. In the words of Krusty the Clown, "Oscar Homolka!" Robot 6 has the solicitation copy and further details, and I'll echo J.K. Parkin's assessment of "must buy."
In more "Mome-artist-with-a-new-t-shirt" news, Jon Vermilyea debuts this "goopy," Basil Wolverton-inspired new print and shirt design (in combo or separately, with a "3-D" print option) produced by Nakatomi, available in limited supply for this month only. There's more info here, and an interview with Jon here. Nakatomi looks like a company to keep an eye on; their last limited offering was from Mark Todd.
• Review: PLAYBACK:stl analyzes Comics Are for Idiots! by Johnny Ryan: "Ryan's loathing of the precious, the celebrity-obsessed, the hypocritical, and so on bleeds thru the best of these sorts of cartoons... Ryan's yen for out-offending every book he's done before is really just more righteous anger dressed up as sick comedy."
• Review: The Comics Reporter on Blazing Combat: "Like many of the best reprint projects... this republication of the four-issue Warren war magazine into spiffy hardcover form features work that you can't easily buy anywhere else, is historically significant and offers its buyers a lot of very good comics... Blazing Combat is simply a handsome, well-presented selection of very good comics that for having them around we're all a bit richer as comics readers. I'm glad it's here."
• Review: Rob Clough examines Mome Vol. 14, saying the issue "juxtapos[es] stories with ambiguous images and endings to create a dizzying and fascinating array of visual styles... The balance struck by editors Eric Reynolds and Gary Groth between unpublished, up-and-coming artists, alt-comics legends with short stories to publish and international stars with stellar work that needed translation has been a delicate one, but when everything comes together just so (especially in... this issue), then Mome becomes a crucial component in understanding alt-comics as they stand today."
• Review: NPR.org on Humbug: "Certainly, Fantagraphics, the exemplary Seattle-based archivists of comics and comic-strip history, couldn't have lavished more care in restoring Humbug's yellowing pages had they been original Shakespeare folios... it serves to fill in the missing piece on a seminal period of satiric shenanigans and to evoke an era when making nose-thumbing comedy was the work of smart alecks in creased slacks, pressed white shirts and skinny ties. It'd make a helluva TV series; you could even call it Mad Men."