As a recent thank you to Publisher Kim Thompson and editor Kristy Valenti (and more) for moving offices, I hatched up a scheme to paint the library door in our basement. If you haven't visited the Fantagraphics office recently, the lovely 70s shag carpet was ripped up awhile ago leaving the basement aesthetics a bit similar to that of a cattle kill floor. NO LONGER!
Inspired by Guy Peellaert's smashingly neon art in Jodelle, Office Manager Steph Rivers and I pulled out the carbon paper to adapt the drawing to our door. Also called graphite paper and available at art or architecture stores, it is an invaluable tool for mural making or large scale painting projects.
And then we let the Vitamin-C-infused paint hit the door. Now our library door matches the library door in Jodelle! Steph on the left as I sneakily took a photo.
The finished product may have worked too well. Now everyone at the office wants a new door. Maybe a Graham Chaffee one or Johnny Ryan....
Now time to paint all the book spines to match the ones in this library. Mwuhahahaha!
Longtime Bagge fans will remember the Buddy Bradley Lookalike Contest from the pages of Hate. This image comes from artist Brian Clarke, a.k.a. Les Toil, who remarks on the Peter Bagge Facebook fan page, "Man, if Peter was responsible for the casting of a real-life Bradleys sitcom, I hope he'd consider this kid for the part."
• Review: "...[T]he first volume of Mezzo and Pirus’s stunning King of the Flies [was] published earlier this year by Fantagraphics. ... Over just 64 pages, the team known as Mezzo and Pirus tell an impressively complex collection of ten interlinked short stories. ...Mezzo and Pirus are remarkably skillful, and create a deep and believable world. It’s meant as a compliment to say that by the end of this book, it feels as if twice as many pages have passed. ... With its bold style and thick lines, dark hues with splashes of garish colour, Pascal (Mezzo) Mesenburg’s forceful art is absorbing and weird." – Oliver Ho, PopMatters
• Review: "Woodring's wild and wordless story [Weathercraft] seems awfully lysergic, but his stunning symbolism and amazing line work is clever and crafty. Manhog, the creature starring in the strange story, is hardly sympathetic, but Woodring's imagery evokes amusement, bemusement and wonder." – Richard Pachter, The Miami Herald
• Review: "Regular, rectangular panels are the only thing conventional about Weathercraft, which follows the metaphysical mishaps of Manhog, a blank-eyed, snout-nosed creature who wanders naked through Woodring's pages, on a journey of self-realization disguised as a vivid, botanically inventive acid trip. ... But while the creatures and scenarios in Woodring's world are fantastical, they're drawn with the precision of a woodcarving, black-and-white space shaded with ever-present wavy lines. This precision is crucial, with no words to guide the story — as an exercise in purely visual storytelling, Weathercraft is both challenge and reward." – Alison Hallett, The Portland Mercury
• Plug: "Trying to explain Jim Woodring’s art is like describing an acid trip: One never gets the feeling across and inevitably sounds like a crazy person while doing it. ... His work is like Carl Barks’ Donald Duck comics twisted inside out by a black hole. Terrifying, disgusting, funny, silent and beautifully illustrated. See? It sounds crazy." – Casey Jarman, Willamette Week
• Profile: "Jason is perhaps the most unique visual stylists working in comics today. Each individual panel is a work of ligne claire pop art: flat, beautifully coloured and amplified for effect. The deceptively simple stories — often thrillers and off-beat romances — feature anti-heroes, guns, girls, historical figures, b-movie monsters, robots, and aliens. They’re a brilliant mix of silent pictures, film noir, La Nouvelle Vague, classic literature, crime fiction, sci-fi and pulp magazines." – Dan Wagstaff, The Casual Optimist
• Interview: At The Comics Journal, Marc Librescu talks to Gahan Wilson: "When you read about whatever the hell is going on in the art field, whatever the hell the 'art field' is, it’s written by critics and scholars — they’re both sort of the same thing. They’re commentaries, so they tend to emphasize definition and placement: This is chapter 3 of paragraph 7 of Book A. But that’s not the point. The point is that this thing is there and there’s this interaction that occurs, and [the viewer] is analyzing it. As far as the description thing goes, that’s for critics and that’s for teachers. It’s not for artists."
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."