672-page black & white/color 7" x 8.5" softcover ISBN: 978-1-60699-603-4
Ships in: February 2013 (subject to change) — Pre-Order Now
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
Behold, the new issue of The Comics Journal, an edition so awesome we made it a flip-book with TWO cover features: Gary Groth's newsmaking interview with the late Maurice Sendak on one side, and Kim Thompson's interview with Jacques Tardi on the other side. (To clarify, there aren't two separate covers; every copy has both covers and which one's the "front" depends on which way you turn it.) And there's a whooole lotta stuff in between. Look for excerpts to be posted on TCJ.com as the release date nears (early February being our current best guess). TCJ sets the agenda for intelligent comics conversation, so pre-order your copy today and don't get left behind.
The most recent ramblin' Online Commentaries & Diversions:
•Commentary:ABC News and Amy Bingham picked up a few quotes by a partial interview online by Gary Groth with Maurice Sendak. The full interview will be published in The Comics Journal #302 in December: “Bush was president, I thought, ‘Be brave. Tie a bomb to your shirt. Insist on going to the White House. And I want to have a big hug with the vice president, definitely."
•Commenary:MSNBC's Kurt Schlosser also writes on Maurice Sendak's TCJ #302 interview. In the article, associate publisher Eric Reynolds is also quoted, "[Sendak] was at the point in his life where he clearly didn't give a damn about propriety; he could speak his mind and clearly enjoyed provocation. I see these comments as part and parcel of his personality, not as a legitimate, actionable, treasonous threat."
•Review:The Washington Times takes a close look at Mr. Twee Deedle, edited by Rick Marschall. The long-forgotten artwork of Johnny Gruelle inspired writer Michael Taube: "Mr. Twee Deedle’s world is, quite simply, a series of innocent tales in a fantasyland that any child - and many adults - would have loved to experience, if but for a short while."
•Plug:The Frank Book by Jim Woodring gets a nice staff recommendation on theHarvard Book Store site. Craig H. says, "[Frank] takes us on his adventures through the psychedelic terrain of “The Unifactor,” a universe alive with rich pen-width and symmetrical, flying devices.
•Plug (audio): In the first few minutes of podcast Bullseye with Jesse Thorn, Angelman is recommended. Comics journalist Brian Heater of the Daily Crosshatch says, "it's Sergio Aragonés meets David Foster Wallace. . . about a little red winged superhero and his powers are good listening and empathy."
Late last year Gary Groth interviewed the recently-departed Maurice Sendak for the forthcoming next issue of The Comics Journal (#302, due toward the end of this year). At TCJ.com, Gary shares the story of how his encounter with Sendak came together along with a sneak peek of a few choice snippets from the interview.
Here comes your Online Commentary & Diversions for today:
• Interview: We Love You So, the blog of Spike Jonze's Where the Wild Things Are movie, talks to newly-minted Ignatz winner Jordan Crane, saying "Presenting melancholy tales of workaday worries and broken relationships right alongside whimsical, child-friendly fare, Uptightprovides a fascinating peek inside Crane’s constantly shifting thoughts, and never fails to entertain." From Jordan: "When I’m writing something I usually have a particular person in mind that I’m writing it for. Not a general thing like 'I’m writing for someone between the ages of 25 and 50' but rather an actual person."
• Plug: "Oh yes, it's finally here — Johnny Ryan's bloody sexual fight comic [Prison Pit Book 1], ...a two-fisted smash-up of international comics influence and the universal joy of tight-wound one-on-one combat, so tight that everything that comes out of a body becomes a weapon, and doesn't that have a way of mixing pleasure and pain? ... I liked this a hell of a lot." – Joe McCulloch, Jog - The Blog
• Events: Michael Cavna of the Washington Post lists his SPX highlights, including talking to Gary Groth and seeing Gahan Wilson
First Online Commentary & Diversions post from my shiny new computer:
• Profile: "Published in 1982, the [Hernandez] brothers’ Love and Rockets #1 is considered to mark a creative resurgence in comics, and for good reason. From the beginning the Bros. produced work that was subversive and masterfully crafted, combining the punk ethos with their own crisp intelligence." – Molly Young, We Love You So (the official blog of the Where the Wild Things Are movie — !!!)
• Review: "...Jaime [Hernandez]... confirm[s] my beliefs in the heights of his cartooning powers as he delivers the finale to a raucous, yet still quite moving, tale of female superheroes [in Love and Rockets: New Stories #2].... I'd follow him to the gates of hell at this point. With the brothers still working at such a high level of quality after over 25 years, anything they do is worthy of attention and analysis. I don't think I'll ever tire of experiencing their work." – Matthew J. Brady
• Interview: At Marvel.com, Sean T. Collins's series of interviews with Strange Tales contributors continues with R. Kikuo Johnson: "And I also felt like out of the entire Marvel U., Alicia Masters as a young artist, living and struggling after college, was the character I could put the most autobio into. I think the fact that she's a blind artist is hilarious. She's just a hilarious character."
In the world of Homage Blogs there is a LOT of hit and miss but this one honoring Maurice Sendak's "Where the Wild Things Are" seems to be bursting at the seams with an earnestness that in itself is wonderful to see.
...Timing's not bad to help out the movie either but Mr. Sendak deserves riches, so let's eat it up.
If you're into such things, director Spike Jonze started a blog ostensibly focused on the film but it seems rambling to me.
The great children's book illustrator, S.britt, just brought THIS to my attention and I agree with him-- this could actually be a good adaptation of a classic. Spike Jonze, we've got our fingers crossed here.
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