|Just how bad is the economy?|
|Written by Eric Reynolds | Filed under misc||4 Mar 2009 6:08 AM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Category >> misc
Book Expo America, the annual book festival that promotes virtually every major publisher in America, and most smaller ones, announced some changes yesterday: basically, that the show is going to be held in New York City exclusively for the forseeable future, and midweek beginning in 2010. The move was purportedly made to keep costs down for "the major publishers." Which is great if you're a giant corporation based in NYC, but ignores one salient fact: NYC is actually a more expensive place to visit than just about anywhere if you are a publisher or bookseller who doesn't already live in NY. And contrary to what Reed seems to think, there are plenty of us who fit that description.
Paul Constant tiptoes around some of this in a Stranger blog post this morning that I mostly agree with, but I'll spell it out more clearly: Chicago or Vegas (to give two examples) are actually way better level playing fields if the goal is to keep costs down for the industry as a whole, and not just Reed Business and those "major publishers" Reed seems so concerned about.
The BEA in NYC is often insufferable when it opens on a weekday, when every "major publisher" staffer and intern and freelancer who would otherwise never in a million years get sent to BEA in any official capacity is in attendance, either as an excuse to get out of the office or to simply acquire Free Shit. This is not a means to an efficient end.
If Reed wants to attract the widest possible base of all arms of the publishing and bookselling world, it should continue to move around. There are publishers you see at a Los Angeles BEA that you would never see at a NYC BEA, and vice-versa. I presume the BEA has always moved around because this was seen as a good thing, being as inclusive as possible.
This latest announcement is part of a recent trend by Reed Business to seemingly consolidate the entirety of North American publishing into a few major New York City corporations, as seen by its recent cancellation of Book Expo Canada, the largely uninspired New York Comicon, and the latest announcement that Vegas and D.C. are off the table for BEA.
I understand cost-cutting measures, but when seemingly every cost-cutting measure Reed engages in either costs a small publisher like us more money, or simply threatens the greater good of all, and then tries to spin it as a Good Thing, I bristle. We are constantly told we live in an increasingly borderless world, and yet as a publisher, it's sometimes hard to believe.
We'll still continue to exhibit at BEA, it's an important show for us, and New York is always a great place to visit (even if the Javits Center isn't) but let's be clear: this is not about cutting costs for anyone but Reed Business, and the result will do little but enable corporate hegemony at all levels of the book world.
UPDATE: "Enable" is probably too strong a word. "Facilitate"? Anyway, this isn't that big of a deal except I was simply annoyed to read today that BEA will be in the most expensive city in the country for the forseeable future so that Random House or Doubleday can save some money. That struck me as a very Bush administration way of addressing the new economic climate.
You should all head over to Rob Clough's HIGH-LOW site right now, read his Top 50 for 2008, and then thank him for getting it done when he did, because late last week he and his wife welcomed baby daughter Penelope into the world, and I guarantee you that if he hadn't finished that Top 50 before she was born, you would never have gotten the chance to read it. Which is my way of saying congratulations to Rob and Laura, who are about as kind as anyone you'll meet and will no doubt make fantastic parents.
I read that one of the crucial plot points of Marvel's big Secret Invasion crossover involved newly-elected President Obama bouncing Tony 'Iron Man' Stark from leading the Avengers and replacing him with mass-murdering psychopath Norman 'The Green Goblin' Osborn, creating some king of supervillain Illuminati and making Marvel the new Jack Chick. Shrewd move.
And now "Obama" is making another crass Marvel appearance in some kind of Spider-Man variant collectible bullshit issue. I'm loathe to link about it, but this Wonkette quote was too rich to pass up: "Who is that mysterious black person in a business suit who looks absolutely nothing like Barack Obama, your new president? It's COMIC-BOOK Barack Obama, that's who! Jesus fucking christ, could Marvel Comics maybe hire somebody who can maybe draw something vaguely resembling the president-elect, rather than 'random negro dude in a suit who also seems to have neck tumors'?"
I actually thought there was some kind of particular law (for better or worse) against trying to profit commercially off a president's likeness in a way not protected by Fair Use (and I doubt limited-edition variant covers qualify as Fair Use), but I guess I totally made that up.
Join us at the Chicago Alternative Comics Expo (CAKE), June 15-16, 2013, in Chicago, IL. Click here for details!
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles M Schulz, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Don Flowers, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Ebay, EC Comics, EC Segar, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, Eric Reynolds, Ernie Bushmiller, Eros Comix, Eroyn Franklin, errata, Esther Pearl Watson, Eve Gilbert, events, fan art, Fantagraphics Bookstore, Fantagraphics history, fashion, FBI MINIs, Femke Hiemstra, Field Trip, Flannery OConnor, Fletcher Hanks, flogcast, Floyd Gottfredson, Four Color Fear, Francesca Ghermandi, Francisco Solano López, Frank Santoro, Frank Stack, Frank Thorne, Freddy Milton, Fredrik Stromberg, Fredrik Strömberg, From Wonderland with Love, Fucking Nice Guy, Gabriella Giandelli, Gabrielle Bell, Gahan Wilson, Gary Groth, Gary Panter, Gene Deitch, George Chieffet, George Herriman, Gil Kane, Gilbert Hernandez, Gilbert Shelton, Gipi, Glenn Head, God and Science, good deeds, Graham Chaffee, Graham Ingels, Greg Irons, Greg Sadowski, Guy Peellaert, Hal Foster, Hank Ketcham, Hans Rickheit, Harvey Kurtzman, Harvey Pekar, heiko mueller, Hergé, Hernán Migoya, Ho Che Anderson, hooray for Hollywood, Hotwire, Humbug, Humorama, Ignatz Series, Igort, In-joke Central, Inio Asano, Inspiration, interns, interviews, Irwin Chusid, Ivan Brun, Ivan Brunetti, J Otto, Jack Cole, Jack Davis, Jack Jackson, Jack Kirby, Jacques Boyreau, Jacques Tardi, Jaime Hernandez, James Romberger, James Sturm, Janet Hamlin, Jason, Jean Schulz, Jeff Smith, jefferson machamer, jeffrey brown, Jeremy Eaton, Jeremy Tinder, Jerry Dumas, Jesse Moynihan, Jessica Abel, Jim Blanchard, Jim Flora, Jim Rugg, Jim Woodring, JIS, Joe Coleman, Joe Daly, Joe Kimball, Joe Kubert, Joe Sacco, Joe Simon, John Benson, John Cuneo, John Hankiewicz, john kerschbaum, John Pham, Johnny Craig, Johnny Gruelle, Johnny Ryan, Jon Adams, jon vermilyea, Jonathan Bennett, Joost Swarte, Jordan Crane, Joseph Lambert, Josh Cochran, Josh Simmons, Joshua Glenn, Joyce Farmer, JR Williams, Jules Feiffer, Julia Gfrörer, Justin Green, Justin Hall, Kaz, Kevin Avery, Kevin Huizenga, kevin scalzo, Killoffer, Kim Deitch, Kim Thompson, Kipp Friedman, Kovey Korner, Krazy Kat, Kremos, Kurt Wolfgang, Last Vispo, Laura Park, Leah Hayes, Leila Marzocchi, Leslie Stein, Lewis Trondheim, library, life imitates comics, Lilli Carré, Linda Medley, Lizz Hickey, Lorenzo Mattotti, Lorna Miller, Los Bros Hernandez, Lou Reed, Love and Rockets, Lyonel Feininger, Maakies, Mack White, Malachi Ward, Malcolm McNeill, manga, marc bell, Marco Corona, Marguerite Van Cook, Mario Hernandez, Mark Bode, Mark Kalesniko, Mark Martin, Mark Newgarden, Mark Todd, Marschall Books, Marti, Martin Cendreda, Martin Kellerman, mary fleener, Matt Broersma, Matt Thorn, Matthias Lehmann, Matthias Wivel, maurice fucking sendak, Maurice Tillieux, Max, Max Andersson, McSweeneys, Meg Hunt, Megan Kelso, merch, meta, Mia Wolff, Michael Chabon, Michael J Vassallo, Michael Kupperman, Michel Gagne, Mickey Mouse, Milt Gross, Mineshaft, misc, miscellany, Miss Lasko-Gross, Mister Wonderful, Molly Kiely, Mome, Monte Schulz, Mort Meskin, Mort Walker, Moto Hagio, Nancy, Nate Neal, Neil Gaiman, Nell Brinkley, New Comics Day, new releases, Newave, Nick Drnaso, Nick Thorburn, Nico Vassilakis, nicolas mahler, No Straight Lines, Noah Van Sciver, Norman Pettingill, office fun, Oil and Water, Olivier Schrauwen, Original Art, Pat Moriarity, Pat Thomas, Patrick Rosenkranz, Paul Hornschemeier, Paul Karasik, Paul Nelson, Peanuts, Peter Bagge, Peter Kuper, Pirus and Mezzo, Playboy, podcast, Popeye, Portable Grindhouse, press, preview, previews, Prince Valiant, production, R Kikuo Johnson, Rand Holmes, Ray Fenwick, Raymond Macherot, RC Harvey, Rebel Visions, reivews, Renee French, reviews, Rich Tommaso, Richard Sala, Rick Altergott, Rick Griffin, Rick Marschall, RIP MD, rip-offs, Rob Walker, Robert Crumb, robert fiore, Robert Goodin, Robert Pollard, Robert Williams, Roberta Gregory, rock, Roger Langridge, Ron Regé Jr, Rory Hayes, Rosebud Archives, Roy Crane, Russ Heath, S Clay Wilson, sales specials, Sammy Harkham, Samuel R Delany, Sara Edward-Corbett, Sergio Ponchione, Seth, Shag, Shannon Wheeler, shelf porn, Shilling, Shimura Takako, signed bookplates, Significant Objects, Simon Deitch, slimy marketing, Some Douchebag, Sophie Crumb, Souther Salazar, spain, Spain Rodriguez, staff, Stan Sakai, Stephane Blanquet, Stephen DeStefano, Stephen Dixon, Stephen Weissman, Steve Brodner, Steve Ditko, Steve Duin, Steven Brower, Steven Weissman, Storm P, Supermen, T Edward Bak, Taking Punk to the Masses, tattoos, Ted Jouflas, Ted Stearn, television, Terry Zwigoff, The Comics Journal, The Go-Gos, The Stranger, Things to see, Thomas Ott, Tim Hensley, Tim Kreider, Tim Lane, TMNT, Tom Kaczynski, Tommi Musturi, Tony Millionaire, Tori Miki, toys, Trina Robbins, TS Sullivant, Tyler Stout, Ulli Lust, Umpteen Millionaire Club, Under the Covers, UNLOVABLE, Usagi Yojimbo, Vaughn Bode, Victor Kerlow, Victor Moscoso, video, VIVA LA COMIX, wallpapers, Wally Wood, walt holcombe, Walt Kelly, Wandering Son, Warren Bernard, webcomics, Wendy Chin, Wilfred Santiago, Will Elder, Willard Mullin, William S Burroughs, Willie and Joe, Zak Sally, Zap, Zippy the Pinhead
The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.
Free Membership Benefits