|Epilepsy Warning: 1000 Great Graphic Novels|
|Written by Jen Vaughn | Filed under misc, meta, art||18 Jun 2014 2:45 PM|
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In one of the cooler videos to hit the internet lately, comics enthusiast and scholar Allen Rubenstein created a video of the 1000 Greatest Comics of all Time AND set it to "Wipe Out" by the Sufaris (so already won a place in our hearts). At home on Comics Juice, Rubenstein's video contains some great heavyweights like Maus, Blankets and bunch of Fantagraphics' titles from Nancy by Ernie Bushmiller to the newer Eisner-nominated Good Dog by Graham Chaffee.
Think you were able to see all the comics, like the Fanta-ones? Check the list and see if you won this game! And is there anything more beautiful than the patterns and rhythms created by the fast-scrolling book covers? I think not.
Adam and I go waaaayyy back professionally. We hosted the 2010 Nerdlinger Awards together pre-SPX at Atomic Books and I designed his first set of shirt. Here Euge (center) and I are handing Fantagraphics' cartoonist Drew Weing his Nerdlinger award for Best High Seas Adventure, Unpronouncable Name or something silly like that (the awards are beers, people). So for fun, music and Kupperman comics, donate to a worthy cause.
Q: Do the letters appear on your doorstep in a huge sack just steeped in vitriol?
A: [Art Director] Aaron Huffman sends me a letter sometime between Wednesday and Friday each week after Stranger associate editor David Schmader or some shadowy 'they' pick the letters.
Q: What is your process like for a weekly drawing based on someone else's ideas?
A: I've usually scanned the letter once by Friday. I'll print it out on Sunday night, underline key phrases and make a couple of sketches. By Monday morning, I have a pretty clear idea of what I'm drawing.
Sometimes the Seattle-specific letters can be puzzling (I'm in Los Angeles), but I can only think of one where I was completely stumped, and all I remember about that one is my solution being some guy eating a toaster waffle.
Q: Have you ever been contacted by the people who wrote the letters or the ones who figured out they were the subject?
A: I've sold drawings to people related to the letters before. They make great gifts for friends recovering from messy breakups (35% of I, Anonymous letters are breakups). Original art is also a great way to say "I'm sorry I gave you V.D."
BAM, BeerAndMovie Fest, returns for its 4th year in the Portland market. Sponsored exclusively by Ninkasi Brewing and Fantagraphics Books, BAM takes place April 5-11 at the Academy Theater, and April 5-May 2 at the Laurelhurst Theater. Sexy Time editor Jacques Boyreau tells you why you need to be there:
With BAM (BeerAndMovie) in its 4th year, can BAB (BeerAndBook) be far off? Let's hope it ain't! If the alignment design (by Olga Lopata) between Fantagraphics Books and Ninkasi Brewing that adorns our marquee is any omen, expect BAB soon.
Back to BAM...as the info posits, we got some cool movies ready to go. Speaking to the mosh of BAM, what fest has ever existed that so neatly connected ANNIE HALL with THE DUELLISTS (portraits of obsession); or HARD BOILED with PATHS OF GLORY (studies of body counts); or WHERE EAGLES DARE with STARSHIP TROOPERS (paragons of WW2 fetish); or ROAD HOUSE with KELLY'S HEROES (macho magical realism meets feminine absurdity). Yes it is so---BAM occupies the most potentially integrated, schizoidal zone of Pop Rep Cinema known to man or venue...Zoinx! All you need do is recall that in our first year we paired BRING ME THE HEAD OF ALFREDO GARCIA with ADVENTURES IN BABYSITTING.
The Academy series comprises 4 titles showing every day, April 5-11: ANNIE HALL (1977), STARSHIP TROOPERS (1997), ROAD HOUSE (1989), and HARD BOILED (1992). All Academy titles are on 35mm film.
The Laurelhurst series runs 4 consecutive weeks, with each title playing for the whole week: April 5-11 WHERE EAGLES DARE (1968), April 12-18 PATHS OF GLORY (1957), April 19-25 KELLY'S HEROES(1970), April 26-May 2 THE DUELLISTS (1977). All Laurelhurst titles are digital prints.
Tim Colley captures the Road House homoeroticism between Swayze's "Dalton" character and the mysteriously named "Jimmy" (played by Marshall R. Teague).
Tim Colley channels The Swayze in sensitive black and white.
Colley goes "meta" with this Swayze-as-tat piece.
Bizarre Magazine recently ran an article by Stephen Daultrey featuring some primo "JUICY" posters from our arty porn poster book Sexytime, edited by Jacques Boyreau and Peter Van Horne. Seeking to celebrate "the age of trashy porn with tales of enemas, garage lube, balcony wanking" and Sexytime, Daultrey and Boyreau's words effectively magic a nostalgia within the reader that I didn't think possible.
The 1960s brought on such a world that "Grindhouse movie producers had begun competing about who could up the filth factor," Boyreau points out. This pushed the crazitude of poster art to a higher level, porny and punny. Think enemas, pumps and dumps.
But that's the beauty of the posters seen in Sexytime says Boyreau, "They activated their own post-porn, personal narratives. They're much like how Impressionist paintings or religious, symbolic paintings can induce visionary relationships between body and soul."
To read more, pick up the next Bizarre Magazine for the full article and buy a copy of Sexytime. That one at the library has at least '69 holds' on it and is smelling a wee bit ripe.
So, I've been in Florida for the past week visiting my wife's family for the holidays. Needless to say, I did a doubletake when I noticed this Honda parked next to our rental car outside a shopping mall in Naples:
I am dying to know whose car this is. Mort Walker? Jeff Mason? The guy from CrossGen? Anyone?
This single panel from Neal Adams' BATMAN ODYSSEY #4 sums up what strikes me as being the most unintentionally hilarious mainstream comic I've possibly ever read. It's bafflingly crazy.
I should note that the subsequent panel, not pictured, reveals that Alfred is not actually showing Bruce how to bounce the ol' pogo stick, but instead is playing the "World's Smallest Violin".
You all know the "World's Smallest Violin" joke, right? Everyone does. So I ask you, is this how you would draw the act? Is that how you would draw the person on the receiving end?
Also, note the cleavage at top from the adjoining panel, and Bruce Wayne oogling his own penis in the lower-right.
How much of this is conscious? And if so, to what end? This is craziest comic I've come across in years. Please, someone smarter than me, review this series.
From the files, Item #1,075,763,294. Over the years, we've tried virtually every approach to "rejection" letters that I can think of: supreme diplomacy, false hope, honest criticism, scorched earth rejection, and everything in between. So I'm not sure which kind prompted this reply from an aspiring cartoonist*, but it makes me laugh every time I see it (it's been hanging on a basement wall for years):
* full name edited to protect us more than him.