|I am a nerd.|
|Written by Eric Reynolds | Filed under miscellany||8 May 2008 8:35 PM|
Gasoline Alley bisque bobbleheads from the 1930s:
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Category >> miscellany
I had to report to jury duty last week, and in the "jury assembly room" that had a large wall of posters for theater and art shows around town. They also had a sheet where you could sign up to reserve a poster when it came down. Only two posters had been reserved, apparently by a hippie who can't spell (I blocked out the guy's last name and phone number):
I tease; the guy had good taste. All the other posters were lame.
Robin McConnell over at the Inkstuds blog has posted a letter that Dave Sim is sending out to anyone that wishes to correspond with him. He is requesting that if you want to correspond with him, you must agree that he is not a misogynist. This should go well. We're really not making this up:
Heroes & Villians is a photo series by Tatiana Wills and Roman Cho that "features intimate portraits of the most notable emerging and established figures in the Pop Surrealist, Graffiti and Alt-Comic Book worlds."
I would contest their designation of THE most notable but it is cool to see them documenting SOME of the most notable artists working. Pictured above is the enchanting Jordan Crane. Visit Cho's site for a peek at more comics folks like Anders Nilsen, Johnny Ryan, Sammy Harkham, Souther Salazar, Ron Rege, Jr., and Steven Weissman.
UPDATE: I failed to mention that the show is 2 days only, opening this Tuesday at Corey Helford Gallery .
In the history of plagiarism, this pretty much takes the cake of egregiousness. An art book that lifted all of its contents off the internet and includes it on a CD (original internet file names intact, no less). That fact coupled with the title "Colorful Illustrations" makes this appear to be a clip art book, with the impression that all the art is copyright free, which it isn't. It's made by hard-working artists who didn't even know about the book.
It is a Hong Kong publisher and if you've ever made art, you may be in the book.
I first learned of it from artist Mike Egan whose work was lifted (although appears to have at least (and curiously) been credited in the book). A lot of interviews in the book were lifted from the Little Chimp Society and they have more info on the book HERE.
...Of course, all of this raises every question you can possibly have about the relevance of copyright in the digital era of a global society but in any case: PLEASE DO NOT BUY THIS BOOK.