This is the first of two volumes reprinting copious amounts of comics stories and recounting the career of cartoonist Basil Wolverton. Based on his correspondence and journals, the biographical portion of the books follows Wolverton from childhood to adult day-to-day life as freelance cartoonist, itinerant handyman, persistent contest enterer, and local pastor of the Radio Church of God. Wolverton lived and worked in the Pacific Northwest, unique among the first generation of comic book pioneers. In the precious period before the industry calcified into a commercial institution, Wolverton was free to work under the radar to explore in detail his weird tales of the future. All of Wolverton's non-humorous comic book stories will be presented in full, along with prime examples of his humorous comics and dozens of pages of unpublished art, including editorial drawings, advertisements, caricatures, pulp illustrations, rejected comic book covers, and unsold features.
"Gilbert Hernandez created some of the most memorable characters in popular fiction." – Los Angeles Magazine
"There's no denying that Beto's comics reflect one of the highest peaks the comics medium has yet achieved." – The A.V. Club
"To lovers of alternative comics, Hernandez is something of a saint…" – The Telegraph
"In a real world, not the screwed-up world we have now, [Gilbert Hernandez] would be considered one of the greatest American storytellers. It's so hard to do funny, tragic, local and epic, and he does all simultaneously, and with great aplomb." – Junot Diaz
"…Wilfred Santiago captures the physical grace of baseball and creates a story of visceral and emotional force… Santiago… has produced a rich and surprising work. The compositions and framing are intricate and varied… Santiago captures Clemente’s relentless vitality as a player, frames the story around the historical and religious traditions of Puerto Rico, and handles Clemente’s tragic death with restraint, all with a gimlet eye and the sensitivity of a true artist. It is a classic story given new life in this fresh, innovative telling." – Alex Belth, Sports Illustrated
"…21's eloquence is visual, and it is a very real eloquence. The character of Roberto Clemente is nearly hugged to death in this particular portrayal: he’s virtuous and charming and earnest and respectful to elders… But the world around him is alive, and Santiago's expressive (and occasionally, bracingly expressionistic) approach to portraying Clemente’s wild athletic genius ensures that it remains thrillingly present… [A] fitting and vital tribute." – David Roth, Los Angeles Review of Books
"…the talented Knisley offers a pointed juxtaposition to her earlier travelogue set in Europe. When her grandparents Phyllis and Allen decided to take a cruise ship to the Caribbean, the author (recovering from a recent breakup) accompanied them on the 10-day journey… A moving but also very funny meditation on time, age and grace." – Kirkus Reviews
Big, burly, lascivious, and soft around the edges: welcome to the hyper-masculine world of Japanese gay manga. Massive: Gay Erotic Manga and the Men Who Make It is the first English-language anthology of its kind: an in-depth introduction to nine of the most exciting comic artists making work for a gay male audience in Japan. Jiraiya, Seizoh Ebisubashi and Kazuhide Ichikawa are three of the irresistibly seductive, internationally renowned artists featured in Massive, as well as Gengoroh Tagame, the subject of The Passion of Gengoroh Tagame: Master of Gay Erotic Manga. Get to know each of these artists intimately, through candid interviews, photography, context-providing essays, illustrations and manga. Massive also includes the groundbreaking, titillating work of gay manga luminaries Takeshi Matsu, Fumi Miyabi, Inu Yoshi, Gai Mizuki and comic essayist Kumada Poohsuke.
"Cult" cartoonist Frank Stack is best known as the artist behind Harvey Pekar's award-winning graphic novel, My Cancer Year (his art was featured in the American Splendor film), and as the creator of the first underground comic book, The Adventures of Jesus. Foolbert Funnies collects comics—inspired by Stack's pop culture-filled childhood and travails as a fine arts professor—that ran in National Lampoon and other publications. (For decades, Stack's work was published under the pseudonym "Foolbert Sturgeon" to protect his career.) In Foolbert Funnies, you will find adventuress Dirty Diana; nostalgic time traveler Frank Crankcase; commonsensical Dr. Feelgood; politician Paddy Booshwah; "Southern Fried Homicide"; and a host of Amazons, artists, and pulp heroes, all depicted in Stack's scratchy, hatchy "crowquill" style. This "best of the rest" is a tribute to a Texan who's been quietly creating observational, iconoclastic art for more than forty years.
Here in one place are the definitive Comics Journal interviews with the cartoonists behind Zap Comix. Featuring: Supreme underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these definitive interviews, the Zap contributors open up about how they came to create a seminal, living work of art.
L.B. Cole created some of the most bizarre, proto-psychedelic, eye-popping comic book covers of all time, yet remarkably this is the first retrospective of his career, featuring the largest collection of Cole covers ever assembled, in an oversize format that showcases his attention to detail and his versatility in all the popular comic book genres of the day. Cole burst into comics during the glory years of the Golden Age of comics. He was famous for his bold covers, usually featuring "poster colors" — brilliant primaries often over black backgrounds — and an over-the-top sense of the bizarre mixed with whimsy. There's never been a comic book cover designer like L.B. Cole and there's never been a book like this one.
Cochlea & Eustachia appear to be twin human girls, but this has yet to be confirmed. Their actions seem to be motivated less by curiosity than boredom and an inclination towards purposeless destruction. Any connate objective remains to be determined. They never stray apart from each other, out of an unspoken proclivity. Perhaps they keep together because they resemble each other; a mixture of vanity and comfort is the foundation of their constant companionship. They seem to consider any creature with dissimilar features as inept or untrustworthy. They are suspected of giving hypnotic suggestions to cats. They do not seem particularly malicious, just meddlesome. This new graphic novel from the author of the acclaimed Squirrel Machine is lighter in tone than his previous works, yet its myriad charms remain as sinister as Rickheit fans would expect.
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