A sock monkey named Uncle Gabby and his button-eyed friend, Mr. Crow, live with their human friend, Ann-Louise, and all of her other toys in a lovely and peaceful Victorian home. Yet Gabby's curiosity and guile — routinely foiled by his innocence — lead him and Mr. Crow into outrageous (and outrageously funny) tales of misguided derring-do, occasionally nightmarish fantasies, and unrequited love. Tony Millionaire's vivid and brilliant Sock Monkey stories evoke the dark, surrealist wit of Roald Dahl, while echoing the classic illustrative styles of E.H. Shepard's Winnie the Pooh or Johnny Gruelle's Raggedy Ann and Andy. It's a recipe for a timeless classic to be enjoyed by generations.
This handsome storybook collects over 300 pages of Tony Millionaire's Sock Monkey and Mr. Crow adventures including:
• The only full-length Sock Monkey graphic novel, The Inches Incident • The full-color storybook classic, "The Glass Doorknob" • The full-color graphic novella, "Uncle Gabby" • Eight other essential stories: "Heaven," "Borneo," "Dollhouse," "The Trumbernick," "The Hunters," "A Baby Bird," "The Oceanic Society," and "Heartbreak."
In the newspaper strip Henry, the eponymous character never spoke, but in the comic book stories, Henry had a lot to say — conspiring with his pals "Trader" Horne, Julius, or Otis, making up with his sweetie Henrietta, or pulling a fast one on Officer Yakko. Editor David Tosh selected some of his favorite stories to include in this volume, including "Henry Thinks Out Loud," told in voice-over narration, "Rhyme Without Reason," told entirely in verse, and "A Slice of Ham" (co-starring Cark Gable, Katherine Hepburn, Mickey Rooney, Frank Sinatra, and Charlie Chaplin).
Written and drawn by John Liney between 1946 and 1961, these stories prove Henry to be a combination of Dennis the Menace and Little Lulu, getting into and out of jams, in these marvelously antic, off-kilter, and occasionally downright surreal stories. Perfect for young and old alike.
George Carlson was one of the most prolific and innovative cartoonists and illustrators of the 20th century, whose playful, absurdist, exquisitely rendered drawings graced every medium, from comic books to children's games to magazines — and Perfect Nonsense is the most definitive and expansive collection of his work ever published!
Perfect Nonsense is a cornucopia of Carlson's outrageous visual fantasies, ranging from gag cartoons, comics, riddles, games, and children's book illustrations (most famously, Uncle Wiggily) to magazine covers, political cartoons, advertising images, and locomotive and Naval illustrations, as well as a juicy selection of over 80 pages of his legendary "Jingle Jangle Tales" and "Pie-Faced Prince of Pretzleburg" stories (with irresistible titles like "The Musical Whifflesnort and the Red-Hot Music Roll" and "The Rocketeering Doodlebug and the Self-Winding Horsefly")!
Carlson's career spanned over 50 years and his inspired imagination never flagged. Meticulously compiled and with a profusely illustrated biographical introduction by Daniel Yezbick, Perfect Nonsense is the perfect compendium by one of America's wildest practitioners of visual and verbal lunacy.
A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
"Pow! Zam! Comics aren't for kids anymore because of Cannon! Cannon is like a punch in the face with a cement-filled giant salami. Ugly description? Wait'll you see Cannon’s ugly mug! And the gals? Wood style, of course! What else do you need?" – Gilbert Hernandez
"I bow to no man in my appreciation for Cannon." – Daniel Gillespie Clowes
Your mission, should you choose to accept it... is CANNON by the legendary Wallace Wood (Mad, EC Comics, Daredevil)! CANNON appeared every week for two and a half years in Overseas Weekly, a newspaper distributed exclusively to U.S. Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops — producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex all in an effort to boost morale and support our troops!
Meet John Cannon, the perfect agent and America's exploitative answer to James Bond. Initially brainwashed by the terrifying, voluptuous, and always half naked Madame Toy to be "the perfect assassin" for the Red forces, Cannon was eventually rescued and brainwashed (again) by the CIA until he had no emotions whatsoever. Under the employ of our government’s Central Intelligence Agency, Cannon experiences action like no other agent! Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, nudity, Hitler, nihilistic lovemaking, Weasel the spy, naked women, death from above, and more naked women! Take that, 007!
Together with the Wallace Wood Estate, and working from newly unearthed source material, Fantagraphics Books presents the biggest, baddest, best-looking collection of CANNON, ever!
Charlie Brown may not be the best pitcher, batter, or team manager, but his love for the game is boundless, no matter how many home runs he gives up, how many games he loses, how many errors his team makes, or how many times the game is rained out. This delightful gift book features three complete baseball stories starring good ol’ Charlie Brown and his frustrating (and frustrated) teammates Lucy, Linus, Pigpen, Snoopy, and the rest of the gang. Whether it’s at home or on the road, on the mound or off the field, Charlie Brown gives it his all in these funny, touching testaments to his indefatigable spirit.
"Glenn's fabulous collection and the stories that go with it is the kinda stuff you can't make up." – Jaime Hernandez
"The Bray Collection is a national treasure, a Fort Knox of astounding pop-culture holdings compiled with uncanny prescience and a singular, infallible eye for both the unassailably great and the otherwise overlooked. Bray and Zwalve have assembled a sum that is possibly greater even than its magnificent parts, and to experience the body of work in its entirety — finding connections, noting omissions, succumbing to the perfection of the vision — is to understand the visual world in a whole new way." – Daniel Clowes
"Glenn Bray is the Great Curator of brilliant, overlooked pop culture, and this wild book is an eye-popping art treasure for us all." – Matt Groening
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published — all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 — a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The Blighted Eye is not only the greatest collection of original art ever produced, but a testament to Bray's dogged and visionary commitment to preserving the work by the greatest artists working in an art form habitually sneered at by cultural gatekeepers throughout most of the 20th century.
The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and — it should go without saying — many more.
With the increasing sophistication of comics over the last 20 and 30 years in the form of graphic novels, journalism, and memoirs, the cartoon form is finally taking its place alongside other popular narrative media — novels, films, theatre — as an art form to reckon with, widely reviewed and embraced by a discriminating reading public.
Simultaneous with this growing acceptance of comics as a literary form has been the recognition among museums and galleries that the artists' original drawings are art objects. Public exhibitions of original comics art has proliferated over the last decade with such shows as Masters of American Comics at LA's Hammer Museum and R. Crumb's Underground at Seattle's Frye Museum. Readers have been able to see this original art in museum catalogues and the occasional compilation of work digitally scanned directly from the original art. Although drawn for print, the hand-crafted original art — brush strokes and pen lines inked on paper — offers a beauty and an unique insight into the form, a different way of perceiving the artist's work.
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