Linus and his wait for the Great Pumpkin have been a pop culture touchstone for nearly 50 years thanks to the animated television special ("I got a rock"), and it all started in the classic Peanuts strips from 1959-1962 collected in this affordable, fun-sized gift book. Linus's belief and proselytizing that on Halloween, the Great Pumpkin rises from the pumpkin patch and travels the world bringing presents to good little girls and boys are laughed at by Charlie Brown, derided by his sister Lucy, met with skepticism by baby Sally, and even causes "denominational squabbling" over who's better, the Great Pumpkin or Santa Claus. Year after year, Linus faces his persecution and inevitable disappointment with either blind faith or Quixotic perseverance. Charles M. Schulz's homage to the power of idealism and belief makes these some of the most beloved comic strips of all time.
"No one does giddy surrealism quite like Kupperman…" – "The Best Comics of the ’00s,” The A.V. Club
"A comic masterpiece." – Peter Serafinowicz (Look Around You, The Peter Serafinowicz Show)
"The second funniest cartoonist worldwide, after me." – Tony Millionaire
"The shit-yourself funniest book I’ve ever read." – Box Brown, The Daily Cross Hatch, "The Best Damned Comics of 2009 Chosen by the Artists"
Top 5 comics of the year – Minty Lewis, The Daily Cross Hatch, "The Best Damned Comics of 2009 Chosen by the Artists"
"It has become cliché to say I laughed until I cried, but when I’m done reading one of these underground comics my shirt is literally soaking wet. This guy may have one of the best comedy brains on the planet right now." – Conan O’Brien, Entertainment Weekly “Must List”
Book 2 covers the early years of 1981-1983, when Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyantly until a young group called RUN-DMC comes on the scene to take things back to the streets. This volume covers hits like Afrika Bambaataa’s “Planet Rock,” Grandmaster Flash and the Furious Five’s “The Message,” and the movie Wild Style, and introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy. Cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)! Featuring an introduction by Wild Style director Charlie Ahearn.
Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's Girl Mountain Tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.
Frank is, as everyone knows, Jim Woodring's bestselling cartoon character. Jim, on the other hand, is Woodring's cartoon alter ego, the fictional doppelganger who has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are common- place. Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings, with a new introduction and afterword by the man himself. Abounding in metaphors if you choose to see them and naked self-disclosure if you don't, this volume of comics, prose, and images — collected here for the first time — is a bounty of Woodring's inspired artistry.
"Simon Hanselmann is the real deal, for sure. He captures that stoner stay-at-home life so accurately that I actually find his comics really depressing and thank God I don't ever have to hang out with anybody like that ever again." – Daniel Clowes
"Megahex is basically about a bunch of people (and "people") watching TV and getting wasted and fighting and fucking and pranking each other. Oh, and depression. What's not to love?!" – Peter Bagge
Shimura Takako’s groundbreaking, critically acclaimed, and beloved Wandering Son continues to explore gender identity among its cast of middle school students in our 7th volume. Nitori-kun gets his first signs of acne. This may well be the end of the world. But when he turns to nationally famous model Anna-chan for help, events take an unexpected turn. Meanwhile, Nitori-kun and Chiba-san are scouted by the theater club after the success of their gender-bending play, The Rose of Versailles. But when Takatsuki-san congratulates Chiba-san, Chiba-san calls her a hypocrite. If Takatsuki-san wanted to join the theater club, she wouldn’t congratulate Chiba-san — she’d be jealous. So says Chiba-san, but what does she know?
Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!"
Collecting 101 noir movie posters of, arguably, the greatest noir films ever made in the genre (including classics The Maltese Falcon, Laura, and Double Indemnity). Reproduced in a stunningly designed, oversized format that shows off the spectacular visual elan of Hollywood movie posters at their best, the book is not only a stunning showcase of film noir art, but also establishes the crucial films and identifies their key characteristics, with critical commentary on each film by editor and scholar Mark Fertig. This is an ideal handbook for noir rookies, a valuable resource for old-hats, and a visual feast for fans of film noir and American entertainment art.
"[This] material…exploded the idea of autobiographical or journalistic comics… What Woodring did better than anyone was promote the idea that the subconscious, the imaginary, and the dreamtime state were perfectly valid terrains for autobiographical exploration… Plus, it’s great comedy." –Joe McCulloch
"I don’t really have adequate language to describe it." –Alan Moore
"Woodring is a cartoonist of frightening power…" –ComicsAlliance
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