96-page full-color 10.75" x 14.25" hardcover • $29.99 ISBN: 978-1-60699-553-2
Ships in: August 2012 (subject to change) — Pre-Order Now
Sexytime is the book that pornoisseurs all over the world have anxiously been waiting for. Not that grade drooler, the porn addict, mind you, but the porn aesthete, the porn classicist who knows his stag film history and lives by the credo, Veni ergo sum.
An oversized coffee table book celebrating the art of the 1970s porn movie poster, Sexytime collects over a hundred of the most outrageously over-the-top porn movie posters of the era. It includes “classics” like The Sex-Ray Machine, Candy Goes to Hollywood, and The Senator’s Daughter starring such ’70s porn stalwarts as Annie Sprinkle, John Holmes, and Seka.
This is the book for those who harbor a healthy, passionate yet tortured curiosity and appreciation, in short, a total jones for retro design mixed with brazen sexuality, who want to discover a secret, blushing school of design that is uniquely controversial to this day. Selected with heat sensitive attention to detail and accompanied by a brain-ripping narration on the rise of “post-porn” by Jacques Boyreau, this collection of pristinely re-mastered movie posters from the golden age of American porn is a portrait of taboo-busting 1970s “porno chic” erotomania. Accept no substitutes.
Break out your crayons as Red Warren, "America's Grandpa," brings you his highly educational "Train & Bus Coloring Book." The guests at a sophisticated weekend party sure get nervous when a certain mystery writer shows up on her goat. Learn the story of French national hero Bertrand de Copillon, a.k.a. "The Scythe." And originally serialized in the Washington City Paper and online at Fantagraphics.com, the true story of the first lunar mission, "Moon 69." All this and more in the eighth issue of the series that changed the face of comic book humor, Tales Designed to Thrizzle!
Exclusive Savings: We've also updated our bargain-priced "Thoroughly Thrizzled Pack" with the new issue: get the Vol. 1 hardcover and issues 5-8 — that's the complete Thrizzle to date — for a swell discounted price!
Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.
No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have flirted with the world of LGBTQ comics, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.
These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.
"I discovered... what I was looking for, a queer world with stories and characters that I could recognize, that I could laugh with and care about. What I needed was a book like this: hairy legs and all." – Lana Wachowski (The Matrix, Bound), from her introduction
"We've all been waiting too long for a collection like this! You must buy this book!" – Alison Bechdel (Fun Home, Dykes to Watch Out For)
Significant Objects began in 2009 as a bold online inquiry into the relationship between narrative and the value of everyday objects. It has been the subject of speculation by everyone from NPR to litbloggers to The New York Times’ Freakonomics crew. Some theorized about the project’s hypothesis, others about its methods and results. Others just wanted to know if there would be a book collection. The answer is yes. A collection of one hundred Significant Objects stories is published in this hardcover volume.
This represents the latest plot twist yet to the story of a very unlikely project that began as an experiment, turned into an experimental literary magazine secretly published on eBay, and currently raises money for youth tutoring nonprofits.
Founded by Joshua Glenn and Rob Walker, SignificantObjects.com has published an extraordinary series of 200 stories and counting — by William Gibson, Curtis Sittenfeld, Sheila Heti, Colson Whitehead, Nicholson Baker, Meg Cabot, Gary Panter, Ben Katchor, Lydia Millet, Jonathan Lethem, and other talented writers — about ordinary stuff like novelty items, discarded souvenirs, and tasteless kitchenware picked up cheap at thrift stores and yard sales. The goal: To see if commissioning great stories about these insignificant things would increase their value — as measured in actual eBay auctions.
The experiment, in short, was a smash hit. As will be the Significant Objects book, which features 100 moving, absurd, surprising, and always entertaining stories from the project’s three volumes. It will change the way you look at things, forever.
We rather inconveniently sold out of all of our back issues of Squa Tront: The EC Comics Magazine just before the brand new 13th issue came out, but we've just managed to get our hands on a limited supply of issues 10, 11 and 12! (And we mean limited: we have 2 copies of #12!) These are the last of 'em so get them while you still can!
152-page full-color 10.5" x 14.75" hardcover • $39.99 ISBN: 978-1-60699-529-7
Ships in: August 2012 (subject to change) — Pre-Order Now
SPECIAL OFFER:
Order this volume and get Vol. 1 and/or Vol. 2 for $29.99 each; that's 25% off! Make your selection using the menu above.
“Crane’s work is sheer energy. It’s somewhere between Crane and E.C. Segar that (Carl Barks’ beloved) Donald Duck got forged; the kind of ruddy-cheeked adventurousness that underlies the content is certainly the same work that moves Donald and his nephews through their stories.” —Art Spiegelman
The third volume in Fantagraphics’ ongoing reprint of Roy Crane’s legendary comedy-action series features what many consider the absolute peak of the series: “Temple of the Swinks,” in which Wash and Easy discover an ancient temple with statues of an unknown animal called a swink... a real-life specimen of which shows up!
In other stories, Wash and Easy sail for Singapore aboard a dhow with a cargo of wild animals, crash land a plane on an island inhabited by (inevitably) pirates and (just as inevitably) beautiful women, and sail the South Seas in a schooner whose villainous captain plans to rob them. When they return to America, Wash Tubbs’ pet swink draws huge crowds and a reputation for being worth a million dollars. Then Wash and Easy travel to Peru to rescue an American lost in the jungle and, in the cover-featured story, Easy goes deep sea diving in search of a beautiful girl’s lost diamond.
This week's comic shop shipment is slated to include the following new title (contact your local shop to confirm availability and U.S. holiday hours), which is also now available and shipping from our mail-order department:
Linda Medley continues to gather loose ends and drop new hints in this new issue of the beloved series. Chess has a surprising revelation about the identity of baby Pinter's father — could it be tied in with the war? The Hammerlings Dayne & Tolly bid farewell to the castle, but not before leaving behind a surprise gift which Rackham discovers later (along with the strange gift Dr. Fell left in an earlier issue). Sister Peace has a tete-a-tete with the demon Leeds regarding religious artifacts — did you know demons collect them? Simon struggles with his reading lessons until Jain helps him have a breakthrough. And Jain faces off with the castle ghost!
Preview the first 3 pages (click each image to enlarge):
Before there was Mome, before the current explosion of small-press anthologies, there was Blood Orange, the short-lived mid-'00s series edited by Chris Polkki which gathered rising stars of the art-comics scene in four distinctive, beautifully designed 48-page issues. Blood Orange captured the pulse of alt-comics circa 2004-2005. We recently recovered a small quantity of shrink-wrapped packs of all 4 issues from the distributor, and we're now offering them via mail-order for the special low price of $17.85 — that's 3 issues for the price of 4! (You can also get the individual issues for $5.95 each.)
In the first issue: Nicolas Mahler, Rick Altergott, Michael Kupperman, Lauren Weinstein, Typex, David Collier, Maaike Hartjes, Allison Cole, Tobias Tak, Dan James, Marc Bell, John Hankiewicz, Matthew Thurber, Kevin Huizenga, Ron Regé Jr., a sketchbook from Gary "Teacher's Pet" Baseman, and covers by Andrew Brandou.
The second issue continues to encourage experimentation, pushing the medium in new directions. Look for innovative stories from groundbreakers such as Archer Prewitt, Rebecca Dart, Chris Wright (with a full-length 18-page story), Ron Regé Jr., Jeffrey Brown, Matti Hagelberg, Lauren Weinstein, Cole Johnson, Helge Reumann, and Fabio Viscogliosi, along with drawings by Renee French... all wrapped in a lovely cover designed by the one and only Steven Weissman.
The third issue of this always-surprising quarterly anthology series features European cartoonists Pakito Bolino and Caroline Sury (of France's Le Dernier Cri), Ulf K., Alex Baladi, Nicolas Mahler, Olaf Ladousse, and Fabio Zimbres; as well the homegrown talents of Anders Nilsen, Renee French and Ben Jones (Paper Rad). Also includes a brand-new 11-pager by Jeffrey Brown! With an eye-popping cover by French illustrator Olivier Douzou.
Blood Orange #4 wraps up the series with exclusive new stories by Brian Ralph, Lark Pien, Tobias Tak, Rebecca Dart and Ted May. Covers by Lark Pien.
Order this volume and get Vol. 1 and/or Vol. 2 for $14.99 each; that's 25% off! Use the option menu when ordering.
As shown in the first two volumes of this acclaimed series, Shuichi and his friend Yoshino have a secret: Shuichi is a boy who wants to be a girl, and Yoshino is a girl who wants to be a boy.
But one day, abruptly, their secret is exposed, and the two find themselves the target of sixth-grade cruelty. Their friendship is strained, as Yoshino makes a half-hearted effort at being a “normal girl”... and their mentor, Yuki, reveals the harder reality of being transgendered. Meanwhile, Shuichi’s sister, Maho, realizes her dream of becoming a model, and drags Shuichi along for the ride. Shuichi meets another boy who wants to be a girl, and finds himself on an arranged date with a boy who doesn’t know that the girl he has a crush on is actually a boy.
After an unhurried, almost leisurely buildup that gave us an opportunity to get to know and understand our protagonists, artist Shimura picks up the pace in this latest volume, with tears and laughs aplenty. A sophisticated work translated with rare sensitivity by veteran translator and comics scholar Matt Thorn.
Jack Davis arrived on the illustration scene in the euphoric post-war America of the late 1940s when consumer society was booming and the work force identified with commercial images that reflected this underlying sense of confidence and American bravado. Advertising agencies were looking for new ways to tap a rich and expanding market, and there was a vast array of media that needed illustrations. Davis’ animated and exuberant images possessed a sense of spontaneous energy that proved to have universal appeal in every medium he worked in.
Beginning with his masterful pen and ink cartooning at EC Comics, he quickly forged a reputation as one of the most versatile artists in comics, drawing humor, horror, and war stories. In Harvey Kurtzman’s MAD, especially, Davis made a mark as a master of caricature, composition, and wild, anarchic crowd scenes, practically vibrating with energy.
After stints at MAD, Trump, and Humbug — three humor magazines that defined the satirical zeitgeist of the ’50s — Davis went on to become the most successful commercial illustrator of his generation, illustrating movie posters, magazine articles, magazine fiction, LP jackets, and more.
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection — in terms of both quantity and quality — of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’s Bananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations from Playboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects — and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
Much of the material will be scanned directly from original art, showing the painterly brush strokes and black and white pen work with far greater fidelity than any previous reproduction ever has. Many paintings and illustrations are accompanied by preliminary drawings that demonstrate the evolution of Davis’ drawing process.
In the back of the book you'll find a biography of Davis by Gary Groth, as well as tributes and testimonals written by a spectrum of Davis's cartoonist contemporaries and fans including Sergio Aragonés, Peter Bagge, Coop, Bob Fingerman, Drew Friedman, Bill Griffith, Al Jaffee, Joe Kubert, Peter Kuper, Tony Millionaire, Nate Neal, Spain Rodriguez and Jim Woodring.
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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