"Peanuts was, is, and will continue to be the finest comic in the world. Bravo." – Ray Bradbury
"The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it’s really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz’s iconic comics strips so timeless." – Evan Narcisse, Kotaku
"[Sacco’s comics are] a vital pure comix experience." – Time
"Joe Sacco is a genius. Easily one of the most important journalists, writers and cartoonists alive, every stroke of his assured and humblingly mature pen captures what the camera simply cannot. Through his reserved yet compassionate use of words and pictures, he allows us to occupy the horrifying inner and outer boundaries of human cruelty and desperation — yet all, I believe, with the aim of returning to what it means to be a civilized, sympathetic and possibly even forgiving soul." – Chris Ware
"There’s nobody else anywhere near Sacco’s level doing journalistic comics in English." – Douglas Wolk
SuperTrash is the awaited, mutagenic sequel to Trash: The Graphic Genius of Xploitation Movie Posters (2002, Chronicle), the book that became a prophecy of the lasting influence of grindhouse and a model describing the shared evolution between art and trash. Now, original Trash author and curator Jacques Boyreau returns to the gonzo archives of 20th century design in pursuit of more bionic art-agony and trash-ecstasy. Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster book, part album cover book, part paperback pulp book. Interdisciplinary, quantal, and polyglottal, SuperTrash is Surrealism for the 21st century.
This new graphic novel from acclaimed cartoonist Dash Shaw (Bottomless Belly Button, BodyWorld, New School) is his most taut book to date. Dr. Cho is the creator of the Charon, a device that allows his staff to enter a dead patient's afterlife by taking the form of a memory in the patient's consciousness, and bring him or her back to life, with one catch: the experience is traumatic and the process kills them again soon thereafter. But for some bereaved, the opportunity is priceless. So when Bell is killed in a random accident, her daughter hires Dr. Cho's team to bring her back. But what if Bell didn't want to come back? The dying unconsciously create the afterlife they want, or feel they deserve, in their minds before everything fades to black. Isn't that better than the reality, and no less meaningful than life itself? Can unconsciousness coexist with consciousness? Part science-fiction thriller, part family drama, part morality play for the 21st century, and quite possibly Shaw's best book to date.
Jacques Tardi is responsible for the two acknowledged graphic novel masterpieces about World War I: It Was the War of the Trenches and Goddamn This War! To commemorate the 100th anniversary of the start of WWI in 2014, Fantagraphics is proud to release a two-volume boxed set collecting these two perennial classics. The first book, It Was the War of the Trenches, focuses on the day to day of the grunts in the trenches, bringing that existence alive as no one has before or since with some of his most stunning artwork. His second WWI masterwork, Goddamn This War!, is told with a sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude, in masterful full color.
The latest book from the author of THE HIDDEN and DELPHINE contains the epic 115-page tale of a modern master-criminal. Following in the bloody footsteps of super-fiends such as Fantomas, Fu Manchu, or Professor Moriarty, Super-Enigmatix is ruthless, cunning, and thoroughly evil. His only goal is to spread fear and cause chaos — but does he want to destroy civilization, or save it? Not even his loyal army of female commandos can guess his real motives, or his true identity. The fast-moving "picture story" is told with sly humor and all the mayhem is depicted in Sala's trademark colorful watercolor washes and sharp, detailed line-work. Also included in this collection are three shorter stories, appearing in print for the first time, from Richard Sala's archive of strange and offbeat tales!
To celebrate the resounding critical and commercial success of the first two volumes of Ed Piskor's unprecedented history of Hip Hop, we are offering the two books in a mind-blowingly colorful slipcase, drawn and designed by the artist, featuring exclusive all-new cover art on each volume. As if that's not enough, in addition to the two books and the slipcase itself, Piskor has drawn a 24-page comic book — Hip Hop Family Tree #300 — specifically for this boxed set that elegantly reflects the confluence of hip hop and comics, which was never more apparent in the early 1990s than with the famous Spike Lee-directed Levi Jeans commercial starring Rob Liefeld, who went on to create Youngblood and co-found Image Comics, not to mention ending up on the radar of gangster rapper Eazy E. Piskor tells this story as a perfect parody/pastiche/homage to ’90s Image comics.
Tim Lane continues his exploration of the Great American Mythological Drama that began with his first book, the critically acclaimed Abandoned Cars. This collection of stories is broadly linked together by the experience of wandering — both literally and figuratively. With compelling verisimilitude, the lives of his characters are depicted by way of rich mixtures of obscure myths and documented facts, dreams and reality, belief and disbelief, throughout a haunted landscape populated by the ghosts of a complex and rich fictional tapestry. You'll witness a young man's dubious quest to discover the myth of the protagonist from an obscure vintage comic strip; encounter sociopathic hobos in boxcars and misled young men whose facial pores sprout worms and who throw up babies into gas station toilets; visit modern "Hoovervilles"; and experience the life and death of an undocumented immigrant bookstore doorman, former boxer, and expert hustler.
Sometimes getting together with friends and family for Thanksgiving isn't all that it's cracked up to be, as Snoopy learns when his brother Spike invites him to spend Thanksgiving in the desert, and things don't quite work out as planned. At least it's a change of pace for Snoopy, who spends most Thanksgivings with the ol' supper dish (and one lonely one at the malt shoppe as Joe Cool). It's also a tense time of year to be a bird who’s afraid of being mistaken for a turkey and roasted, and Woodstock copes with his anxieties in various ways, including by donning a disguise with Snoopy's help. Meanwhile, Peppermint Patty, Marcie, and Franklin all get sick over their Thanksgiving vacation. Snoopy's Thanksgiving is the perfect gift book for anyone whose idea of the holiday is more Charlie Brown than Norman Rockwell.
"It’s a great story and Piskor tells it immaculately well." – Bill Adler (co-author, Def Jam: The First 25 Years of the Last Great Record Label)
"In Ed Piskor’s Hip Hop Family Tree, readers get to experience the origins of rap music in a way like never before; they get to live it. They get to walk the streets of New York City, where in rented performance rooms with cobbled-together gear pioneers like DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash birthed a new art form." – Comics Alliance
"An avid lover of hip-hop music and superhero comic books from a young age, Ed Piskor has combined his two passions to create a remarkable reading experience…Hip Hop Family Tree imagines real-world events through the filter of 1980s Marvel Comics, bringing hip-hop visionaries to the page in a style that exaggerates their energy and style to capture the intensity of the music without having the beats." – AV Club
"The amount of research and history Piskor packs into this book is mind boggling." – Huffington Post