Sweet baby Jane! We just barely got Esther Pearl Watson's Unlovable Vol. 1 out the door, and now we've got the cover for Vol. 2 to show you! This one will feature pink glitter and I'm guessing that the orange is going to be day-glo like the hot pink of Vol. 1. I'm betting that Vol. 2 will be out early next year -- Eric can correct me in the comments if I'm wrong.
Here's the world premiere of Seth's cover design for The Complete Peanuts 1973-1974, this Fall's volume in the series. This is a preliminary version; the final printed version will likely have minor changes. If you'd been wondering (like I had) how Seth was going to handle the scale issue for the Woodstock cover, here's his beautiful solution. And watch out: the 1971-1972 volume (with Sally on the cover) is looking like it will arrive earlier than expected!
We are proud to present the fifth volume of Hank Ketcham's phenomenal panel covering the end of the Postwar Era, 1959-1960. Ketcham captured the mischievousness, rambunctiousness, and anarchy of a kid's world better than any other cartoonist. The strip appeals to both parents and children — while parents shake their head ruefully at how accurately Ketcham caught the essence of children's natural zest for mayhem, children identify with Dennis and the chaos that he leaves in his wake. Ketcham's gags are funny, subtle and touching, and executed with a vivacious, exquisite line.
Ketcham drew Dennis the Menace from 1951 to 1994, when he retired and let his assistant take over the strip. This fifth volume of Hank Ketcham's Complete Dennis the Menace publishes every single panel strip from 1959 and 1960 in one handsome brick of a hardcover. Ketcham's legendary pen and ink work is in full flower in this volume as are the various situations and themes that Ketcham would return to again and again, featuring Dennis and his regular group of supporting players: his long-suffering parents, the even longer-suffering neighbors Mr. and Mrs. Wilson, Dennis's dog Ruff and his best pal Joey, the annoying Margaret, the adorable Gina, and more.
Whoops, forgot to post yesterday... the only thing we had scheduled to arrive in comic shops this week is a reoffer of Mome Vols. 7-10, so if you're missing any of those issues and your local shop hasn't had them for a while, now would be a good time to check back in with them!
Due in February, Hank Ketcham's Complete Dennis the Menace 1959-1960 features the tiny troublemaker's encounters with bobby-soxers, beatniks, cats and hobos, and of course plenty of mischief at home and in the neighborhood, all expressed through Ketcham's dazzlingly fluid line. Click this link if the embedded slideshow doesn't appear above, and/or to open it in a new window.
The Comics Journal #295 is chock full of all the comicky goodness that you’ve come to expect from our fine publication! Check it out:
Sean T. Collins interviews writer Brian K. Vaughan about Y the Last Man, Ex Machina, Runaways, Pride of Baghdad, how a career in comics led him to writing for the hit television series Lost, and much, much more.
Paul Karasik presents a conversation with Italian cartoonist Gipi, who talks about Garage Band, Notes for a War Story, the Ignatz books and how he narrowly avoided a life of crime.
Rob Clough offers us a chat with humor cartoonist John Kerschbaum, covering everything from The Wiggly Reader to Pete & Pussy to why he couldn’t figure out why his first editors hated him so much.
Michael Dean examines the page rates paid by the Best American Comics anthology series.
Noah Berlatsky digs into the comic-book closet and finds out what’s hiding back there.
R.C. Harvey examines the life of Flash Gordon/Rip Kirby creator Alex Raymond.
Our comics section this issue: Charles A. Voight’s short-lived newspaper strip The Theorist, in its entirety.
As always, we’ve got free online previews of our Brian K. Vaughan, Gipi and John Kerschbaum interviews to whet your apetite. The Comics Journal #295 — around the comics world in 208 pages! Don’t miss it.
Scheduled to arrive around the end of this month, Esther Pearl Watson's Unlovable is a glitter-encrusted, hot pink hunk of high school humiliation, heartbreak, halitosis, hairspray and hilarity from the pages of Bust magazine. Click this link if the embedded slideshow doesn't appear above, and/or to open it in a new window.
Monologues for Calculating the Density of Black Holes takes up where the artist’s first volume, Monologues for the Coming Plague, left off. Like Coming Plague, Density of Black Holes is a creatively experimental laboratory, comprising a collection of free flowing stream-of-consciousness gags, strips, and drawings that slowly coalesce into an unexpectedly compelling and complex narrative. The hints of story that came together in Coming Plague are extrapolated and expanded upon and grow to incorporate some of Nilsen's other outré strips from the anthology MOME, two of which are reprinted here in expanded form. The book is an audacious investigation into the rhythms of storytelling, the blurring of media, and an exercise in reconciling contrasts. It is playful, provocative and serious all at once — another tour de force by Anders Nilsen, impeccably and uniquely designed, in monochrome and full color.