Tony Millionaire's Sock Monkey is one of the great all-ages comics properties of the new millennium, spawning plush dolls, TV appearances, lunch boxes, Zippo lighters and more. Now, for the first time, all twelve of multiple Eisner Award-winner Tony Millionaire's acclaimed Sock Monkey all-ages comic books (1998-2007, originally published by Dark Horse Comics) are collected under one cover, as well as the full-color graphic novella "Uncle Gabby" (2004) and the full-color illustrated storybook, "The Glass Doorknob" (2002), ready to be devoured by a new generation of young readers.
The precocious sock monkey Uncle Gabby and his innocent pal Mr. Crow are the heroes of this funny, unsettling and endearing collection. Follow them as they try to find a home for a shrunken head, play matchmakers between the bat in the doll's house and the mouse in the basement, unlock the mysteries of a glass doorknob, hunt salamanders, try to get to heaven, and much more.
The book also includes the only full-length Sock Monkey graphic novel, "The Inches Incident." Inches the doll was the cutest in the whole house and loved by everyone. Then one day... Inches turned EVIL! What will Mr. Crow and Uncle Gabby do? Beloved by adults and children, Sock Monkey harkens back to a time when comics actually were for kids.
"First of all, the veil of anonymity is being pulled away and John Liney is finally getting some recognition. And best of all, you are about to have the opportunity to enjoy some of the fine work of this overlooked comic book creator." – Kim Deitch, from his foreword
"We hope you enjoy our efforts to bring this long-unseen material to the public and that the name of John Liney will finally find its rightful place among the great names in the business, alongside Barks, Stanley, Kelly, Carlson, Wolverton, and others." – editor David Tosh, from his introduction
What is it about odd-looking comic strip characters that catch the public's attention? Carl Anderson's classic comic strip character Henry was certainly not your average-looking youngster, with knobby knees, a pencil neck, and a bulbous, bald head, but for years, he entertained millions of readers worldwide with his pantomime pranks. He was also the subject of a long-running comic book series, with one significant difference from the newspaper strip — in the comic books, Henry spoke! Written and drawn by John Liney, who also handled art chores on the daily Henry strip, these stories were done in a Tintin-esque clean-line art style that made them attractive to the younger set, but with writing clever enough to cause the adults to chuckle while reading to their children. These 1940s-'50s stories have never before been reprinted, and this collection provides a long-overdue look at a forgotten "kid's comic" masterpiece.
"M.K. Brown turns the orderly world we think we all live in upside-down, shakes up our perceptions of normality — then hands everything back to us profoundly altered in some way only our subconscious mind truly understands." – Bill Griffith, from his introduction
"What you are holding is a work of a rare talent. M.K. Brown is the Irene Dunne (do Google) of the print world. Hard core fans can, at last, rejoice; first time readers will witness true comic enchantment. So come along children, let us follow and see where this divine woman takes us this time." – Brian McConnachie
"M.K. Brown is a uniquely innovative artist. Her work is on a level that no other cartoonist even remotely approaches." – Sam Gross
248-page black & white/color 8.5" x 11" softcover • $35.00 ISBN: 978-1-60699-708-6
Ships in: February/March 2014 (subject to change) — Pre-Order Now
Women: what do they want? They might want to float into the sky while hosting a brunch party. They might want a couple of handsome cops to come over and get rid of a snake problem. They might seek a doctor's treatment for "wise-ass disease" or fantasize about revenge and forgiveness at the dentist's office. They might want to sing the White Girl Blues and dance the White Girl Twist.
And what about men? Mr. Science just wants to carry out his pointless experiments. "Earl D. Porker, Social Worker" converses with household items and forgets the cat food. One fellow's head is a basket of laundry.
One of the funniest cartoonists of the last four decades, M.K. Brown has accumulated a body of work long savored by aficionados but never comprehensively collected — until now. Stranger Than Life is the first retrospective collection of Brown's cartoons and comic strips from the National Lampoon from 1972-1981, as well as such other magazines as Mother Jones, The New Yorker, Atlantic Monthly, and Playboy; and her comics from underground publications like Arcade, Wimmin's Comics, Young Lust, and Twisted Sisters.
In these pages: Read instructions for the use of glue, making a pair of pants, home auto repair, coping with chainsaw massacres, and jackknifing your big rig. Travel the globe to witness the giant bananas of Maui, strange sightings in Guatemala, camel races, and a "Saga of the Frozen North." Learn about love 'round the world, among eccentric suburbanites, and in a "Condensed Gothic" romance. Meet Virginia Spears Ngodátu, who (with a bit of a name change) would go on to star in "Dr. Janice N!Godatu," Brown's series of animated shorts that appeared on The Tracy Ullman Show alongside the first incarnation of The Simpsons. Aliens, old people, pilgrims, mermen, monitor lizards, tiny floating muggers and other weirdos feature in Brown's side-splitting single-panel gag strips.
Brown's cartoons combine a penchant for the absurd with the gimlet observational eye of Roz Chast. Brown satirizes suburban anxiety and ennui by turning it upside-down and sideways, and her slightly grotesque yet lovable characters are perfectly captured in her restless pen line and delicate jewel-tone watercolors.
Interested in reading several decades of the best interviews, criticism and commentary about comics and graphic novels available in the English language, but don't want to store hundreds of magazines? Or are you missing some out-of-print, impossible-to-find back issues from your collection? For just $30, get a 1-year subscription to The Comics Journal Archive at TCJ.com. Previously only available to subscribers of the print magazine, this all-access pass lets you read TCJ back issues online in their entirety (including all the articles, columns, illustrations, sketchbooks, comics sections, "Blood & Thunder" letter columns... even the ads) to your heart's content for one year. "Lose days or weeks or months binge-reading Gary’s old editorials and News Watch columns about people you've never heard from again (these are two of my most favorite activities in the world)," says TCJ.com co-editor Dan Nadel.
No later than two business days after you subscribe, you'll receive a username and password via e-mail, allowing you unlimited access to online editions of three decades of TCJ, starting with The New Nostalgia Journal #27 from July, 1976 (the first issue under Gary Groth's co-ownership and editorial control, before the name was changed with issue #32), through TCJ issue #279 from November, 2006, with the remaining issues to be added in the weeks and months to come.
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The Comics Journal is a magazine that covers the comics medium from an arts-first perspective, and is one of the nation's most respected single-arts magazines, providing its readers with an eclectic mix of industry news, commentary, professional interviews, classic comics sections and reviews of current work on a regular basis. Due to its reputation as the American magazine with an interest in comics as an art form, the Journal has subscribers worldwide, and in this country serves as an important window into the world of comics for several general arts and news magazines. Despite a tough-love relationship with the rest of the North American comics industry, due in no small part to its investigative news stories and uncompromising review section, the Journal has won several industry awards, most notably the Utne Reader, Eisner and Harvey trophies.
Prison Pit is Johnny (Angry Youth Comix) Ryan's ongoing taboo-busting sci-fi-prison-planet-body-mutation-splatterfest epic extravaganza, beloved by everyone from the legendary Gary Panter ("GLOREGEFULL!") to Booklist ("Not to be missed").
In the latest installment, our hero Cannibal Fuckface still isn't dead, so the Prison Boss plays what may be his last card: The Holocaust Brothers. But before CF battles the Ho-Bros he's got to destroy his arch-enemy, the seemingly indestructible Slitt, who happens to be the only one who knows how to get the hell out of the Prison Pit.
The author promises: "Every single testicle in the world will explode with rage when Prison Pit 5 is unleashed."
SPECIAL OFFER: Add Wandering Son Vol. 7 (coming Summer 2014) or Vols. 7 & 8 (coming Winter 2014/2015) to your order for just $19.99 each, a savings of at least $5 off the cover price! Use the option menu on the product page to make your selection.
Shimura Takako’s sensitive and charming series about two middle-schoolers wrestling with their gender identities continues.
In Volume 6 of Wandering Son, our protagonists are riffing on the play Romeo and Juliet for the school festival. Nitori-kun, the boy who wants to be a girl, and Chiba-san, the girl who has a crush on him, co-wrote the script (in Vol. 5), but Chiba-san has an agenda. She wants to play Romeo, with Nitori-kun in the role of Juliet. But Nitori-kun wants Takatsuki-san, the girl who wants to be a boy, to play Romeo. But you know what they say about the best-laid plans of mice and men... casting is to be decided by fate, with names drawn randomly.
Big sis Maho plans a trip to the beach with her boyfriend, but her parents send Nitori-kun along as an unwilling chaperone. Faced with unwanted changes to their growing bodies, Takatsuki-san discovers the wonders of “breast binders,” while Nitori-kun considers bras.
"Kamen's art is deceptive in its seeming sweetness. It positioned him perfectly to go over the line into perversity, the hapless reader having no warning.... I look at him as being a seed of a style we'd later associate with David Lynch." – John Linton Roberson
"All of these books are essential purchases for comics fans… These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant." – Noel Murray, Los Angeles Times
"...I am not only appreciative...but also very impressed. [The books] are spectacular packages of their featured artist and their stories." – Al Feldstein