Tony Millionaire's Maakies is one of the best and most popular weekly comic strips in America, running in over a dozen of the largest U.S. weekly newspapers including the Village Voice, L.A. Weekly and Seattle's The Stranger. The strip has also been adapted into the hit animated series The Drinky Crow Show on the Cartoon Network's popular Adult Swim. Designed by publishing's foremost graphic designer, Chip Kidd, Drinky Crow's Maakies Treasury collects the second five years of the strip (previously reprinted in the volumes When We Were Very Maakies, The House at Maakies Corner and Der Struwwelmaakies) in a beautiful, deluxe, landscape hardcover format that complements the strip's elegant and classical style.
Maakies features the comical high-seas adventures of a booze-soaked corvid (Drinky Crow) and his equally-soused simian pal (Uncle Gabby), blending vaudeville-style humor and a breathtaking line that hearkens back to the glory days of the American comic strip. The twosome also sometimes makes room for their stuffed-toy alter egos, a clockwork alligator, various other land-, air-, and sea-borne fauna, the Author and his Editor, the heavens, architecture, and occasional guest strips (by Kaz, Renee French, Eric Reynolds and others) and fumetti.
Maakies suggests a contemporary collaboration between E.C. Segar, creator of Popeye, and seafaring novelist Patrick O'Brian (Master and Commander). Millionaire has won multiple Harvey and Eisner Awards and is also the creator of the popular Sock Monkey and Billy Hazelnuts books.
Read Love and Rockets en Español! This translated edition of The Education of Hopey Glass comes to us from our colleagues at La Cupula in Spain. We're pleased to offer this treat for L&R collectors and Spanish-reading fans in the U.S. (and around the world)! See the description in Spanish below:
Maggie está casi ausente en esta última recopilación de Love and Rockets ya que Jaime Hernandez se centra en Hopey, la amiga de toda la vida de Maggie, y en su ex novio Ray. Y además, un vasto reparto de secundarios: Grace, el otro amigo de Hopey; Elmer, un electrificante autoproyecto de gánster; el callejero y endurecido Doyle; la divertida "Angel de Tarzana"; la madura pero aún marchosa Terry, así como la misteriosa superheroína Alarma.
En una de las dos principales líneas argumentales, Ray persigue a la peligrosa y molesta "Voz de rana", aspirante a actriz y perpetuo desastre, por bares de mala muerte, callejones y convenciones de comics... Siempre a la espera de una última e inseparada consumación. Mientras, en "Día a día con Hopey," Jaime demuestra su maestría a la hora de representar el pálpito de la vida cotidiana en el retrato de Hopey luchando con su nuevo empleo y sos amantes que van y vienen. Una semana más en la galopante educación de Hopey Glass.
Click here to read the University of Cincinnati's spotlight on faculty member C. Tyler and her development of an innovative program that helps combat veterans and their families to tell their stories using the medium of comics, with the help of Tyler and her students. The program was inspired by Tyler's latest work, the 3-part graphic memoir You'll Never Know, wherein Tyler recounts her father's WWII combat experiences and the impact the war had on him and his family. You'll Never Know Book 1: A Good and Decent Man is due from Fantagraphics Books later this Spring.
Now available for preview and pre-order: Drinky Crow's Maakies Treasury, the latest compilation of Maakies strips by Tony Millionaire. This volume, designed as a sequel to Premillennial Maakies (and to introduce fans of TV's The Drinky Crow Show to the source material), collects the second 5 years of the strip (previously reprinted in the volumes When We Were Very Maakies, The House at Maakies Corner and Der Struwwelmaakies) in a single thick volume splendidly designed by Chip Kidd. This book is scheduled to be in stock in early March and in stores approximately 4 weeks later.
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And visit the product details page for a downloadable, 20-page PDF preview!
In all its many guises, sex has been around for a long time. Back in the 1930s it was these little eight-page sex comics that became the talk of men's clubs, bars and some of the rougher workplaces. Famous Sunday-funnies cartoon characters were the earliest, and most popular, targets of these XXX-rated parodies; a parade of Hollywood actors and actresses madly copulating in a wide variety of positions soon followed. These "Tijuana Bibles" were so popular in their day that fans anxiously awaited new releases; men and boys got a genuine education when they realized there was more than one position that could be used to have sex. As the years went on, pornography evolved into men's girlie magazines, and then today's adult film industry; one look at these sexy, silly little comics will have you hankering for the good ol' days.
This fat hardcover volume collects all of Vols. 1-3 and most of Vol. 4 of the original Tijuana Bibles softcover series. Like those volumes, this book features a new original cover illustration by Pat Moriarity. This volume also includes comics historian R.C. Harvey's introductory essay "Getting Our Pornograph Fixed."
Our annual Best of the Year issue includes interviews with critics' faves Lynda Barry, Frank Quitely, Dash Shaw, David Hajdu and Mike Luckovich, as well as Best Picks of 2008 from an all-star lineup including Kim Deitch, Anders Nilsen, Emmanuel Guibert, John Porcellino, Mark Newgarden, Johnny Ryan, Paul Karasik and others. Plus, a first look at C. Tyler's upcoming project You'll Never Know, a gallery of comics from Finland's best young talents, and more.
Cartoonist Basil Wolverton was known for his grotesque drawings, fantastically odd creatures, spaghetti-like hair, smoothly sculpted caricatures and insanely detailed crosshatching. His career in the golden age of comic books lasted from 1938 until 1952, after which his illustrations and caricatures extended into such publications as Life, Pageant and MAD magazines. Stylistically, he has been regarded as one of the spiritual grandfathers of underground and alternative comix.
Less well known and understood is his work for the Worldwide Church of God, headed until 1986 by radio evangelist Herbert Armstrong. From 1953 through 1974, Wolverton, a deeply religious man, was commissioned and later employed by the church to write and illustrate a narrative of the Old Testament (including over 550 illustrations), some 20 apocalyptic illustrations inspired by the Book of Revelations, and dozens of cartoons and humorous illustrations for various Worldwide Church publications.
Compiled and edited by Wolverton’s son, Monte, the 304-page Wolverton Bible includes all of Wolverton’s artwork for the Worldwide Church of God corporation. Recording artist and noted EC authority Grant Geissman (Tales of Terror: The E.C. Companion and Foul Play!: The Art and Artists of the Notorious 1950s E.C. Comics!) provides an insightful foreword, while Monte Wolverton delivers commentary and background in the introduction and in each section. This volume is authorized and commissioned by the Worldwide Church of God and endorsed by the Wolverton family.
Many of the illustrations in this book are regarded as Basil Wolverton’s finest work. Still others have never been published, and some of the humorous drawings printed here rival Wolverton’s work in MAD magazine.
(While supplies last, all orders for The Wolverton Bible will also receive, FREE, a set of 10 Wolvertoons Postcards!)
Sam’s Strip was ahead of its time when it debuted in 1961. Mort Walker and Jerry Dumas’ offbeat creation took the inside joke of breaking the “fourth wall” to a new level, playing with the basic elements of the cartoon form, experimenting with different art styles and featuring famous characters from other strips. Sam and his cartoonist assistant owned and operated the comic strip they inhabited. The Yellow Kid, Jiggs, Krazy Kat, Dagwood, and Charlie Brown were among the many familiar faces who made walk-on appearances. Sam and his assistant discussed the inner workings and hidden secrets of life within the panel borders. This type of self-referential humor, called “metacomics” by scholar Thomas Inge, had been explored previously by Al Capp, Ernie Bushmiller, and Walt Kelly and has been used on a more regular basis by such contemporary cartoonists as Garry Trudeau, Berke Breathed, and Bill Griffith. Sam’s Strip, which never appeared in more than 60 newpapers, was too esoteric for most readers, and was terminated by its creators in 1963. It is considered a cult classic among comic-strip aficionados today.
This collection features the complete 20-month run, almost 510 daily strips, of Sam’s Strip. Mort Walker and Jerry Dumas provide first-hand accounts of the creation of the strip and other rare, behind-the-scenes material, including unpublished sketches, original artwork, photographs and sales brochures. Take a trip beyond the fourth wall and rediscover this unique behind-the-scenes look at the world of comic strip humor.
The Spring 2009 edition of MOME is anchored with Lilli Carré's (The Lagoon) new, 32-page graphic novella, "The Carnival." Gilbert Shelton is back with the second part (of three) of his new graphic novel, "The Last Gig in Shnagrlig," and both Olivier Schrauwen and Laura Park are back with their sophomore Mome efforts. 2008 comics darling Dash Shaw delivers "Scenes from the Abyss," while Mome regulars Derek Van Gieson, Ray Fenwick, Jon Vermilyea, Sara Edward-Corbett, Conor O'Keefe, Émile Bravo, and Josh Simmons all return. To wrap it up, Ben Jones, Frank Santoro, Hernán Migoya and Juaco Vizuete all pop their Mome cherries this issue as well (the former two with a Cold Heat-related story).