This freshly reprinted volume contains Crumb classics Dirty Laundry #2 (the ground-breaking Crumb/Kominsky jam), the last of the Arcade strips, full-cover covers for books, comics and LPs, and Crumb’s complete 40-page epic Mr. Natural serial from the pages of the Village Voice. In it, our hero, having given up on the "wise man" business, has sent away all his students and lives a quiet life. But during a particularly arduous meditation, he wrestles with the Devil, and at last achieves total enlightenment.
He's locked up in a nut house right away, of course.
Thus endeth the Age of Aquarius.
Other classic stories include "I Once Lived the Life of a Millionaire" (the Snoid vs. The Revolution) and "Josephine and the Cross-Eyed Quadroon" (which covers just about all the bases, political incorrectness-wise).
Hard truth, subjective take or slanted hatchet job? Monte Schulz and a roundtable of Peanuts experts and critics probe and debate David Michaelis's controversial new biography of one of the most influential and beloved cartoonists of our time: Charles M. Schulz. Matt Madden, co-series-editor of the Best American Comics anthology series, will dish about his upcoming comics textbook (written and drawn with Jessica Abel, his frequent collaborator) and his efforts to translate the OuBaPo movement into English with 99 Exercises in Style. A preview of the Joe Kubert biography Man of Rock. Plus: A color gallery of "The Wall of Flesh" and other '50s horror stories from Golden Age cartoonist Bob Powell (the Good Girl artist known for his work on Sheena, Queen of the Jungle, Blackhawk and the original Mars Attacks trading cards) rounds out the magazine.
224-page squarebound 7.5" x 9.25" magazine • $11.99 Update: SOLD OUT
Bottomless Belly Button is a comedy-drama that follows the dysfunctional adventures of the Loony Family.
After 40-some years of marriage, Maggie and David Loony shock their children with their announcement of a planned divorce. But the reason for splitting isn't itself shocking: they’re "just not in love any more." The announcement sparks a week long Loony family reunion at Maggie and David's creepy (and possibly haunted) beach house.
The eldest child, Dennis, struggles with his parents' decision while facing difficulties of his own in his recent marriage. Believing that his parents are hiding the true reasons behind their estrangement, Dennis embarks on a quest to discover the truth and searches through clues, trap doors, and secret tunnels in attempt to find an answer. Claire, the middle child, is a single mother whose 16-year-old daughter, Jill, is apathetic to the divorce but confounded by Claire and troubled by her own "mannish" appearance. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.
In a six-day period rich with atmospheric sequences, these characters stumble blindly around one another, often ignoring their surroundings and consumed by their own daily conflicts. Visually, Shaw employs a leisurely storytelling pace that allows room for exploring the interconnecting relationships among the characters and plays to his strength as a cartoonist — small gestural details and nuanced expressions that bring the characters to vivid and intimate life.
If the controversial R.D. Laing wrote an episode of The Simpsons, it might read something like Bottomless Belly Button.
(This book is available with two different covers. When ordering, please indicate your preference for "Mom" or "Dad.")
Now available in a newly designed and affordable softcover edition! This is a provocative chronicle of the guerilla art movement that changed comics forever. This comprehensive book follows the movements of 50 artists from 1967 to 1972, the heyday of the underground comix movement. Through interviews with the participants and other materials, Rebel Visions is the most intimate look ever at the people and events that forged the phenomenon known as underground comix, from New York to San Francisco, from the corn belt to deep in the heart of Texas, beginning that day in 1968 when R. Crumb debuted ZAP #1 from a baby carriage on Haight Ashbury Street. Rosenkranz has spent over 30 years researching this book and acquiring the cooperation of every significant underground cartoonist who worked throughout this period, including Crumb, Gilbert (Fabulous Furry Freak Brothers) Shelton, Bill (Zippy) Griffith, Art (Maus) Spiegelman, Jack Jackson, S. Clay Wilson, Robert Williams, and many more. The book is illustrated with many never-before-seen drawings by all of the underground cartoonists and exclusive photographs.
The book is centered in San Francisco's Haight-Ashbury district, where Crumb and the rest of his Zap cronies commingled with the rest of the city’s counter-cultural scene, notably musicians like the Grateful Dead and Janis Joplin. The counterculture was omnipresent in San Francisco for those few years, with underground tabloids like Yellow Dog and the San Francisco Oracle steering the zeitgeist out-of-control, along with the music, political, and psychedelic drug scenes, all of which found a group of unlikely revolutionaries who drew cartoons right at the epicenter. This is the definitive book on a memorable and historic era, available for the first time in paperback in this newly designed, expanded and revised edition.
In 1956, a relatively unknown cartoonist by the name of Jules Feiffer started contributing a strip to the only alternative weekly published in the US, a small radical newspaper called The Village Voice. His strip tackled just about every issue, private and public, that affected the sentient American: relationships, sexuality, love, family, parents, children, psychoanalysis, neuroses, presidents, politicians, media, race, class, labor, religiion, foreign policy, war, and one or two other existential questions. It was the first time that the American public had been subjected to a weekly dose of comics that so uncompromisingly and wittily confronted individuals' private fears and society's public transgressions. Explainers is the first of four volumes collecting Feiffer's entire run of weekly strips from The Village Voice. This edition contains approximately 500 strips originally published between 1956 and 1966 in a brick-like landscape hardcover format.
Another great Arf book for 2008, and it features one of the greatest comickers of all: Milt Gross! The Gross-ness starts off with a stunning cover painting done in the 1930s but, as they say, ripped from today’s headlines. It’s all about immigration: Uncle Sam grinds up a sea of immigrants and out come… classic comic strip characters!
Milt Gross drew a 1920s comic that left the last panel blank for aspiring cartoonists. Editor Craig Yoe drafted a who’s who of contemporary cartoonists to complete Gross’s unfinished masterpieces. Art Spiegelman, Seymour Chwast, Patrick McDonnell, Mort Walker, R. Crumb, Bil Keane, Johnny Ryan, Jaime Hernandez, Mike Mignola, Bill Griffith, Kaz, Gene Deitch, Joost Swarte and a dozen more cartooning celebrities contribute art especially done for this Arf Happening!
The Arf books are famed for unearthing unknown Old Skool cartoonist geniuses. Comic Arf showcases the brilliant Dudley Fisher who amazingly drew crowded scenes all from a bird’s eye view. And Arch Dale is another unsung genius getting his due with his Smurfs-meet-Dr. Seuss characters, the Doo-Dads, who populated Canadian comic strips 75 years ago.
Arf also highlights unusual work from recognized masters. Walt Kelly, famed for his Pogo strip, did a surreal nightmarish strip for children presented in all its glory in this latest Arf tome. Amongst all this fun, Comic Arf is also proud to present a hard-hitting chapter this volume entitled “The 15 Most Powerful Anti-War Cartoons of History,” drawing from every major conflict of the last 200 years.
All this and much more, from 1950s devilish horror comics to cartoonist portraits by Gary Panter and Mitch O’Connell.