George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC's famous air war title. As a bonus, we present a rarity: Evans's never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including "As Ye Sow...," "...My Brother’s Keeper," and "Cadillac Fever." Other war stories, many done in collaboration with Harvey Kurtzman, include "Napoleon!" and "Flaming Coffins" (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
"Wood’s work seemed like snapshots of a lush and vibrant reality where even madmen, monsters and mayhem possessed a stately grace. There might be pandemonium but, oddly, the panic never seemed to reach the eyes of Wood’s regal heroes." – Geoff Boucher, The Los Angeles Times
"Legendary artist [Wally] Wood mastered every comic-book genre—humor (he was one of Mad's first artists), horror, superheroes, war—but is best known for the 1950s science-fiction stories he drew for EC Comics, in which, one commentator noted, he 'began drawing things into panels that no human being seemed capable of before.' His heroic spacemen, intricate rocket ships, and frightening aliens embodied classic space opera, and his influence remains visible in the work of many leading comics artists today." – Gordon Flagg, Booklist
"His covers are really noir: spirals, figures falling down through space, big spider webs, just great… The colors are all totally primary: just bright red, blue, almost no subtle colors… they really work." – R. Crumb
Wallace Wood fans love his sleek, preternaturally lush art, but they especially love the wonderment of his spectacular science fiction. This highly anticipated mouth-watering collection features over two dozen stories brimming with Wood’s meticulously detailed, genre-defining brushwork—all save the one Wood wrote himself on the typewriter of EC editor Al Feldstein. And with titles like "Spawn of Mars," "The Dark Side of the Moon," "A Trip to a Star," "The Invaders," "The Secret of Saturn's Ring," and "The Two-Century Journey," how can you go wrong? This is EC science fiction at its finest. Like every book in the Fantagraphics EC line, Spawn of Mars and Other Stories features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
The 1950s were also a launching pad for some of the greatest comic book artists in history, many of whom worked for EC—including Wallace Wood, whose hypnotically detailed, lushly expressive brushwork brought to life menacing thugs, ominous cityscapes, and small-town America, as well as Everymen grappling with profound moral issues—not to mention some of the most heart-stoppingly beautiful women ever to sashay across a comic book page.
Like every book in the Fantagraphics EC line, Spawn of Mars features extensive essays and notes on these classic stories by EC experts — but the real "meat" of the matter (sometimes literally, in the grislier stories) is supplied by these often lurid, sometimes downright over-the-top, but always compelling and superbly crafted, classic comic-book masterpieces.
"It’s remarkable to see art so twisted applied to such vivid pulp tales — almost as though Wolverton was trying his hardest to be Alex Raymond, but couldn’t help turning out images to rival Salvador Dalí." – The A.V. Club
Decades before Jurassic Park, Doc Dustibones brings Mickey to Cave-Man Island—a lost world where fossil monsters survive alive! From stampeding brontosaurs to saber-tooth tigers, all of Goofy's least favorite Stone Age scares are here… and Dustibones is building a blimp to carry them to America! What could possibly go wrong? Floyd Gottfredson produced a canon of legendary, rip-roaring tales starring Mickey as a daring, two-fisted hero—in a world-famous series of legendary adventures! Lost in Lands of Long Ago also includes several other stories and more than 30 pages of prehistoric extras! You’ll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a clan of Disney cave bears. Rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson's Mickey Mouse. Edited by Disney historian David Gerstein and Gary Groth.
"Reading Nancy in continuity, rather than in isolation, may be an unfamiliar experience, but it is one which reveals the strip’s patient and inquisitive reaction to the bric-a-brac and ins-and-outs of everyday life—an attentive curiosity whose effect is diminished by removing the comics from their daily or weekly contexts." – Sean Rogers, The Comics Journal
"Bushmiller's genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club
"…Nancy possesses in spades the quality common to all great art — a singularity of vision…. The clarity and unity of purpose made it quite impossible to miss a single punch line. Nancy is simplistic, yes — but it is simplistic by design, a strip without clutter, diagrammatic in its relentless formalism. Set against today’s comic-strip landscape, …the dumbness of Nancy starts to look like some kind of genius. The roly-poly, Brillo-mopped mischief-maker and her lowlife pal Sluggo stand eternal, as iconic as the puppets in a Punch and Judy show or the Columbines and Harlequins of commedia dell'arte." – Jack Feerick, Kirkus Reviews