The Rascals are back in another 100-plus vintage full-color pages of rollicking comedy and high adventure. Created in 1946 and 1947, these stories show Walt Kelly refining the style that would serve him so well for his later masterpiece — Pogo.
Much of this fourth volume is taken up with an extended four-part cycle of stories — almost a graphic novel, really! — in which Froggie and the Gang (including Julip the Goat) ship out with Professor Gravy on his showboat for an engagement downriver, which results (of course) in a series of action-packed adventures involving fisticuffs, gunfire, fireworks, and horse thieves. All this, plus more mundane kid pursuits such as a hotly-contested baseball game.
As always, series editor Steve Thompson is on hand to provide fascinating behind-the-scenes details on these marvelous stories, and beloved cartoonist Jeff Smith (Bone) provides an all-new cover. For anyone who loves those simple, innocent post-war times, the Our Gang stories are as refreshing as a 5-cent glass of home-made lemonade on a hot summer day.
“Kelly continues to take his version of the Gang further away from the typical ‘kid-jinks’ of the movies. He not only involves them in serious adventures but potentially life-threatening situations... For those of us ‘of a certain age,’ summers were filled with days when we were pushed out the door after breakfast and told not to come back until lunchtime, after which we were again sent out to play until supper. Just like the Gang kids, we wandered out of our own neighborhoods, met and interacted with strangers, fought and played with other kids, and so on. The Gang’s activities are more extreme than those of most of us reading the stories, but only in degree.” — from the introduction by Steve Thompson
Download an EXCLUSIVE 14-page PDF excerpt (9.7 MB) — that's a complete story!
THE LEGENDARY ANTI-WAR COMIC COLLECTED FOR THE FIRST TIME IN ITS ENTIRETY, NOW IN A 2010 SOFTCOVER EDITION.
Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan, Blazing Combat was originally published by independent comics publisher James Warren in 1965 and ’66. Following in the tradition of Harvey Kurtzman’s Two-Fisted Tales and Frontline Combat, Goodwin’s stories reflected the human realities and personal costs of war rather than exploiting the clichés of the traditional men’s adventure genre. They were among the best comics stories about war ever published.
Blazing Combat ended after its fourth issue when military post exchanges refused to sell the title due to their perception that it was an anti-war comic. Their hostility was fueled by the depiction of the then-current Vietnam War, especially a story entitled “Landscape,” which follows the thoughts of a simple Vietnamese peasant rice-farmer who pays the ultimate price simply for living where he does — and which was considered anti-war agitprop by the more hawkish members of the business community.
Writer Archie Goodwin and the original publisher James Warren discuss the death of Blazing Combat and market censorship as well as the creative gestation of the series in exclusive interviews.
Download an EXCLUSIVE 19-page PDF excerpt (3.4 MB) containing the first three stories. Also, click here to read Michael Catron's introduction to the book.
This item is available with two different cover designs. Please indicate your preference when ordering.
THE ACCLAIMED 2008 DEBUT, BACK IN PRINT IN A 2010 SOFTCOVER!
Abandoned Cars is Tim Lane’s first collection of graphic short stories, noir-ish narratives that are united by their exploration of the great American mythological drama by way of the desperate and haunted characters that populate its pages. Lane’s characters exist on the margins of society—alienated, floating in the void between hope and despair, confused but introspective. Some of them are experiencing the aftermath of an existential car crash—those surreal moments after a car accident, when time slows down and you’re trying to determine what just happened and how badly you’re hurt. Others have gone off the deep end, or were never anywhere but the deep end. Some are ridiculous, others dignified in their efforts to struggle to make sense of, and cope with, the absurdities, outrages, ghosts, and poisons in their lives.
The writing is straightforward, the stories mainstream but told in a pulpy idiom with an existential edge, often in the first person, reminiscent of David Goodis’s or Jim Thompson’s prose or of films like Pick-Up on South Street or Out of the Past. Visually, Lane’s drawing is in a realistic mode, reminiscent of Charles Burns, that heightens the tension in stories that veer between naturalism on the one hand and the comical, nightmarish, and hallucinatory on the other. Here, American culture is a thrift store and the characters are thrift store junkies living among the clutter. It’s an America depicted as a subdued and haunted Coney Island, made up of lost characters—boozing, brawling, haplessly shooting themselves in the face, and hopping freight trains in search of Elvis.
Abandoned Cars is an impressive debut of a major young American cartoonist.
2009 Ignatz Award Nominee: Outstanding Anthology or Collection
Download an EXCLUSIVE 16-page PDF excerpt containing the first two stories (2.2 MB).
This collection features over 120 pages of vintage Crumb comics starring the white-bearded, diminutive sage-cum-charlatan, ranging from charming, free-wheeling early '70s stories to the disturbing, controversial '90s stories (as seen in the Crumb movie), including the entire 40-page "Mr. Natural and Devil Girl" saga from Hup! (collected here for the first time in book form). Crumb's Mr. Natural is probably the most famous underground character of all (topping even Fritz the Cat and the Freak Brothers), recognizable even to "civilians." Don't miss this opportunity to snatch up this jam-packed collection of comics from one of the all-time masters, now available in hardcover for the very first time!
Now in FULL COLOR! This issue includes Jungle Princess battling rhino traders, a story of Broadway theatrics in “All About Drainage,” more of America’s favorite physicist/writer duo, Twain & Einstein, plus slightly cursed merchandise, Cockney grave robbers, and Cowboy Oscar Wilde.
Download an EXCLUSIVE 4-page PDF excerpt (4.7 MB) starring Jungle Princess!
Bonus Savings: Order the Thoroughly Thrizzled Pack containing Tales Designed to Thrizzle Vol. 1 (collecting issues 1-4 in a deluxe hardcover) plus issues 5 and 6 all together for a discounted price of $27.49 (a savings of about 7 bucks)! Order now and we'll ship you all 3 items when issue 6 arrives in our warehouse.
Do ideas of war and enemies hold a people together? Is a culture of conflict too seductive not to be irresistible? These are the questions Cathy Malkasian explores in her second graphic novel, Temperance.
Malkasian creates, as she did in the critically acclaimed Percy Gloom, a fully realized, multi-layered world, inhabited by vividly realized characters. After a brutal injury in battle, Lester has no memory of his prior life. For the next thirty years his wife does everything to keep him from remembering — and re-constructing — a society, Blessedbowl, that elevates him as a hero. Blessedbowl is a cultural convergence of lies, memories, stories, and beliefs. Its people thrive on ideas of persecution, exceptionality, and enemies, convinced that war lurks just outside their walls. They have come to depend on Lester, their greatest war hero, to lead the charge once the Final Battle begins.
What kind of enemy could topple such a people and its walls? Mere memory, it seems, as Lester gradually emerges from his amnesia. Temperance is an eyewitness’s account of recovery and awakening. The graphic novel works on two levels. It considers the concepts of violence, stories, and belief, and their place in holding a culture together, slyly echoing contemporary political issues in a nation at a stressful time currently at war with a ubiquitous enemy. Secondly, the fissures in Lester and Minerva’s marriage is echoed in the greater political upheaval around them.
Malkasian creates a densely textured social context, masterfully conveying the idiosyncratic physical domain with its spiraling structures and quasi-medieval architecture along with intimate yet plastic portraits of her characters in a rich, tonal pencil line. Temperance is a galvanizing work of empathy and violence by one of today’s most thoughtful and accomplished cartoonists.
2008 Eisner Award Winner: Russ Manning Most Promising Newcomer Award — Cathy Malkasian
Megan Kelso has proved herself a master of the cartoon short story with Queen of the Black Black (1998) and The Squirrel Mother (2006). With Artichoke Tales, six years in the making, Kelso expands her range (and her page count) by creating a family saga spanning three generations and an entire continent.
Artichoke Tales is a coming-of-age story about a young girl named Brigitte whose family is caught between the two warring sides of a civil war, a graphic novel that takes place in a world that echoes our own, but whose people have artichoke leaves instead of hair. Influenced in equal parts by Little House on the Prairie, The Thorn Birds, Dharma Bums, and Cold Mountain, Kelso weaves a moving story about family amidst war. Kelso’s visual storytelling, uniquely combining delicate linework with rhythmic, musical page compositions, creates a dramatic tension between intimate, ruminative character studies and the unflinching depiction of the consequences of war and carnage, lending cohesion and resonance to a generational epic. This is Kelso’s first new work in four years; the widespread critical reception of her previous work makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.
Bonus Savings: Order Megan Kelso's Artichoke Tales + The Squirrel Mother together for a discounted price of $31.99 (a savings of about 8 bucks)! Order now and we'll ship you both books when Artichoke Tales arrives in our warehouse.
FANTAGRAPHICS BOOKS AND ROSEBUD ARCHIVES ANNOUNCE PARTNERSHIP, LAUNCHING WEB SALES OF RARE AND BEAUTIFUL CARTOON ART IN A VARIETY OF FORMATS
SEATTLE WA, / DUMONT NJ, APRIL 8, 2010 --- Fantagraphics Books and Rosebud Archives have announced an agreement to market a wide variety of products related to vintage comics and posters, historical cartoons, advertising images, and illustration. The product lines will include prints, posters, framed art, books, stationery, and a hybrid format called the Rosebud PadFolio. The products are available for sale immediately on Fantagraphics.com:
“We are proud to be allied with Fantagraphics, whose commitment to quality and the advancement of the graphics arts has been notable for decades,” announced Rosebud Archives founding partners Rick Marschall and Jonathan Barli. “Our own commitment to preservation, restoration, and high historical standards are a perfect match with Fantagraphics.”
The core of Rosebud Archives’ image bank is arguably America’s largest private resource of comics-based popular culture, the collection of Rick Marschall, to which is added the collections of Jonathan Barli and several other major sources in the US and in Europe. Barli, veteran proprietor of Digital Funnies, is a specialist in restoration and themed compilations of cartoon art. He is a graduate of the School of Visual Arts.
Rosebud Archives releases will also include collectors’ editions of artwork created for, and featured in, Fantagraphics publications, including The Comics Journal and Nemo magazine. “The availability of Rosebud’s customized art objects is a perfect complement to the Marschall Books imprint we previously announced,” said Fantagraphics President Gary Groth. “Rick Marschall’s imprint will be a series of substantial volumes by individual cartoonists, thematic anthologies, and cultural collections of cartoon-related imagery. Rosebud will produce customized and short-run cartoons in various popular formats, which we’re very happy to provide on our website.”
Rosebud Archives was established in 2009 and has already released several lines of products that reflect the company’s vision. These early releases feature the work of George Herriman, ZIM, and Charles Dana Gibson; cartoon series by Gluyas Williams; prints of cartoons by Winsor McCay, Harrison Cady, and John T McCutcheon; and special art by Cliff Sterrett, George McManus, and Milt Gross. Specialty items include a “Krazy Kat” triptych and a Limited Edition portfolio of Marlene Dietrich photographic portraits. Boxed editions of works by great black-and-white cartoonists are issued under Rosebud’s “Shwartz and Weiss” imprint. Stationary items include notecards, postcards, and envelopes. Framed, frame-ready, and gallery-wrapped prints are also offered. The Rosebud Padfolio is a bound portfolio with detachable prints, a uniquely devised format.
Rosebud Archives offers its products on its own website (www.rosebudarchives.com), and has made all products available on the Fantagraphics Books website (www.fantagraphics.com). “A perfect synergy of serving the sophisticated comics connoisseur, and reaching collectors far and wide with proven integrity,” is how Marschall characterized the agreement between the two companies. Fantagraphics’ website offers all its books — by such cartoonists as R. Crumb, George Herriman, Charles Schulz, Hal Foster, Basil Wolverton, Gahan Wilson, Steve Ditko, Robert Williams, Daniel Clowes, Jim Woodring, Jaime and Gilbert Hernandez, and many others— directly to consumers. “We have tried to publish the best cartooning in the world, and Rosebud’s beautifully conceived art objects fits right into our aesthetic,” said Groth.
One of the highlights of The Search for Smilin' Ed (aside from the story and artwork, of course) is the full-color two-way foldout illustration of the Kim Deitch Universe, with an annotated guide in the back of the book. We thought it might be nice to give people an advance opportunity to explore this amazing illustration and familiarize themselves with Deitch's mind-bogglingly rich and complex world. Click the images above to open big honking JPGs in a new browser window (they're large files, so please be patient while they download). Here's what the foldout looks like in person: