A spectacular anniversary issue featuring intergenerational dialogues between the cream of the cartooning biz: Alt wiz Kevin Huizenga and reigning Maus king Art Spiegelman; indy comics publisher/cartoonist/musician Zak Sally and Love and Rockets co-creator Jaime Hernandez; Bottomless Belly Button auteur Dash Shaw and Asterios Polyp elder auteur David Mazzucchelli; inflammatory muckraker Ted Rall and editorial cartoonist Matt Bors; super-popular Zits! cartoonist Jim Borgman and newly syndicated Keith “Knight Life” Knight; Martin Luther King chronicler Ho Che Anderson and American Flagg! creator Howard Chaykin; cartoonist/Kramer's Ergot helmer Sammy Harkham and Eurocomics great/L'Association co-founder Jean-Christophe Menu; superhero neo-mythologizer Frank Quitely and Watchmen artist Dave Gibbons; award-winning Fun Home cartoonist Alison Bechdel and Slow Storm wunderkind Danica Novgorodoff; mainstream writing powerhouses Denny O'Neil and Matt Fraction; and Usagi Yojimbo creator Stan Sakai and cartoonist/educator Chris Schweizer. Plus reviews of Acme Novelty Library #19 and Asterios Polyp, the usual columns and features, and Noah Van Sciver penetrates the Fantagraphics ivory tower for a hilarious cartoon interview with TCJ honcho Gary Groth.
Now available for preview and pre-order: the momentous 300th isssue of The Comics Journal, our biggest issue ever, with an unprecedented collection of "intergenerational dialogues" between some of the best and brightest of the comics and cartooning world. It's a lineup that truly must be seen to be believed — which is why we're showing you right here, with a teaser of each and every conversation! View a photo & video slideshow preview of the book embedded below. Click here if it is not visible, and/or to view it larger in a new window (recommended so you can read them). This issue is scheduled to be in stock and ready to ship sometime later this month and in stores approximately 4 weeks after that (subject to change).
And here's an extra bonus: better late than never, a preview slideshow of the current issue of the Journal, #299 (with Bob Levin's incredible history of The Someday Funnies):
Now available for preview and pre-order following its best-selling debut at APE: Sublife Vol. 2 by John Pham. Continuing the serials "221 Sycamore St." and "Deep Space" from the previous issue, this new installment of the one-man anthology also includes the post-apocalyptic action-adventure tale "The Kid" and a few other one-off short strips. Download an exclusive PDF excerpt of the first 5 pages of "The Kid" right here. This book is scheduled to be in stock and ready to ship sometime later this month and in stores approximately 4 weeks after that (subject to change).
View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
Before the Amazing Spider-Man, before the mysterious Dr. Strange, before the black-and-white world of the Ayn Rand-inspired Mr. A, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko’s imagination.
Following up on Strange and Stranger: The World of Steve Ditko, Blake Bell’s 2008 best-selling critical retrospective of Ditko’s career, Strange Suspense: The Steve Ditko Archives Vol. 1 features, for the first time, spectacular full-color reprints of every story from those first two years of his career. Beginning with Ditko’s very first story to Ditko’s short stint in the Joe Simon/Jack Kirby studio, to Ditko’s eventual encampment at the Charlton Comics operation in 1954, readers will see the initial works of an artist already at a level of craftsmanship that exceeded most of his peers. The book also features editor Bell’s insightful introduction, providing historical background and speaking to Ditko's influence and his unique craft.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) containing two terrifying tales!
This gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art from the pen of Al Columbia, a longtime fan favorite contributor to comics anthologies like Zero Zero, Blab!, and more recently, Mome. Collecting over a decade’s worth of ‘artifacts,’ excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a book tells the story of Pim & Francie, a pair of childlike, male and female imps whose irresponsible antics get them into horrific, fantastic trouble. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to. Columbia’s brilliant, fairytale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Never have such colorful, imaginative vistas instilled such an atmosphere of dread, and with such a wicked sense of humor.
This is a comprehensive collection of Columbia’s Pim & Francie work, including paintings, comics, character designs, and much more, all woven into something greater than the sum of its parts, with Pim & Francie careening from danger to danger, threaded together through text and notes by the artist.
This is the first book collection by Columbia, a well-regarded talent amongst longtime fans of the alternative comic book scene, and one who will thrill an entirely new audience with the singular, inspired, fully-realized fantasies within Pim & Francie.
"The comics definition of gestalt, Pim & Francie may appear to be a book of random jottings, but don't let that fool you. Treat this barbed landmine like a book and you will be richly rewarded. Treat it like a sketchbook and end up with your hands lopped off and your mind empty. You have been warned." – Paul Karasik
(NOTE: The special limited Collectors Edition of this book, which will include an original sketch by Al Columbia, is still available for pre-order. Al will sign copies of the book on Saturday, Nov. 7, 2009 at Fantagraphics Bookstore & Gallery in Seattle: more info here.)
One man’s heartfelt and irreverent record of his time on this rock, Zak Sally’s unflinchingly veracious book, Like a Dog, is both direct and oblique, which we find rather miraculous considering the messy and murky waters of human experience it manages to navigate. Like a Dog is among the few comic book testimonials burdened by the yen to understand and articulate the mundane and the magnificent. Don’t be surprised if you find yourself laughing and crying as you claw your way through each hard fought page!
Of all of Sally’s creative pursuits (including a career in music spanning 15+ years), Like a Dog is the one he’s been working a lifetime toward. This hardcover book collects the best of his acclaimed short stories from the past 15 years, created in between band tours and recording sessions, published in his Eisner-nominated self-published series Recidivist (the first 2 issues of which are reprinted here in their entirety) and in publications like Mome, The Drama, Your Flesh, Dirty Stories, and more.
Like a Dog spotlights Sally’s uncanny ability to create emotional havoc out of claustrophobic images, situations and dialogue. Stories like “Don’t Move,” “The War Back Home,” and “Two Idiot Brothers” share little in common on the surface but are united by Sally’s forbidding style, creating a sense of dread that permeates almost every page.
Sally also turns his eye towards nonfiction in Like a Dog, including “At the Scaffold,” the story of the imprisonment and trial of Fyodor Dostoyevsky for allegedly subversive behavior, and “The Man Who Killed Wally Wood,” a story about Sally’s brush with a former publisher of the legendary comic artist (who, contrary to the title of this strip, took his own life after a long battle with alcoholism). It also includes two collaborations: “Dread,” written by NEA Fellowship recipient, Edgar Award finalist, and O. Henry Award winning author Brian Evenson (Altmann’s Tongue); and "River Deep, Mountain High," co-created with fellow cartoonist Chris Cilla.
Like a Dog also includes extensive “liner notes” by the artist, previously unpublished material, an introduction by John Porcellino (King Cat), and other surprises.
If you are a current subscriber, details about the transition from your old subscription to your new one have been sent to you in the mail. We've made sure that, in every case, current subscribers will come out ahead on the deal.
Going forward, all new subscriptions will begin with the first issue of our new expanded semi-annual edition, no. 301, due Summer/Fall 2010, until the issue is released; after that, they will begin with the issue following the currently-available issue (e.g., when no. 301 is released, subscriptions will begin with no. 302, and so on). This means that if you purchase a subscription now and you don't want to miss issue no. 300, you will have to purchase that issue separately when it becomes available. We apologize for this slight, unavoidable hiccup in our subscription schedule.
If you have any questions, please feel free to contact us.
Here after a slight delay is our preview video/photo slideshow preview of Popeye Vol. 4: "Plunder Island". I went slightly overboard with this one but holy smokes is there a lot of great stuff in this book! Click here if the embedded player is not visible above, and/or to view it larger in a new window (recommended). And don't forget our exclusive 15-page PDF excerpt (6.4 MB) with 5 pages of Sundays and 10 pages of dailies is still available for FREE download!
Attendees at this year's SPX had the opportunity to pre-order the regular edition at a discounted post-paid price of $100 (cover price: $125) and collect the signed silkscreen print; we are extending this offer to all pre-orders direct from Fantagraphics by offering the edition for $92 + shipping (which should be $8 for customers within the U.S., unless you are a 20/20 Club member, in which case the shipping is FREE within the U.S. and you get an additional 20% discount). This discount applies ONLY to pre-orders and will end without advance notice when the set is in stock and ready to ship, sometime in December. In other words: don't dilly-dally!
Click here to pre-order the regular edition and receive your exclusive print and discount; click here to pre-order the limited Collectors Edition, which does not come with the silkscreen print but does include exclusive extras of its own, including a glow-in-the-dark letterpress print and box set of holiday card facsimiles. Stay tuned to Flog for more information and previews of both editions, coming soon!
Now available for preview and pre-order following its hit debut at APE: The Troublemakers by Gilbert Hernandez. A drug dealer, a rock 'n' roll loser, and über-stacked vixen, and a wily grifter: these greedy low-lifes are chasing the hard luck charm! This second book in Beto's series of "Fritz movie adaptations" (following Chance in Hell) is a lurid, hard-boiled, pulpy delight! Get a sizzling taste by downloading our exclusive PDF of the first 12 pages right here (one word: catfight!). This book is scheduled to be in stock and ready to ship sometime in the next 2 weeks and in stores approximately 4 weeks after that (subject to change).
View a photo slideshow preview of the book embedded here. (A video preview will debut exclusively in the near future — we'll let you know!) Click here if it is not visible, and/or to view it larger in a new window (recommended).