Now available for preview and pre-order: Blazing Combat, the first-ever complete collection of the legendary 1965-1966 war comic written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan. This book is scheduled to be in stock in late March/early April and in stores approximately 4 weeks later.
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And visit the product details page for a downloadable, 19-page PDF excerpt containing the first three stories!
The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton. If the reader is expecting to find an All-American group of altruistic do-gooders, he in for quite a jolt. As Jonathan Lethem writes in his Foreword, “A collection like Supermen! works like a reverse-neutron bomb to assumptions about the birth of the superhero image: it tears down the orderly structures of theory and history and leaves the figures standing in full view, staring back at us in all their defiant disorienting particularity, their blazing strangeness.” Beautifully designed and produced in full color, Supermen! contains twenty full-length stories, ten full-sized covers, a generous selection of vintage promotional ads, and comprehensive end notations by editor Greg Sadowski, making it indispensable to anyone interested in the origins of superheroes and the history of the comic book form.
Mother, Come Home is Paul Hornschemeier’s piercing graphic-novel debut, long out of print and now available for the first time in hardcover. It secured the cartoonist’s place as one of his generation’s most skillful and ambitious practitioners, and proved a harbinger of the subject matter that the artist would go on to explore most consistently in later work: the nuclear family.
Mother, Come Home quietly studies the inner lives of recently widowed David and his 7-year-old son, Thomas; both are unable to deal with their grief directly. Thomas, protected by a lion’s mask that his mother gave him, constructs an identity for himself as “the groundskeeper”: ritual and routine, already important to children that age, become paramount to him. He struggles desperately to keep up appearances while his father, a professor of symbolic logic, becomes lost in abstractions. Father and son begin to retreat into their fantasies, but only one emerges.
Mother, Come Home is masterfully drawn: Eisner-, Harvey-, and Ignatz-Award-nominated Hornschemeier’s controlled brushwork is clean, and his nine-panel page layouts pace David’s inexorable descent into utter despair. Hornschemeier is equally precise when it comes to Mother, Come Home’s color palette: subdued but warm, which suits the story’s melancholy and contemplative mode. Mother, Come Home is a powerful work with universal themes of anguish and loss.
Hoping to further increase his irrelevance to the esteemed world of graphic novels and thus cement his status as “former cartoonist,” the saturnine Ivan Brunetti (author of the acclaimed Misery Loves Comedy and editor of Yale Press’s two essential Anthologies of Graphic Fiction, Cartoons and True Stories) has compiled HO!, which collects the vast majority of his morally questionable, aesthetically confused — and absolutely gut-busting — “gag” cartoons.
Culled mostly from out-of-print work (Hee! and Haw!) and other anthologies, the contents are discreetly presented in an uninviting, funereal package of unglamorous black and white. Hopefully, this will keep the impressionable, young, and faint-of-heart unintrigued and at a distance, while those who appreciate a touch of the gallows in their humor can enjoy an uncomfortable chuckle or two before the merciless thumb of oblivion grinds us all into less than dust.
HO! further cements Brunetti’s reputation as the contemporary king of the gag cartoon, a sentiment echoed by noted comedian Patton Oswalt (The King of Queens, Comedians of Comedy) in his introduction.
Bizarre, wacky, weird, wild and sexy — these are just a few of the adjectives that describe the cartooning of Boody Rogers. Before there were underground comics, Boody Rogers dug deep into breaking the rules; before their was low-brow art, Boody created art that hit hard below the brow. Rogers’s pen and ink outré raucousness was wrapped into great stories, beautifully drawn art, and hilarious gags. Fans of Boody Rogers’s Golden age comic book stories span generations of cartoonists, from Robert Williams to Art Spiegelman to Johnny Ryan. Spiegelman printed Rogers’s work in RAW magazine and recently it also appeared in the anthology book Art Out of Time: Unknown Comic Visionaries (Abrams). Here at last is a single book devoted to this cult comics hero, collecting Rogers's best Sparky Watts, Babe and Dudley stories, as well as much more. This beautifully designed tome also includes an introduction and comic-strip appreciation by editor Craig Yoe (Arf).
Tony Millionaire's Maakies is one of the best and most popular weekly comic strips in America, running in over a dozen of the largest U.S. weekly newspapers including the Village Voice, L.A. Weekly and Seattle's The Stranger. The strip has also been adapted into the hit animated series The Drinky Crow Show on the Cartoon Network's popular Adult Swim. Designed by publishing's foremost graphic designer, Chip Kidd, Drinky Crow's Maakies Treasury collects the second five years of the strip (previously reprinted in the volumes When We Were Very Maakies, The House at Maakies Corner and Der Struwwelmaakies) in a beautiful, deluxe, landscape hardcover format that complements the strip's elegant and classical style.
Maakies features the comical high-seas adventures of a booze-soaked corvid (Drinky Crow) and his equally-soused simian pal (Uncle Gabby), blending vaudeville-style humor and a breathtaking line that hearkens back to the glory days of the American comic strip. The twosome also sometimes makes room for their stuffed-toy alter egos, a clockwork alligator, various other land-, air-, and sea-borne fauna, the Author and his Editor, the heavens, architecture, and occasional guest strips (by Kaz, Renee French, Eric Reynolds and others) and fumetti.
Maakies suggests a contemporary collaboration between E.C. Segar, creator of Popeye, and seafaring novelist Patrick O'Brian (Master and Commander). Millionaire has won multiple Harvey and Eisner Awards and is also the creator of the popular Sock Monkey and Billy Hazelnuts books.
Read Love and Rockets en Español! This translated edition of The Education of Hopey Glass comes to us from our colleagues at La Cupula in Spain. We're pleased to offer this treat for L&R collectors and Spanish-reading fans in the U.S. (and around the world)! See the description in Spanish below:
Maggie está casi ausente en esta última recopilación de Love and Rockets ya que Jaime Hernandez se centra en Hopey, la amiga de toda la vida de Maggie, y en su ex novio Ray. Y además, un vasto reparto de secundarios: Grace, el otro amigo de Hopey; Elmer, un electrificante autoproyecto de gánster; el callejero y endurecido Doyle; la divertida "Angel de Tarzana"; la madura pero aún marchosa Terry, así como la misteriosa superheroína Alarma.
En una de las dos principales líneas argumentales, Ray persigue a la peligrosa y molesta "Voz de rana", aspirante a actriz y perpetuo desastre, por bares de mala muerte, callejones y convenciones de comics... Siempre a la espera de una última e inseparada consumación. Mientras, en "Día a día con Hopey," Jaime demuestra su maestría a la hora de representar el pálpito de la vida cotidiana en el retrato de Hopey luchando con su nuevo empleo y sos amantes que van y vienen. Una semana más en la galopante educación de Hopey Glass.
Click here to read the University of Cincinnati's spotlight on faculty member C. Tyler and her development of an innovative program that helps combat veterans and their families to tell their stories using the medium of comics, with the help of Tyler and her students. The program was inspired by Tyler's latest work, the 3-part graphic memoir You'll Never Know, wherein Tyler recounts her father's WWII combat experiences and the impact the war had on him and his family. You'll Never Know Book 1: A Good and Decent Man is due from Fantagraphics Books later this Spring.
Now available for preview and pre-order: Drinky Crow's Maakies Treasury, the latest compilation of Maakies strips by Tony Millionaire. This volume, designed as a sequel to Premillennial Maakies (and to introduce fans of TV's The Drinky Crow Show to the source material), collects the second 5 years of the strip (previously reprinted in the volumes When We Were Very Maakies, The House at Maakies Corner and Der Struwwelmaakies) in a single thick volume splendidly designed by Chip Kidd. This book is scheduled to be in stock in early March and in stores approximately 4 weeks later.
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And visit the product details page for a downloadable, 20-page PDF preview!
In all its many guises, sex has been around for a long time. Back in the 1930s it was these little eight-page sex comics that became the talk of men's clubs, bars and some of the rougher workplaces. Famous Sunday-funnies cartoon characters were the earliest, and most popular, targets of these XXX-rated parodies; a parade of Hollywood actors and actresses madly copulating in a wide variety of positions soon followed. These "Tijuana Bibles" were so popular in their day that fans anxiously awaited new releases; men and boys got a genuine education when they realized there was more than one position that could be used to have sex. As the years went on, pornography evolved into men's girlie magazines, and then today's adult film industry; one look at these sexy, silly little comics will have you hankering for the good ol' days.
This fat hardcover volume collects all of Vols. 1-3 and most of Vol. 4 of the original Tijuana Bibles softcover series. Like those volumes, this book features a new original cover illustration by Pat Moriarity. This volume also includes comics historian R.C. Harvey's introductory essay "Getting Our Pornograph Fixed."