Dash Shaw's Doctors has been optioned by Twentieth Century Fox. Producer David Goyer (Batman Begins; Man of Steel; The Dark Knight) has jumped on board to adapt Shaw's sci-fi graphic novela into a feature film.
"I'm curious and excited to see what they do with it," says cartoonist Dash Shaw.
Doctors is centered around a machine called the Charon that can bring a dead person back to life by manipulating the memories of the recently deceased. The creator of the device, Dr. Cho, has found a way to make death into a profitable venture. When a young woman loses her mother in a tragic accident, she calls on Cho and his team to bring her mom back. But what happens if a person doesn't want to come back? Part science-fiction thriller, part family drama, part morality play for the 21st century, Doctors packs a lot of story into 96 pages.
"From the moment I read Dash's first draft of this book, I could picture it as a film, so this is exciting news," explains Fantagraphics Associate Publisher Eric Reynolds.
VP of Production at Fox, Matt Riley, will be overseeing the project. Further details have yet to be released.
The latest issue of The Believer, published by McSweeney's, has a very sweet drawing of Barnaby on the cover! You can grab a copy of it at your nearest bookstore or from the McSweeney's website yourself! Vol. II, Issue #9 features a fun cover by J. Otto Seibold and stories on Indiana's efforts to renew urban areas, the SoCal feminist art scene and more.
Wondering about Barnaby by Crockett Johnson, edited by Philip Neland Eric Reynolds? You have come to the exact right place! Volume one of the little tyke running around and keeping his fairy godfather out of trouble during World War II came out earlier this year and volume two is in the works.
That's right, just BEST. Okay, okay, the alt-weekly newspaper actually sang our praises as the Best Local Publisher. Brian Miller mentions some of our heavy-hitter cartoonists and that "Among an important sector of literate Americans who favor comics and graphic novels, the name [Fantagraphics] is as recognizable as Boeing or Starbucks. Which is not to say it's ever gone corporate, or ever will."
When Dorothy first finds herself in Oz, the whole world refocuses and shifts from black and white to full color. The time has come for Peanuts to turn a page into the same spectrum! Coming in the Fall of 2013, Fantagraphics will be releasing Peanuts Every Sunday: 1952-1955 in resplendent remastered colors. Each volume will contain four years of Sunday comics just the way Charles M. Schulz intended, in crisp full color released annually. You don't have to be a white witch to see the beauty in these comics.
Publisher Gary Groth stated, "We always felt that the best format for The Complete Peanuts was a black and white reprinting of every Peanuts strip ever drawn and that reprinting the Sunday strips in color would be too distracting. But, we always wanted to reprint just the Sunday Peanuts in full color at a size closer to what they were originally printed in in the newspapers — and so we are, gloriously re-colored using Charles Schulz's original palette." Created by Charles Schulz in 1950, Peanutsran for 50 years until he retired on February 12th, 2000. He passed away that day with one final strip ready to print.
$49.99 Hardcover • 288 pages Full color • 12.75" x 10" ISBN: 978-1-60699-692-8
Designed as a series of ten massive coffee-table quality books, each one containing a half-decade's worth of Sunday strips, Peanuts Every Sunday is a book to be enjoyed any day, not just Sundays. Recolored by Joanne Bagge, the striking colors of the Red Baron dashing across the sky to the soft blue hue of Linus' blanket to Woodstock's fuzzy yellow head all grace the pages of Peanuts Every Sunday. Enjoy the secret pleasure of seeing Charlie's original zigzag shirt in many colors before becoming its trademark yellow.
Don't be a blockhead – get ready for for the majestic beauty of Charles M. Schulz in full color.
FANTAGRAPHICS BOOKS TO PUBLISH IN CASE WE DIE, A NOVEL BY DANNY BLAND
SEATTLE, WA 1/23/13 -- Fantagraphics Books is proud to announce the forthcoming summer 2013 publication of In Case We Die, the first novel by longtime Seattle music figure Danny Bland, which follows a pair of addict outsiders who find themselves locked in the palpable, dizzy grunge-rock drug scene of '90s Seattle. The book will also be supported by a unique audiobook project from Seattle's Local638Records.
It wasn't the pounding headache or the all-too familiar taste of blood in my mouth that woke me that morning, but the stink of cat piss. They all have cats. Cats and bad tattoos and mops of dyed black hair that reek of cigarettes and watermelon Bubblicious. They all have ripped fishnets and dark red lips and Daddy issues.
Both love story and horror story, In Case We Die is a semi-autobiographical and visceral story of love, crime, addiction, redemption and revenge. Bland, a 25-year veteran musician (The Dwarves, Cat Butt, Best Kissers In the World) and road manager (Dave Alvin and the Blasters, The Supersuckers) and longtime Seattlite, brings his own experience to a harrowing tour through Seattle's darkest underground.
"When I first read a draft of In Case We Die, I did it purely as a favor to Rachel [Flotard, proprietor of Local638]," said Fantagraphics Associate Publisher and acquiring editor Eric Reynolds. "Rachel is hard to say no to. But I read it and loved it and actually tried to convince Danny to get an agent, and sell it to a big NY house who could land him a big movie deal. I actively discouraged him from thinking about Fantagraphics. But Danny told me all the reasons he thought that would be a bad idea, and I knew we were kindred spirits. He's shown great faith in us packaging the book he envisions and I'm proud to make that happen, because it's a book I'll be particularly proud of not just as a publisher, but as a Seattlite. It's a quintessentially Seattle novel."
Vulnerable to the high relief of heroin addiction, Bland's characters — Charlie Hyatt and Carrie Finch — are beloved, unapologetic protagonists whose epiphanies are as blinding as their weaknesses. Finch, 21, beautiful and dangerous, drowns out the voices in her head and the consequences of a misled life with electric guitar, booze and petulant misbehavior. Her single abiding faith takes the form of an unlikely savior — 60s psychedelic musician Roky Erikson. At the ripe old age of 28, Hyatt attempts to make sense of the cards he has been dealt; a miserable job, a drug habit he cannot afford and the wildly unstable woman he had chosen to love.
In Case We Die will also exist as a remarkable audio book project to be released by Local638Records [ http://www.local638records.com ]. An exclusive roster of legendary artists, musicians, actors and friends have lent their support and donated their talent by reading and recording chapters of the book including Dave Alvin (Blasters, Knitters), Greg Dulli (Afghan Whigs, Twilight Singers), Duff McKagan (Guns & Roses), Donal Logue (Sons of Anarchy, American Splendor), Blag Dahlia (Dwarves), Wayne Kramer (MC5), Eddie Spaghetti (Supersuckers), John Doe (X, Knitters), Jacob Pitts (actor, Justified), Damien Echols (West Memphis Three), Mark Lanegan (Screaming Trees, Queens of the Stone Age), Rob Delaney (comic, Twitter superstar), Lou Beach (author, artist), Steve Earle (singer, songwriter, actor), Mark Boone Jr. (Sons of Anarchy), Amiee Mann (singer, songwriter, actress), Marc Maron (WTF podcast), John Sinclair (White Panther Party, MC5 manager), Lew Temple (The Devil's Rejects, The Walking Dead), Mark Arm (Mudhoney) and others t.b.a., with a portion of the proceeds benefitting MusicCares, a non-profit organization helping musicians and roadies gain sobriety and obtain medical care.
Two damaged people can balance a seesaw for a long time, even finding the illusion of safety; but when one gets off unannounced, the other will fall. As Finch finds sobriety, her sanity and her relationship with Hyatt falter until an inevitable event brings the two back together a decade later.
In Case We Die will premiere in Seattle this July with a number of local events t.b.a. promoting the release, with a wide release in August.
"Our anti-hero is floating in a tiny lifeboat made of heroin, graveyard shifts & rock music. His companions are two fabulous women; a bombshell who robs banks & a beautifully pale rock violinist who can barely dodge suicide. ICWD is much funnier & more satisfying than any other junkie rock'n'roll tragedy." – John Doe (X)
"Bland is a brutally funny and bravely honest writer. A perfect guide through the bloodshot streets and desperate bedrooms of the underground wilderness." – Dave Alvin (Blasters)
"In Case We Die is a poetic and elegant journey ... straight to the gutter." – Wayne Kramer (MC5)
"A great piece of work — full of filth and heart." - Steve Earle
"A suitably Peckinpah finale. Bravo. It has been like a traveling dream state and sometimes familiar look into the abyss." – Greg Dulli (Afghan Whigs)
"I am a believer in what Bland has to say. He writes with eloquence, candor, darkness, and humor....the good stuff!" – Duff McKagan (Guns N' Roses)
"In Case We Die is a riveting, funny and sometimes tragic story that I couldn't stop reading. It's a tale as beautiful as it is brutal. Addiction, love and music in the seedy underworld of rainy Seattle in the 1990's … the prose are so vivid I had to pinch myself to make sure i wasn't back there again. Danny is a modern Charles Bukowski." – Mike McCready (Pearl Jam)
15 seasons. 1,072 games. 41,011 minutes of basketball. Every kid, fan and often other players wished they could "Be Like Mike." The man who inspired a generation of children to lace up their high-tops will be depicted in a kinetic graphic novel fit for the greatest basketball player of all time. Wilfred Santiago, the creator of the acclaimed and best-selling 21: The Story of Roberto Clemente, depicts Jordan's public successes, private struggles and all the noise in between in his dynamic full-color graphic novel called Michael Jordan: Bull on Parade.
Eric Reynolds, Associate Publisher and known ball-hog, had this to say on the upcoming release in March of 2014: "Wilfred's dynamism makes Jordan as visually electric as a Kirby superhero comic, but Santiago also brings a good biographer or documentarian's passion for getting at the essence of his protagonist. I can't believe there aren't more American comics like this, but few cartoonists have the skill and feel for the subject of sports to pull it off as artfully and maturely as Wilfred."
While reading Michael Jordan: Bull on Parade you will smell the sweat, hear every squeak on the parquet floor and feel the "swish" on every nothing-but-net shot. Jordan went from being a teenage and college superstar to leading the Chicago Bulls to six NBA Championships. To quote Santiago, "Michael Jordan is a once in a lifetime phenomenon. Add the exhilarating game of basketball and you get one hell of a graphic novel." We couldn't agree more. Coming to your home court in spring of 2014.
The living will forever be obsessed with death and those who have started on that grand adventure before them. This Fall, Fantagraphics presents two books to capture the imagination and haunt each and every night by the young and talented Julia Gfrörer and Ben Catmull.
The push and pull, ebb and flow of the water calls out to all men. In this harrowing new graphic novella, Black Is the Color, Julia Gfrörer delicately hatches away this sailor-at-sea story until the reader drowns in imminent destruction. Gfrörer states, "Black Is the Color is my most ambitious single story comic to date, and I'm thrilled that Fantagraphics will be publishing it in a format that matches my vision for the work." Originally serialized at the Study Group web collective, Gfrörer's work is as seductive as the mermaids she draws beneath the waves.
Continuing his expanding Fantagraphics catalog, Ben Catmull's chilling compendium of long-forgotten and still-occupied haunted houses joins his 2006 critically-acclaimed Monster Parade. "For Ghosts and Ruins I wanted to take my obsessions with ghost stories, abandoned architecture, and forgotten history and illustrated them with images full of shadows, atmosphere, and texture. I'm looking forward to see how people react to a book that approaches the horror genre not with adrenaline fueled sadism or tongue in cheek goofiness but with haunting meloncholy and a little deadpan humor," Catmull summarizes. This coffee-table sized collection is the perfect gift for the future ghost in your life, and fans of Edward Gorey and Tim Burton are sure to enjoy these sweeping landscapes that echo of loss, dilapidation and dread.
Fantagraphics continues its line of acclaimed literary manga with new classic Nijigahara Holograph by Inio Asano. As society slowly spirals into darkness an unexplained explosion in the butterfly population is just the first of many curiosities in the town where rumors of a creature in a tunnel under the school spread like wildfire. A curse haunts the town as the story follows the scapegoat, Arié, who is plunged into the tunnel's horrors and offered up to the creature. Many other characters harbor secrets, grudges, suicidal thoughts, and the physical scars of battles lost. How are they all linked and can the citizens of the town live with what they've done as the years creep by? Asano's mysticism and slow terror take over the town in the span of a decade as told in two timelines.
NijigaharaHolograph is scheduled for release in February 2014 and Asano joins Shimura Takako (Wandering Son) and Moto Hagio (The Heart of Thomas, A Drunken Dream and Other Stories) in the Fantagraphics line of premium manga by the world's greatest cartoonists. Translated by Matt Thorn, this 200 page book of beautiful black and white comics will be printed in gorgeous hardcover edition and presented in original "right to left" manga style for an authentic reading experience. Inio Asano's previous translated works include Solanin and What a Wonderful World and he continues to create new work in Japan as one of the young voices of his generation.
Pick up the latest issue of Rue Morgue Magazine for an exclusive print-only 5-page feature by April Snellings on Four Color Fear: Forgotten Horror Comics of the 1950s, which provides historical context, quotes from editor Greg Sadowski and comics historian Peter Normanton, and of course lots of lurid and grisly images from the book: "The full-colour volume reprints more than three dozen of the very best non-EC [horror] titles... Some of these stories pack a punch even by today's jaded standards."
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