Our next Don Rosa Library book is here, filled with more richly dense and action-packed stories featuring our favorite duck family! It's easy to lose oneself in the page after page of Don Rosa's stories and artwork, and we may in fact have been slightly delayed in putting up these photos, such was the draw of reading each and every tale. And—what's this?—the first box set collecting volumes 1 and 2 of the Don Rosa Library is at our office as well?
Even the most devoted Peanuts fan will be surprised by revisiting Schulz's last decade of work. Schulz's cartooning has never been more expressive, and his sense of humor never more unencumbered by formula or tradition. In one sequence, the gang waits… and waits… for a school bus that never comes. Another shockingly showcases Charlie Brown hitting a game-winning home run—off Roy Hobbs's great-granddaughter? Then, Linus lobbies the White House to nominate Snoopy for a Supreme Court seat (it would go to Ruth Bader Ginsburg). Woodstock discovers his long-lost grandfather's diary, detailing a hard life in captivity (birdcage). Snoopy lands in the hospital with pneumonia, and all three of his brothers—Andy, Spike, and Olaf—come pay their respects. This is the 22nd volume (of 25) of the best-selling series collecting every single one of the 18,000-plus strips created by Schulz from 1950-2000.
"Drew Weing’s beautiful art and masterful pacing are so pleasurable that Set To Sea stands up to multiple reads. It’s a catchy little tune that sounds better with each spin.” – The AV Club
"The book contains very little dialogue, so it’s Weing’s images themselves that do the narrative work. And they’re a singular mix: in the foreground, bright, cartoony figures that look like they’re moonlighting from an E.C. Segar Popeye comic strip; in the background, densely crosshatched, painstakingly detailed seascapes." – NPR
"With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal
"Peanuts was, is, and will continue to be the finest comic in the world. Bravo." – Ray Bradbury
"The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it’s really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz’s iconic comics strips so timeless." – Evan Narcisse, Kotaku
The precocious sock monkey Uncle Gabby, his innocent pal Mr. Crow, and their tiny doll-friend, Inches, are the heroes of this funny, unsettling, and all-new Sock Monkey storybook. Convinced that their human, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, our heroes bravely venture into the Haunted Woods to rescue her. The epic quest that follows takes them by sea, land, and air through many fantastic lands and introduces a cast of fanciful characters and creatures including the Trumbernick (the pixie shaman of the forest), a giant sea monster, the Guardsmen of Bear Town, and a flock of flying harpies. Beloved by adults and children, Sock Monkey hearkens back to all-ages fantasy-adventure such as The Wizard of Oz or Alice in Wonderland.
The central character of Set to Sea is a big lug and an aspiring poet who runs up tabs at the local bars by day and haunts the docks by night, writing paeans to the seafaring life. When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor's life a bit rougher than his romantic nautical fantasies, but he learns to live — and love — a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonious funerals, foreign ports, and unexpected epiphanies. By the end of his life, he's found satisfaction in living a life of adventure and finding a receptive and appreciative readership. What more could one ask for? Set to Sea is part rollicking adventure, part maritime ballad told in visual rhyme. Every page is a single panel, every panel is a stunning illustration, every illustration a part of a larger whole that tells a story in the deft language of cartooning.
In the opening pages of The Late Child and Other Animals, a new biographical memoir out from acclaimed artists and powerhouse duo Marguerite Van Cook and James Romberger, Van Cook's mother Hetty navigates the ruins of Portsmouth, where Nazi bombings have destroyed buildings and started fires. Meanwhile, her husband Fred—with whom she has decided to adopt a child—is stationed somewhere in North Africa.
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