As part of our "Tardi Tuesday" presentation, here is a "lost" preview of West Coast Blues , one of the batches of photos & video that we never got a chance to upload last summer. Better late than never! Click here if the embedded player isn't visible below or to enlarge it in a new window (recommended).
Both a rip-roaring adventure series set in pre-World War I Paris and a parody of same, Adèle Blanc-Sec has been enchanting, thrilling, and puzzling readers worldwide through four decades.
With various American attempts to publish Adèle having dribbled into nothing decades ago, Fantagraphics Books, fresh from its triumphs with Tardi’s West Coast Blues, You Are There, and It Was the War of the Trenches, launches a spectacular, newly retranslated, hardcover series that intends to collect every one of its nine (soon ten) volumes.
In this premiere installment, Adèle becomes involved in an interlocking series of mysteries that involve a revived pterodactyl, a frightful on-stage murder, a looming execution by guillotine, and a demon from the depths of hell — plus of course moronic gendarmes, loyal (or perhaps traitorous?) henchmen, and a climax atop the Eiffel Tower.
The Adèle Blanc-Sec series is currently being adapted into a series of films by the renowned action director Luc Besson (The Professional, The Fifth Element), bringing this quirky, very French series to a new worldwide audience.
"...Plot twists aplenty, including a murder or two, as well as a parade of mysterious characters and double-crosses... In crisp drawings with just the right combination of caricature and architectural precision, Tardi wonderfully captures turn-of-the-century Paris." – Publishers Weekly
Download an EXCLUSIVE 12-page PDF excerpt (2.7 MB) with the beginning pages of each story.
We have reached the landmark 20th volume of Mome. For those of you who read the box scores, that’s 5 years, 20 volumes, 72 artists, and 2,352 pages of comics.
Much is new in this anniversary volume. Fantagraphics' flagship anthology now boasts a new design courtesy of art director Adam Grano (who also chips in a few pages of art), and we have 4 other artists making their Mome debuts: Steven "Ribs" Weissman's haunting story "This Already Happened" makes its first appearance in print after being serialized at What Things Do; Sergio Ponchione provides a full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); and we welcome Chicago stalwart Jeremy Tinder and Portland illustrator Aidan Koch to the fold with their new stories.
From our returning champions: another "Blind Date" from Dash Shaw; a forest fable from Sara Edward-Corbett; part 2 of "The White Rhinoceros" from Josh Simmons and The Partridge in the Pear Tree; the continuation of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and cover-boy Ted Stearn's "Fuzz and Pluck in: The Moolah Tree" serials; another atmospheric Conor O'Keefe story; a star-studded story in verse from Nate Neal; and more autobiographical vignettes by Nicolas Mahler. It all adds up to another diverse and rewarding volume of this literary comics juggernaut.
Download an EXCLUSIVE 15-page PDF excerpt (4.3 MB) with a page from every artist in the issue, plus the Table of Contents.
Richard Sala has created a blog with a special 13-page sneak peek at his upcoming graphic novel The Hidden, which is now available for pre-order. Originally scheduled for release this fall, the book is now slated for early next year. Richard apologizes for the delay and promises that this book will be a bit different than anything he's done before. Judging from the preview pages he's posted, it's going to be a doozy of a book!
Head over to ICv2 to check out an exclusive 5-page excerpt from Rip M.D., the all-ages graphic novel written and drawn by Mitch Schauer, inked by Michael Vosburg and produced by the creative forces at Lincoln Butterfield, coming later this month from Fantagraphics.
I shot a photo & video preview of the 2009 first softcover edition of Charles Burns's Skin Deep last summer, but never had time to upload it, and it slipped through the cracks for many months — until now! You get to ogle this amazing book and I finally get to cross it off my to-do list. Click here if the embedded player isn't visible below or to enlarge it in a new window (recommended).
Ghost World just recently went into its 17th softcover printing, so we thought we'd take the opportunity to create one of our world-famous video & photo preview slideshows for our most famous graphic novel and — why not? — offer it for 17% off for a limited time!
Ghost World has become a cultural and generational touchstone, and continues to enthrall and inspire readers over a decade after its original release as a graphic novel. Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author's name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus. Adapted into a major motion picture directed by Terry Zwigoff (director of the acclaimed documentary Crumb), which was nominated for an Academy Award for Best Adapted Screenplay. This graphic novel is a must for any self-respecting comics fan's library.
In Zippy’s latest collection of daily and color strips (with additional pages!), the tour of “Dingburg” continues; we drop in on dozens of Dingburgers and observe them in their natural habitat. The city “inhabited entirely by pinheads” can be seen as a metaphor for the world we live in today — or not.
In any event, we watch as Zippy the Pinhead and his fellow Dingburg residents hunt and bag “Speedy Alka Seltzer,” hear voices in their refrigerators, become addicted to Riboflavin, enjoy fondling newsprint, believe that “wahoo bark” attracts the opposite sex, and worship Joan Rivers.
There’s also the extended series in which Zippy has a long (and donut-based) conversation with God and another in which we meet a pinhead poet who bears a striking resemblance to Charles Bukowski. Are we having fun yet?
In Nate Neal's first full-length graphic novel, the author explores the primal mysteries and sordid inner workings of a Paleolithic cave-dwelling tribe, creating an original "silent" reading experience by using symbols instead of words.
When a mysterious nomad girl is offered up as an item of trade, she seeks refuge by forming a tenacious friendship with the local cave-painter turned outcast. Together they set out on a dangerous mission to bring truth to their corrupt tribe with the help of their new discovery (via some psychotropic mushrooms): drawings that tell a story. Subsequently, they become enmeshed in the violent power struggles and sensual intrigues between the alpha males and alpha females.
In The Sanctuary, art, inspiration, and communication is in conflict with tradition and law, and then ovel dramatizes the moral imperative of man facing the truth even at the cost of his, and society's, lives.
Featuring its own delicately crafted Paleolithic language, The Sanctuary breaks new ground by bringing complex ideas to the page with primal immediacy and sophistication through Neal's adroit use of pantomime storytelling that provide many layers of symbolism and meaning. This is a darkly comic journey through a prehistoric re-imagining of art and comics.
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