Norman Pettingill is a true underground cartoonist, known and admired by a small coterie of cartooning connoisseurs, but completely unknown in the wider world.
Norman Pettingill was an avid trapper and fisherman from Northern Wisconsin, and a self-taught artist. In 1947, at the age of 51, he created hundreds of pen-and-ink drawings and marketed many of them as postcards, printing and distributing them himself. His cartoon drawings were relatively huge and his postcards, therefore, had to be uniquely over-sized at 7” x 10”. He combined a gift for the fine detail and verisimilitude of illustration with the visual exaggeration and outrageous wit of cartooning.
By merging his fascination with nature and backwoods culture with his wild sense of humor, he depicted an out-of-control hillbilly wonderland of talking grizzlies, dancing morons, nightclubs, giant mosquitoes, tumble-down shacks, pipe smoking grannies, flying skunk fur, google-eyed drunks, hilarious hunting mishaps and moonshine soaked fishermen! Pettingill’s world is reminiscent of Al Capp’s Li’l Abner comic strip, but Pettingill’s hillbilly heaven is made grittier and more tangible by his obsessive penwork and the attention he gives to each teetering outhouse, every overflowing spittoon and each wiry hair growing out of a mountain man’s warty face. He reveled in exposing the commercialization of outdoor activities, debunking the romance of a woodsman’s life, and demythologizing the expertise of the outdoors-man. His landscapes and drawings of wild animals could be breathtakingly wondrous, and even his most grotesque depictions of hillbillies were fused with a love and respect for the rituals of a primitive life in the boondocks.
This book is the first published retrospective of Pettingill’s work, containing over a hundred of the artist’s best and rarely seen drawings, printed in an oversized format under a unique cover printed on plywood.
Rand Holmes was Canada’s most revolutionary artist in his heyday, the star cartoonist at the Georgia Straight newspaper in British Columbia during the 1970s. His hippie hero, Harold Hedd, became the spokesman of the emerging counterculture as he avoided work, explored free love, and flouted drug laws. The Adventures of Harold Hedd spread across the globe in the wave of underground comix and newspapers of the era and Holmes became famous — or at least notorious. While his comic character was bold and blatant, the artist was shy and quiet, well on his way to becoming a complete hermit.
This book is an intimate and expansive account of a very private man who expressed his deepest feelings in the then disreputable medium of comix. “He didn’t talk much but he sure wrote a lot,” avowed his widow Martha. This biography/retrospective includes generous selections from his private journals and correspondence, family photo albums, sketchbooks, and personal anecdotes from his friends and colleagues. His artistic history began haltingly on the lonely windswept plateau of Edmonton, flourished in Vancouver and San Francisco, and concluded peacefully on Lasqueti Island, a remote backwater in the Straits of Georgia where he lived out his dreams of pioneering and homesteading.
Holmes’ life story is richly illustrated with drawings, comic strips, watercolors, and paintings that span his whole career, from the hot rod cartoons he drew as a teenager, dozens of covers for the Georgia Straight, pornographic cartoons for the sex tabloid Vancouver Star, to complete comic stories from Slow Death Funnies, Dope Comix, All Canadian Beaver, Death Rattle, Grateful Dead Comix, and many more. The full-length Harold Hedd comic novels, Wings Over Tijuana and Hitler’s Cocaine are reprinted in their entirety together for the first time. This unique collection of art documents a lifetime of work by one of the most talented artists of his generation.
Holmes died in March 2002 from Hodgkin’s lymphoma, and his ashes are buried next to the Art Centre he helped build on Lasqueti Island. A retrospective exhibition of his original work was held five years later at the community hall.
Author Patrick Rosenkranz met Holmes in his salad days and remained in touch throughout his life. The Holmes family gave him complete access to their art collection and personal files, and encouraged him to tell the whole truth about Rand Holmes’ life and work.
Download an EXCLUSIVE 22-page PDF excerpt (9.5 MB) which includes the first 5 pages of the biography, the entire 7-page story "And Here He Is... The Artist Himself!" and the first chapter of "Harold Hedd in Hitler's Cocaine."
We have four new issues of Ignatz Series series coming soon, available individually or get all 4 for the price of 3 in our Ignatz Summer 2010 Super-Pack! One of them comes with a special exclusive bonus, and to help you catch up on the stories, all back issues of these 4 series are 20% off for a limited time! Read on for details.
In the concluding chapter of Sergio Ponchione’s dreamworld masterpiece, the mysteriously omnipotent O’Blique and the inquisitive Professor Hackensack wrap up all the loose ends, as we see what happened to the three protagonists of the first issue, and what Cryptic City is now like after the cataclysmic events of #2-3. Oh, and we also learn the meaning of life — all in Ponchione’s wildly inventive, super-detailed graphics.
In the climactic final issue, a tormented Angela finally finds her way into “The Forest” and final peace. We could tell you what happens to the other denizens of the apartment building whose lives we’ve been following throughout this 4 issue series, including a struggling couple, the kids, the Creature That Lives in the Basement and Feeds on Dreams, and his envoy the White Rabbit, but wouldn’t you rather find out for yourself?
32-page duotone 8.5" x 11" saddle-stitched softcover with jacket • $7.95 (part of the Ignatz Series ) ISBN: 978-1-60699-421-4
Ships in: July 2010 — Pre-Order Now http://www.fantagraphics.com/niger3
Peculiar happenings in the Burnt Spruce Forest take the spotlight away from the rapidly-growing Dolly. Answering last issue’s question, “What are those crackling and rumbling sounds emanating from Wingman’s nest?,” a rock suddenly sprouts wings! A meeting is convened among the birds and the theory is advanced that it’s a fossilized egg suddenly sprung to life. Back at Cesare’s nest where Dolly lives, a monstrous intruder once again threatens to cut short her brief life...!
32-page duotone 8.5" x 11" saddle-stitched softcover with jacket • $7.95 (part of the Ignatz Series) ISBN: 978-1-60699-426-9
Ships in: July 2010 — Pre-Order Now http://www.fantagraphics.com/sammythemouse3
Our hero Sammy finally gets a chance to sit by himself — but for only three pages! There's more disembodied voices telling Sammy what to do which is followed by the anger, frustration, cursing and free-floating dread you've come to love from this gorgeous, surreal, FUNNY-animal series. Where the heck is Puppy Boy? What's that shovel for? Why all the terrified glassy-eyed staring off into nothingness? You may or may not find out in Sammy the Mouse #3!
While supplies last, get a FREE limited-edition print with this issue! These two-color prints were hand-pressed by Zak Sally and are signed and/or embossed with the La Mano Press seal.
On his blog, Drew Weing has posted 103 pages (so far) of his forthcoming graphic novel Set to Sea, so head on over there for a huge sampling of the book and tune in every other day or so for a new page. (Of course, we hope you'll also read the story in book form!) Drew is also a thoughtful commentator whose posts are always worth reading.
The central character is a big lug and an aspiring poet who runs up tabs at the local bars by day and haunts the docks by night, writing paeans to the seafaring life. When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies. He helps rebuff a pirate assault, survives a gunshot to the eye, and learns to live — and love — a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals, foreign ports, and unexpected epiphanies. By the end of his life, he’s found satisfaction in living a life of adventure and finding a receptive and appreciative readership. What more could one ask for?
This is Drew Weing’s debut graphic novel, after honing his craft with numerous, lovingly produced self-published comic stories. Drawn in an elaborate crosshatched style that falls somewhere between Gustave Doré engravings and E. C. Segar’s Popeye, Set to Sea is part rollicking adventure, part maritime ballad told in visual rhyme. Every page is a single panel, every panel is a stunning illustration, every illustration a part of a larger whole that tells a story in the deft language of cartooning.
Do you wish to separate the jolly good fellows from the dour sour pusses from those who seek to ASCEND TO THEIR SIDE DEGREES — but you suffer from lack of imagination when it comes to constructing elaborate hazing rituals and DEVICES? Does fake vomit, joy buzzers and a party pack of fake moustaches only produce yawns, rather than giggles, among your once-merry members? Well, look no further than Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes, in which the manufacturers De Moulin Bros. & Co. from Greenville, Ill. feature the finest electro-dropo benches, goat-shaped tricycles, electric branding irons (and much much more)!
Not only does this 1930 catalog, reproduced with marvelous 21st century machinery, provide tightly rendered pen-and-ink period illustrations and detailed product descriptions, it also has helpful how-tos and scripts to aid in the pulling of these pranks on initiates!
(WARNING: Fantagraphics Books is in no way responsible for any resultant maiming, crippling, immolation, or disfigurement resulting from the construction and/or use of devices pictured in this catalogue. At least, we don’t think so.)
Today, DeMoulin Bros. & Co. is one of the largest suppliers of costumes for marching bands in the United States. But in 1930 the company produced an amazing array of props and devices created specifically to be used in minor “hazing” of candidates in the side degrees of various fraternal organizations. The great 1930 DeMoulin Bros. & Company Fraternal Supply Catalog No. 439 is truly a holy grail for the prankster, arm-chair sadist and those interested in the some of the zanier historic arcana lurking behind that neighborhood odd-fellows lodge.
This is the ultimate desert-island book for pranksters looking for something edgy and new to dream about, Rube Goldberg-like devices created to instill terror and bemused respect, before the candidate ascends to receive a more sublime form of illumination. All in good fun, it is — or was — the American way!
The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.
Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.
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