"Charles Schulz was an American treasure — an artist, philosopher, and keen observer of human life." – Bill Clinton
"The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well any lifelong fan could’ve hoped." – "The Best Comics of the '00s: The Archives," The A.V. Club
"The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child..." – TIME
"Fantagraphics has won numerous awards for this series and they deserve them all for creating such a wonderful archive of this American treasure. This series is a must have for any Peanuts fan and can be enjoyed by the whole family. I wouldn't miss a volume." – The Christian Science Monitor
"Fantagraphics' heroic project (designed with subtle, quiet beauty by the caroonist called Seth) enables us to glimpse the moment when 'good ol' Charlie Brown' could say with frowning vehemence, 'The rest of this day can’t possibly hold any good for me!'... [Grade:] A” – Entertainment Weekly
“Over the last few decades, Jim Woodring has been drawing a series of wordless, blissfully cruel slapstick fables, set in a world of grotesque entities and psychedelic minarets: half unshakable nightmare, half Chuck Jones cartoon filtered through the Bhagavad Gita.” – Douglas Wolk, The New York Times Book Review
“When most people try to employ dream logic in their work they fail miserably but Jim Woodring is great at it. The closest thing to a peer he might have is David Lynch but even that’s a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him.” – Nicholas Gazin, Vice
For the past 20 years or so, Jim Woodring’s beloved trilobular chuckbuster Frank has enjoyed one mindbending catastrophe after another in the treacherous embrace of The Unifactor, the land into which he was born and from which escape seemed neither desirable nor likely. And then, abruptly, in 2011’s acclaimed Congress of the Animals (the second Woodring orginal graphic novel, following Weathercraft) Frank did leave the Unifactor for uncharted lands beyond — where, after a string of trials, he acquired a soulmate named Fran.
This development raised far more questions than it answered. Would Frank become placid and domesticated? Would he be jilted? Would he turn out to be a dreadful cad? Would he become a downtrodden and exhausted paterfamilias staring vacantly into the dimming fire of life as obnoxious grandchildren pulled his peglike ears and stole his porridge?
The answers to these fruitless speculations and many more are delivered in a devastatingly unpredictable fashion in Fran, which is in effect part two of Congress of the Animals. Fans of Frank, connoisseurs of bizarre romance, and spelunkers in the radiant depths of graphic metaphysical psychodrama will want to add this singular cartoon adventure story to their lifetime reading list.
"The Complete Crumb series is especially useful in reminding us that Crumb has continued to evolve through the sixties. His more recent work is quieter and more literary... The most recent installment, collecting material originally published in Weirdo magazine, contains some of Crumb's best work." – The National Post
"The Complete Crumb Comics is an indispensable and beautifully executed effort." – L.A. Weekly
"This collection is a fascinating insight into one of the most talented and intriguing cartoonists to have graced us with his art. The entire series is highly recommended." – Library Journal
"This volume contains what, in my humble opinion, are two of the best conceived, most complex stories I ever drew: 'Cave Wimp' and the last 'Mode O'Day,' Composing plotlines for stories was never one of my strong points. I always preferred to more or less make it up as I went along and let it resolve itself at the end. These two stories are more tightly plotted and 'layered' than I had been capable of before (or possibly since.). There's a reason why this happened at that particular time, why I suddenly acquired this higher level of story-telling skill. It was not something I intentionally set out to do. I was pushed into it by circumstances that I allowed to carry me along, as usual." – R. Crumb, from the introduction to this volume
136-page black & white/color 8.5" x 11" softcover • $19.99 ISBN: 978-1-60699-684-3
New 2013 printing! Ships in Ocbober 2013 (subject to change) — Pre-Order Now
The 17th volume of the comprehensive and multiple award-winning Complete Crumb Comics series — nominated for both 2003 Harvey and Eisner Awards — completes the 1980s and leads into the 1990s. This was a creatively fertile period for Crumb, who had given up the editorial reins of his own legendary Weirdo magazine, allowing him to get back to the proverbial drawing board. Included are Crumb's contributions to Weirdo from this period, as well as work from Whole Earth Review, Zap Comix, Premiere magazine, as well as many other rare gems. Featured are classics including "Cave Wimp" — the story of the first nerd — and "A Short History of America," amongst other Crumb classics. This volume, as with all volumes, includes a new introduction by Crumb as well as a new cover. The Complete Crumb series leaves no stone unturned, publishing everything from Crumb's most well-known comics to little-seen commercial art and rarely-if-ever seen treasures from private collections and the artist's archives.
"Fantagraphics' Crumb project advances into wilder, woolier, scarier, more fantastic, and lewder and still lewder territory... This is definitely X-rated material — make that triple-X! — but it's brilliant, scabrously hilarious, absolutely basic to understanding the 1960s American counterculture, and authentically mind-blowing." – Booklist
"I guess I ought to be talking about my artwork in these introductions, but how th' hell can I talk about my own work?? What can I say about it? My pissant little fame had made my life so completely crazy by this time. Circa 1970 was such a weird time anyway... I'd rather brag about all the fun times I had with different women, kvetch about the craziness they put me through." – from the Introduction by R. Crumb
1991 Harvey Award Winner, Best Domestic Reprint Project
It's Peanuts! Every Sunday strip, in full color, together for the first time ever! What else do you need to know? OK, here are some other relevant facts:
• Using the same archival sources as The Complete Peanuts series, the line art has been crisply restored to our usual standards.
• The coloring is all-new, done by the lovely and talented Joanne Bagge (of the Seattle Bagges) and based on original tear sheets. As you can see in the excerpt, it's vibrant but slightly muted to give the same feeling as when the strips were originally printed on newsprint.
• Designed by our own Jacob Covey -- bold, yet understated.
• It's big -- fully twice the size of each volume of The Complete Peanuts!
• Yes, there will be slipcased sets. 10 volumes in total (released once a year), 5 box sets (every 2 years).
Our downloadable excerpt gives you the first 3 months of strips to read for free! The book is due in November for your holiday gift-shopping needs. Pre-order now for soonest delivery!
Robert Crumb enters the '70s with this, the sixth volume in Fantagraphics Books' all-inclusive reprint series. This includes a couple of genuine rarities (some of them so obscure they didn't even make the Crumb Checklist), as well as all of Crumb's work from Big Ass #1, Zap #4 (including the legendary, much-busted, X-rated "Joe Blow" teen incest strip), the remarkably offensive Snatch #3 and Jiz #1, the classic Despair, and the second issue of Motor City — classics all. The volume also includes a 16-page color section (with rare covers from the first three Gothic Blimp Works), a sumptuous cover by Crumb, and an insightful intro by the Man himself (no, not Stan Lee). Absolutely indispensible, and now back in print!
Consensus is that 2013 is the Year of Gilbert Hernandez, and his roll continues with a brand-new original graphic novel, Maria M. Book 1, the latest in his "Fritz B-Movie" series. These books are stand-alone stories that spin off from his long-running continuity, so they can be enjoyed by new readers and longtime fans alike. This newest volume is of especial interest to old-school Love and Rockets aficionados, seeing as how it's a retelling of the classic "Poison River" story (which can be found in Beyond Palomar) as adapted into a b-movie (told in comic form). And the star of the picture just happens to be portraying her own mother. Somebody call a psychologist... oh wait, she used to be one!
Presenting a special reel of preview footage — er, that is, a 13-page excerpt — for you to view and download. This book should arrive in stores in November (with Book 2 due in 2015); get a jump on the action by pre-ordering right here.
"…[A] fascinating treasure trove of an anthology... the book serves as the history of a movement." – Publishers Weekly
"This is altogether riveting stuff, a host of guerilla comics from so many different hands offering an astonishing variety of visual experiences." – Rich Kreiner, The Comics Journal
"Newave! is an astonishing collection... In an era when some cartoonists are learning how to create minicomics as part of a formal art education, Newave! should be a crucial text." – Rob Clough, The Comics Journal
"...[A] gorgeous, utterly essential document ... Newave! is not only an ideal package for such an anthology, it’s done an immeasurable service to the comics medium as a whole. Beyond that, it also just might realign your synapses… [Grade] A" – The A.V. Club
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